Write a review on the fairy tale The Nutcracker and the Mouse King. Analysis of Hoffmann's Christmas fairy tale "The Nutcracker and the Mouse King"

Widely known thanks to the ballet of P.I. Tchaikovsky (1892) the tale was written by E.T.A. Hoffmann in 1816. Name "The Nutcracker and the Mouse King" connected with the plot basis of the work, built on the collision of two fairy kingdoms- Puppet and Mouse.

The main character fairy tale becomes the daughter of a medical adviser - seven-year-old Marie Stahlbaum. The story is narrated in two artistic spaces - a real one (the Stahlbaum house) and a fantastic one, which disintegrates into two fantasies (Marie - a transformed living room with animated toys and a journey through the Puppet Kingdom; senior court counselor Drosselmeyer - "The Tale of the Hard Nut") plot.

What is happening with the girl is presented by Hoffmann as real story, which each reader can explain in his own way. The author's appeals at the beginning of several chapters are addressed to the little Fritz and Marie, that is, to children who perceive everything that is being told as the truth. Adults can be satisfied with the point of view of the girl's parents, who believe that Marie had a wonderful dream. Skeptics will love the opinion of Wendelstern, the medical adviser and surgeon, who believe that the baby's story is a common fever caused by illness. Fritz, as a representative of the older generation of children, treats his sister's story as a fantasy, with the help of which he himself makes his soldiers come to life. Each version of what is happening has its right to life, but Hoffmann himself does everything to make the reader believe Marie.

One of the adult heroes of the tale is the girl's godmother Drosselmeyer and, according to Marie, and, in his own words, belongs to two worlds at once: in the real one, he is a senior adviser to the court and at the same time a skilled watchmaker and mechanic, in the fantastic he is a court wizard and watchmaker ... At first, Drosselmeyer is perceived by the girl as a hostile, evil inclination - she believes that under the guise of an owl he muffled the clock and called the Mouse King into the living room; she takes offense at him for refusing to help her nephew, who was turned into the Nutcracker by Myshilda; deep down she is unhappy with the fact that he does not take her side too clearly when adults laugh at her, but "The Tale of the Hard Nut" explains a lot to Marie, and she begins to act within the framework own forces and ideas about the future of the Nutcracker.

The fantastic world of the fairy tale is displayed in the work in two temporal layers - the past (the story of the conflict between the royal family, who loves sausages, and the queen of mice - Myshilda, who turned the beautiful princess Pirlipat into an ugly woman) and the present (the story of the return of the former appearance to the Nutcracker and his struggle with the seven-headed son of Myshilda) ... Marie's wonderful adventures begin on Christmas night (December 24-25) and continue for at least a week and three nights: the girl spends the first seven days after her elbow injury in bed listening to fairy tales; the following nights, she gives the Mouse King her sweets in exchange for the Nutcracker's life.

The fairy-tale world of the work periodically penetrates real world Shtahlbaumov: parents see their daughter's gnawed sweets, completely sincerely surprised at how this became possible, because they never had mice in their house; Marie presents to the adults the seven golden crowns of the Mouse King, presented to her by the Nutcracker; god Drosselmeyer brings his nephew to the house, surprisingly similar (appearance, clothing) to the young man from "The Tale of the Hard Nut".

The doll kingdom, through which Marie travels with the Nutcracker, is a world of sweets and is another Hoffmann's interpretation of the classic romantic the symbol of the sublime dream- in this case, the dreams of a nursery. Little Mademoiselle Stahlbaum sees around her an ideal space from the point of view of a child, whose base consists of candies, oranges, almonds, raisins, lemonade, almond milk, gingerbread, honey and sweets. The inhabitants of the Puppet Kingdom are distinguished by their amazing beauty and grace and are made either from sweets or precious metals and stones. Christmas theme in the fairy-tale world it is embodied in the form of the Christmas forest and the periodic appearance of the number twelve (according to the number of months in a year) - at the beginning in the form of twelve arapchat accompanying Marie and the Nutcracker on the Pink Lake, then twelve pages meeting children near the Marzipan Castle. The third element of a child's dream is flowers - for example, "Luxurious bouquets of violets, daffodils, tulips, levkoy" decorating the main building of the Puppet Kingdom.

