Analysis of the poem "Spring Thunderstorm" Tyutcheva F. I. Analysis of the poem "Spring Thunderstorm" Tyutcheva Spring thoughts analysis

The poem “Spring Thunderstorm” is one of the most popular in Tyutchev’s heritage. It belongs in the early period of his work, and a brief analysis of “Spring Thunderstorm” according to plan will help to better understand this work. This analysis can be used in a literature lesson in grade 5 as a main or auxiliary material.

Brief analysis

History of creation   - the work was written by Tyutchev in 1828 and the next year has already been published in the journal Galatea. However, the poet returned to him in 1854, redoing a few. Today it is the second version of his writing that is known.

Topic   - Thunderstorm as an eternal movement, as a symbol of change, as a sign of the birth of a new one.

Composition   - three-part. The first part, which is also a stanza, opens the work, the fourth - closes, and the two central ones create the main image, “draw” a thunderstorm.

Genre   - landscape lyrics with elements of philosophical reasoning.

Verse size   - a four-foot iambic with pyrrhichia and cross rhyme, female and male rhymes alternate.

Epithets – “Spring, first thunder”, “blue sky”, “young peals”, “rain pearls”, “bird's gum”, “thundering goblet”.

Metaphors – “the sun of the thread is golden“, “Thunder rumbles,” “dust flies.”

Personification – “The stream runs,” “thunder frolics and plays.”

History of creation

The poem "Spring Thunderstorm" has a double dating. It was written by a young poet in 1828, when he was in Germany, and the year 1829 became the year of its first publication. The reader first saw him in the pages of the Galatea magazine.

However, after many years, in 1854, Tyutchev unexpectedly returned to this poem and significantly remade it, adding a second stanza and changing the first.

Topic

Describing a thunderstorm, the poet makes it the main theme of his work. Moreover, he shows it not just as a natural element, but as a symbol of the desire for change, a sign that they will come.

Showing the natural phenomenon as a sign talking about the birth of something new, the poet draws a very subtle parallel between the world of people and the surrounding nature. He shows that youth is similar to the thunderstorm described by him: they both declare themselves very loudly. Thus, the main idea of \u200b\u200bthe work is that man and nature are one.

The personification of natural phenomena, giving them the features characteristic of people, becomes the cross-cutting idea of \u200b\u200bthis verse. Frolicking clouds are like children, and a cloud is having fun spilling water on the ground.

Composition

Compositionally, this work is divided into three parts. The first stanza brings to the scene the main image of the poem - a thunderstorm, thus defining its theme.

The second part consists of two stanzas in which different paintings are drawn related to this natural phenomenon. The art space created by Tyutchev is filled with radiance and light. Here, the poet draws an analogy with the behavior of a young man who escaped from parental care and wants to try all the pleasures of this world, learn everything about him and go everywhere.

The divine principle that the poet sees in nature is shown in the third part, the fourth quatrain, in which the laughing goddess Hebe sheds lightning and thunder on the ground. With the help of the ancient Greek plot, Tyutchev metaphorically shows that hundreds of years before and hundreds of years after a thunderstorm, it will rattle all the same. Thus, the image of a thunderstorm is paraphrased, the cyclicality of the world is demonstrated. With the help of a magical story, the poet completes the story of a natural phenomenon, giving it a philosophical character.

Genre

This is an excellent example of Tyutchev's early landscape lyrics, in which, however, philosophical moments are clearly traced, because the poet likens a thunderstorm that thunders and changes the world, youth. That is, while discussing the natural world, he also discusses the human world.

Tyutchev’s characteristic poetic size - a four-foot iambic with a pyrrhic - makes the poem light in sound and at the same time very melodic. This effect is complemented by a cross-rhyme, in which male and female rhymes alternate.

Means of Expression

Without the use of paths, the poet would not have been able to create such vivid images. There are not so many artistic means, but they are all in their place. It:

• Epithets   - “spring, first thunder”, “blue sky”, “young peals”, “rain pearls”, “bird's gum”, “thundering goblet”.
• Metaphors- “the sun of the thread is golden,” “thunder rumbles,” “dust flies.”
• Personification- “the stream runs”, “thunder frolics and plays.”

To make the thunderstorm picture even more realistic, the poet resorts to such a technique as alliteration, playing with the letters r and p.

The abundance of verbs allows, on the one hand, to create a very rich picture of nature with a constantly changing action, on the other hand, to make the whole poem dynamic.

From year to year, in early May, spring affirms itself as spring thunderstorms. It is spring that inspires many poets to create true masterpieces. This time of year became a real symbol of renewal of nature and the soul of man in Tyutchev's poem "Spring Thunderstorm". Analysis according to the plan of this creation of the ingenious Russian master of the word, you can carefully trace.

Fyodor Ivanovich Tyutchev in more than one composition praised nature as a living creature endowed with human feelings and traits. At all stages of the poet’s work, the theme of the unity of man and nature is traced. He paints the world with many faces and diverse, constantly moving and changing. Only a person who has a delicate sense of nature, knows its nature, could choose the words for the poem "Spring Thunderstorm". An analysis of it will prove the genius of this masterpiece.

Poem creation time

To begin the analysis of F. I. Tyutchev’s poem "Spring Thunderstorm" stands with the history of its occurrence. The formation of Fyodor