In the fantastic world of children's fairy tales, Hoffmann introduces features inherent in real, adult life: so the image of the pastry chef, whom Marie encounters in Konfetenburg, embodies idea of ​​god in whose power "Do whatever you want with a person".

The magic kingdom from "The Tale of the Hazelnut" has no name. It represents the world of the classic fairy tale of a beautiful princess bewitched by an evil witch, with the only difference that Hoffmann is already at initial stage includes in it his inimitable irony (the king is a sausage lover, the queen prepares lard for the royal spouse with his own hand, the court wizard to restore the princess to her former appearance, at the beginning dismantles her for parts), and ends up completely unconventionally - with the second transformation of the main character and the refusal of the princess marry a freak. The fairy tale is destroyed by the inner callousness of Pirlipat, but it becomes reality thanks to good heart Marie Stahlbaum. An ordinary girl is a princess, not by birth, but in spirit: it is no coincidence that she is reflected in the waters of the Pink Lake in an appearance that she remembered from the stories of the godfather as belonging to a fairy-tale princess.

The thin line between the real and the fantasy world is based on darkness, silence and / or the absence of adult characters: toys in the living room come to life at midnight; The Mouse King and the Nutcracker come to Marie's room when everyone is asleep; the battle between toys and mice ends with the girl's fallen shoe; Marie's return from the Doll Kingdom takes place in the morning, after waking up; The transformation of the Nutcracker into Drosselmeyer's nephew is carried out when Marie says that she would never refuse him because of his unattractive appearance, and with a sharp crash falls from the chair.

This fairy tale by Andersen plunges the young reader into the world of endless magic, into the world of childhood and fabulousness. I think that there is not a single child who would not dream of a small castle in which small creatures live, and with whom he can talk and be friends. This is the story in this tale. The doll comes to life, fights the mouse king, defeats him, and the little observer girl helps him. And all this is very exciting and exciting for the little reader. He imagines it all as if in reality. A fairy tale gives a child a chance to believe in a miracle.

The real Christmas story "The Nutcracker and the Mouse King" is one of Hoffmann's most striking works. Both adults and young readers like it very much and simply cannot leave indifferent.

Artistic features of the fairy tale "The Nutcracker and the Mouse King"

In his work, Hoffmann combines the genre of a Christmas fairy tale with the most unusual childhood fantasies. The following features of the work can be distinguished:

1. The main actors there are not only people, but also animated toys, enchanted mice, etc. Among human characters, Drosselmeyer stands out, who the word is in both worlds (real and fabulous) at the same time.
2. Compositionally "The Nutcracker" is a "fairy tale in a fairy tale". Inside the main story, which takes place in the Stahlbaum house, another is told, about the magic nut Krakatuk and the war of mice with the Nutcracker family.
3. The author uses a very unusual and colorful storytelling language. The fairy tale contains many vivid descriptions (Christmas trees, gifts from Drosselmeyer, battles of dolls and mice, etc.), which allow you to better feel the atmosphere of the story and imagine what is happening.

Review of the fairy tale "The Nutcracker and the Mouse King"

This story struck me as very unusual and interesting. She not only creates a unique Christmas atmosphere, but also teaches the reader a lot. For example, it is never too late to believe in fairy tales.

Of all the characters, I remember the god Drosselmeyer the most. He is a very unusual and original character. It is the Godfather who tells the children about the magic nut, he knows the story of the Nutcracker from the very beginning and tries to help Marie.

Evil in this tale is represented in the form of mice. The cruel Mousehilda and the mouse king are punished according to their merits, and this makes the story happy and truly fabulous.

There are many interesting episodes, but most of all I remember the moment of describing the magic kingdom of the Nutcracker. This is a wonderful world of sweets and toys, in which incredible creatures from all over the world live. I just want to be there and see it all with my own eyes!

And, of course, we must not forget about the happy ending. Marie finds her real Nutcracker and finds happiness. The book ends on a bright note, it is festive and joyful, so I will recommend it to all my friends.

"Tchaikovsky" On the troika "" - the November image in the play by P. Tchaikovsky. And only you were silent, silent, silent. How many different images are united by the content of Tchaikovsky's play. Compare. Let's characterize the content of each section of the play. November - "On the Troika". Generalization. Who is he. You hear how sorry, how sorry, how sorry. And it became so clear to us, so clear, so clear.

"Nutcracker Ballet" - But it's too late. Let's fill our hearts with music. Second action. The room was empty. The action takes place in an old German town in early XIX century. P. Tchaikovsky ballet "Nutcracker". The tree lights up with cheerful, multi-colored lights. Acquaintance with fragments of the ballet "The Nutcracker". The Nutcracker is saved. Mice fill the whole room.

"Plays by Tchaikovsky" Children's Album "" - Disease of the doll. March of wooden soldiers. Tchaikovsky went abroad. Mazurka. Morning prayer... Baba Yaga. The guy plays the harmonica. Italian song. Russian song. Collection. Peter Ilyich Tchaikovsky. Tchaikovsky. Professor of the Moscow Conservatory. Neapolitan song. Pyotr Ilyich Tchaikovsky "Children's Album".

Tchaikovsky The Nutcracker - The Nutcracker. Pyotr Ilyich Tchaikovsky "The Nutcracker". The history of the creation of the "Nutcracker" is simple. The young heroine was danced by one of the students of the Ballet School. A modern fairy tale for adults and children. Majestic facade The Bolshoi Theater... Successful premiere. Performers. Libretto and choreography. Ekaterina Maximova.

"The Seasons of Tchaikovsky" - August. December. I.E. Grabar "Hoarfrost", XX century, State Tretyakov Gallery P.I. Tchaikovsky "The Seasons" (Near the Fireplace). October. Museum fine arts named after Pushkin. May. Output. Fundamental question. April. Can you see the music? What is primary and what is secondary? January. September. Music and painting.

“The work of Tchaikovsky” - P. Tchaikovsky wrote: “From Venice I took with me a very nice song. Spanish period. In general, in Italy, I had a pleasant musical experience. " Naples. The capital is the city of Paris 49 ° N. NS. 2 ° East e. Investigation of the influence of impressions received from travels around the world on the composer's work.

There are 18 presentations in total

On Christmas Eve, Marie and Fritz, in an atmosphere of mystery "... the lamps were not brought into the room, as it should be on Christmas Eve" dreamed of gifts from their godfather. Marie - “... the godfather told me about beautiful garden… There is a large lake, a miracle of what beautiful swans with golden ribbons on their necks swim on it,… then a girl will come out of the garden and feed them… ”The garden is an image of ideal peace, harmony and order. The lake, according to myths and legends, magic place... Water symbolizes the feminine principle. The swan is a romantic symbol of pure love, inseparability, but at the same time - death, transformation. According to Friedel Lenz "instinctive, pure, very strongly latent essential force." Drosselmeyer appeals to the inner, spiritual forces of Marie. Lays faith in a miracle, anticipation and anticipation of it. Creates a beautiful image of the future (everything predicted by Drosselmeyer Marie will find in the magical Puppet world of the Prince of the Nutcracker). Drosselmeyer himself symbolizes the difficult path that must be passed to the wonderful lake "it was a small, wrinkled man with a wrinkled face ..." based on the ballet "Swan Lake") speaks of Marie's involvement in the world of subtle reality, of her chosenness.

Hoffmann was an artist in the broadest sense. His main passion was music. He was not only a talented performer and conductor, but also the author of several pieces of music. It is no coincidence that based on Hoffmann's fairy tale The Nutcracker and the Mouse King, Marius Petipa created the libretto and choreography, and PI Tchaikovsky - music, and in 1892 the Nutcracker ballet appeared on the stage of the Mariinsky Theater. It seems that the tale is written not just in words, but already has sound, rhythm, melody in it. Hoffmann did not write it as a ballet libretto, but it looks that way. There is mystery, and love, and the struggle between good and evil, and a wonderful divertissement at the end. Music originally lives in this fairy tale and turns it into a special magical work of art.

Drosselmeyer's very first gift on this Christmas Eve was “a wonderful castle with many mirrored windows and golden towers inside which tiny graceful figures were moving. The children really wanted to play with the castle, change the order of movement of the little men. But Drosselmeyer says: “None of this is possible. The mechanism is made once and for all, it cannot be altered. " Such a gift is not for playing, you can break it, it is for looking at, admiring. This is a lesson for acceptance - it happens in life - you can't change anything, but you can understand the patterns.

Drosselmeyer is the central figure of the tale, connecting different spaces and times. He is a longtime friend of the Stahlbaum family, senior court counselor, godfather to Marie and Fritz; and at the same time a royal watchmaker and wizard; and also a great artisan in the manufacture of intricate toys - a master who has achieved such perfection in his art that what he has made with his hands comes to life. Drosselmeyer is outwardly unsympathetic, strict and demanding, impartial. On the eve of all the extraordinary events, Marie sees him on the clock instead of an owl and is very frightened. By its appearance, it marks the border between the worlds. In everyday reality, a gilded owl sits on the clock, as soon as the clock strikes 12, Drosselmeyer appears there. The owl is a symbol of wisdom, but also witchcraft, a night bird, in the medieval Western Europe it was believed that witches could turn into owls. Drosselmeyer appears instead of an owl and as if warns Marie: "Don't be afraid, but be careful!" For Marie, Drosselmeyer is a godfather, and just like the fairy godmother gives Cinderella a royal ball and a happy meeting with the prince, Drosselmeyer gives Marie a fairytale world and a meeting with the Nutcracker. He embodies the image of the Sage.

Drosselmeyer tells the children "the tale of the hard nut". The tale describes the conflict between the kingdom of the parents of the princess Pirlipat and the world of mice Myshilda. Myshilda eats lard intended for a "sausage feast", the king takes revenge on her, and Myshilda casts a spell on the princess. But the appearance of the princess is amazing from the very beginning "... a baby was not born more beautiful than a princess, ... while she was born with two rows of little teeth, as white as pearls, with which two hours after birth she dug into the finger of the Reich Chancellor ..." Teeth are the oldest emblem of aggressive force ... Hoffmann very subtly unites all these characters (both mice and people) into the "world of nibbles" who adore "sausage feasts" and makes it clear that, in essence, there is no difference between them.

German Christmas is unthinkable without the traditional juicy sausages. Sausage for the inhabitants of Germany is a symbol of home, prosperity, stability, which came from the Middle Ages. Having eaten lard for sausages, Myshilda thereby encroached on the foundations of the kingdom. Another tradition is a variety of Christmas sweets, the mention of which fills the whole fairy tale. In wealthy German families, sugar figurines lingered for a long time, they stood like figurines in tall sideboards. Marzipan, sugar dolls, dragees, gingerbread men, caramels and, at the end of the tale, a whole sweet magical world - the Doll Kingdom with Almond and Raisin Gate, Christmas forest, Almond milk lake with Lombard nuts, Candied Gingerbread Grove, Candy Meadow and the village. All this is the top of the art of confectionery. Hoffmann contrasts the satiety of the "sausage feast" with the beauty and grace of the "land of sweets", which is a true work of art.

Drosselmeyer, the court watchmaker and miracle worker, was ordered to "return the princess to its former appearance, or at least indicate the correct means for that, otherwise he would be put to shameful death by the executioner." Together with the court astrologer, they find a way to rid the princess. “It is enough for Pirlipat to eat the kernel of the Krakatuk nut. This hard nut was to be gnawed and, closing his eyes, brought to the princess by a man who had never shaved or worn boots. Then the young man should have retreated seven steps without stumbling, and only then should he open his eyes. " Walnut - a symbol of wisdom, but also of supernatural powers, is used in witchcraft, it is believed that it brings good luck to lovers. After going through many trials, the Nutcracker will really find his love, but in the story of Pirlipat, luck will turn away from him.

One of the conditions is - "not shaved and not wearing boots." Shoes are generally associated with the presence of some point of view, that is, you need a very young, inexperienced, naive young man, on the other hand, capable of cracking a very hard nut.

The 7 step condition may indicate the 7 main masculine archetypes. According to Pythagoras, who said: "Everything in the world is numbers", numbers can be collectively considered as acting forces that order and regulate the universe. V general interpretation odd numbers are the personification of the masculine, positive and active. In the Bible, 7 personifies integrity and rules over time and space. For Kabbalists, this is firmness that personifies victory. The Nutcracker stumbles on the seventh step - the last test fails, and the ugliness of the princess passes on to himself. What is the most difficult test? Judging by the fact that now his fate depends on the outcome of the battle with the mouse king, the Nutcracker lacks firmness - “the strength of war”. The fact that Pirlipat turns away from him for the better, why does the Nutcracker need an outwardly beautiful, but spiritually ugly princess.

The number 7 in this tale is found further - the seven-headed mouse king, 7 golden crowns presented to Marie as a sign of the Nutcracker's victory over the mouse king. Since the number "seven" (heptad) includes a triad and a tetrad - heaven (divinity) and earth (humanity), it means cosmic order and the Nutcracker, by his actions, restores the order violated by the omnipotence of mice.

There is another subtlety in this story. Drosselmeyer and the astrologer find both the nut and the one who will crack it, but the king is informed only about the nut. They have a cunning plan "... after many break their teeth on a nut for no reason, the king will give the princess, and after death and the kingdom as a reward to the one who chews the nut ..." Behind the Nutcracker's actions is self-interest and calculation, Evil prevails - The Nutcracker is bewitched, a seven-headed mouse king appears instead of Myshilda. Seven-headedness is an enhancement of the image, “seven” is also a symbol of revenge, Myshilda says: “... my son, the mouse king, will not forgive my death - the mouse army will avenge your mother ...” The image of a mouse carries ancient archetypal forces. The cannibal, the devil, often turned into a mouse. Perhaps the seven heads of the mouse king embody the seven deadly sins. But in Christianity, the number of mortal sins and the main virtues is equal. Thus, the Mouse King - Nutcracker form a pair of opposites - "good and evil".

The Nutcracker managed to crack open the hard nut Krakatuk, here symbolism is "the knowledge of the essence." The image of the nut is often found in mythological literature. A characteristic property of nuts is that they have a very hard shell, and therefore they cannot be eaten without penetrating through it. This is one of the very first types of food for humanity. In medieval mythology, the nut was a symbol of Christ, His Teachings, because outwardly it seemed very tough, but if a person managed to delve deeper into it, it became gracious and useful. So in the Middle Ages, the ministers of the church interpreted the image of the nut. "The image of a nut in a certain context can be associated with the Self or with the aspect of the integrity of the unconscious" (Marie-Louise von Franz)

The German expression "hard nut" refers to a difficult task, a difficult situation or circumstance. In England and Germany there is a metaphor: to solve a problem is to crack a nut. This is an important skill and appearance is the price to pay for it. The Nutcracker bravely accepts limitations while maintaining firmness, confidence, royalty and faith in the future.

From Wikipedia: "The Nutcracker is a doll made of metal or wood, designed to split nutshell»The material from which the Nutcracker is made in the fairy tale is wood. Its main properties are animate, durable, healthy, processable. These properties are rather of a spiritual nature, since the hero physically experiences pain, cold, fatigue. Many fairy tales mention dolls made of wood - Pinocchio, Pinocchio, wooden soldiers of Oorfene Juice. There are myths about the creation of man from a tree and about God merged with the world tree. Perhaps the Nutcracker, by virtue of its origin, is part of the world tree, which is why the rightness of the hero in the fairy tale is felt from the very beginning.

The world tree serves the connection different worlds... The move of Marie and the Nutcracker to the Puppet Kingdom takes place through the "huge old wardrobe". "The Nutcracker very deftly climbed over the ledge of the cabinet and the carvings ... at once a graceful ladder of cedar wood descended from the sleeve of the fur coat." At the end of the tale, the ideal will not be beauty and harmony, but the principles of goodness and resilience laid down by nature in a person.

The work of Hoffmann resembles a painted nesting doll - inside one fairy tale there is one more, and in it another ... The events of the fairy tale unfold in several realities simultaneously (Types of reality. Pronina EE.) Using the typology of realities and the image of the clock, the development of the plot of clockwise.

1. This is real reality. There are people here - Marie, her parents, Drosselmeyer ... dolls - the Nutcracker, soldiers ... animals - ordinary house mice that gnaw on everything.

2. This is real virtuality. She has her own special place in the fairy tale - high glass cabinet for toys, standing in the living room. Marie plays with Christmas gifts, and at midnight, with the striking of the clock, she moves into the world of a fairy tale.

3. This is virtual virtuality. Here, everyday things are transformed into a special world of magic and secrets. Masha is no longer just a girl - she has a magical gift - she is able to resist the almighty mouse king. The Nutcracker is an enchanted prince. The Mouse King, not just a rodent, is a fantastic animal-like creature that threatens people.

4. This a virtual reality... After participating in the battle of the puppet and the mouse worlds, Marie is convinced that the story of the Nutcracker is genuine, in the confrontation with the mouse king, a lot will depend on her.

Marie's parents always act in real life. They do not believe the extraordinary stories that Marie tells, referring to fantasies, illness or dreams; in the end, they forbid "inventions and stupid jokes" calling Mari a liar. Drosselmeyer is someone who knows how to create the world of the game himself, a skilled craftsman who knows how to make “intricate toys”. The figure of Drosselmeyer is the most mysterious, he appears both in reality and in a fairy tale, everywhere possessing special knowledge and capabilities. Marie gradually moves from the world of reality to a fairy tale and at the end her most unrealizable dreams come true: “... a year later he took her away in a golden carriage drawn by silver horses ... and Marie, as they say, is still the queen in a country where, if only you have eyes, you will see sparkling candied groves everywhere, transparent marzipan locks - in a word, all sorts of wonders and wonders. "

Conclusion

The male archetypal plot contained in the tale is the acquisition of power by the war. According to the classification of T.D. Zinkevich-Evstigneeva distinguishes seven main male archetypes - Warrior, Philosopher (teacher), Merchant (hunter), Peasant, Monarch, Monk, Slave (servant). These are ancient models of male behavior, ways of male self-realization in society.

A warrior forms in a man a desire to fight and win. The power of war in a man makes it possible for a woman to feel protected - he will protect, guard and bring trophies of war to her feet. This is what happens in a fairy tale. Hoffmann briefly describes the decisive battle between the Nutcracker and the mouse king: “At midnight she (Marie) heard some strange commotion in the living room - a tinkle and rustle ... Marie jumped out of bed in horror. Everything was quiet ... ”There is no splendor and scale in the descriptions of the very first battle. This is already a purely masculine world and his - the Nutcracker's victory. 7 golden crowns of the mouse king - a war trophy - the Nutcracker gives Marie and dedicates his triumph to her.

The female archetypal plot of the tale is the Savior. In this story, the heroine listens to her heart, she already has an image of a partner and a program of relationships. It is no coincidence that among the variety of Christmas gifts, Marie unmistakably distinguishes the awkward doll - the Nutcracker. In the first battle with the mouse king, when the Nutcracker is on the verge of death, she saves his life, but does not win at all. This is just a respite for the Nutcracker. Then, succumbing to the blackmail of the mouse king, she gives up all her values ​​for the Nutcracker's life - sugar dolls, picture books, a new dress ... And this can be a trap of this plot - the desire to make for him, when the heroine is led not by love, but by the idea of ​​saving. Due to the fact that there was little fear in Marie's heart and a lot of love, she acts differently. This story is about Love without pretensions.

Drosselmeyer tells the story of Princess Pirlipat, and this is another female plot - The Choppy Bride. Potential suitors are checked for compliance certain requirements... The plot “choosy bride” contains an idea that protects the woman: no matter how difficult the test is, if the hero is the only one, he will cope - and there will definitely be a wedding.

This tale also contains a plot of relationships. The hero and the heroine meet, build relationships, but they cannot be together. The Nutcracker is just a doll, a Christmas present for children, not a living person. He is in relation to Mari in another reality. Each of them goes its own way, its own lesson. There are many trials on the way of the heroes, but they will find themselves together, already being more mature. There is an interesting moment in the ending of the tale. When Marie finds herself on the same lake with swans that Drosselmeyer described to her, it turns out that she and Princess Pirlipat are one and the same person. “How wonderful it was to swim in a shell covered with the scent of roses ... golden-scaled dolphins raised their muzzles and began to throw out crystal streams ... Marie looked into the fragrant waves - Ah,” she cried happily, clapping her hands, “look, dear Mr. Drosselmeyer: there is a princess Pirlipat! She smiles at me so affectionately ... The Nutcracker sighed sadly and said: - O priceless Mademoiselle Stahlbaum, this is not Princess Pirlipat, it is you. Only you yourself, only your own pretty face smiles affectionately from each wave. ”Thus, it can be assumed that the story of Pirlipat and Drosselmeyer's nephew is the backstory of Marie and the Nutcracker Prince. Therefore, the completion of this plot is the transition of relations to a new quality.

In a fairy-tale therapeutic sense, Hoffmann's tale can be used to solve many problems. In a fairy tale, there is a wonderful series of images that can be originally identified, depending on the client's problem. For example, the image of the mouse king can be used to work with fear and aggression. Seven heads of the mouse king - 7 specific fears of the client, their listing is awareness and then the search for ways to overcome in the psychological sandbox.

The couple Princess Pirlipat - Mari can be used as an example of personality integration. Any quality of character is ambiguous and gives our actions a certain energy. This energy can be used to realize both the creative and the destructive side of a certain trait of our character. Exercise "Conversation with the Shadow"

In the tale, the paths of the heroes and their options for solving problems are given, as well as the resources that they used are shown. Here you can use the exercise "map of the fairyland", where the main plot points and "magic" objects that can help are indicated.

In family counseling, you can refer to the plot of the relationship and the idea that the completion of the plot is the translation of the relationship into a new quality.

Women's stories allow you to accurately identify your feelings. Exercise "3 beloved and 3 unloved heroes of the fairy tale."

The fairy tale contains the idea of ​​transformation - the image of the Nutcracker. It can also symbolize the change of social roles-masks.

The tale describes the plot of the male initiation that the hero undergoes. It can be used with teenagers. Various options male archetypal tests are contained in the game "Knights round table", Based on the stories about the legendary King Arthur (by TD Zinkevich - Evstigneeva) The game allows solving diagnostic and therapeutic problems in working with adolescents.

The amazing Christmas fairy tale by T. Hoffmann "The Nutcracker and the Mouse King" is in itself mysterious - either the story with the Nutcracker was just a dream of little Marie, or it actually happened.

"The Nutcracker and the Mouse King" is a fairy tale within a fairy tale, because another story is revealed here - the story of the Stahlbaum family. This tale is filled with incredible and unforgettable magic, which the reader is imbued with literally from the first page.

T. Hoffmann wrote this work in 1816. And based on this tale, the great composer P. Tchaikovsky wrote a ballet in 1891.

The plot and analysis of the tale

The main character of "The Nutcracker and the Mouse King" is seven-year-old Marie. She amazes with her resourcefulness, courage, courage and determination. But the most important thing is that she is kind and sympathetic.

Marie was able to discern in the Nutcracker a noble, suffering heart, and was able to love him for who he is. After all, initially the Nutcracker was presented to the girl by her godfather Drosselmayer - in the form of a toy, funny and ridiculous.

But Marie immediately fell in love with the toy, she noted the affectionate smile of the Nutcracker and his kind eyes. The fantastic plot of the tale continues with the fact that the Nutcracker turns out to be Drosselmeier's nephew, and he needs to defeat the Mouse King in order to regain his human form.

The main character comes to life and asks Marie to get him a sword. Victory is not easy for the Nutcracker, but with the help of the brave Marie, he manages to neutralize the king of mice, who had seven heads. Then the heroes of the fairy tale find themselves in a magical city full of amazing things and phenomena: lemonade river, orange tree, almond gate and candy gate.

But Marie's fabulous dream ends ... It would seem that all these amazing adventures were just a dream of a little girl. But after a while a young man from the city of Nuremberg arrives and thanks the brave Marie for helping him get rid of the wooden shell. Time passes, and he takes Marie with him to marry her.

Moral lessons of a fairy tale

Like any fairy tale, "The Nutcracker and the Mouse King" carries a special moral and moral lesson. First of all, it must be learned by children who still believe in miracles and magic. Through a fairy tale plot, it is easiest to teach lessons to children, so they will better understand the true life values and virtue.

Marie is a good example of this. After all, she fell in love with the Nutcracker, despite his unpresentable appearance - she was able to discern his kindness, nobility and inner beauty. Marie did an act - she helped the poor Nutcracker get rid of his torment.

And the Nutcracker himself shows children that they need to believe in the best, we see how incredible courage and courage help him return to his human appearance. Thus, T. Hoffmann's fairy tale "The Nutcracker and the Mouse King" teaches children valuable moral lessons through magic and a happy ending.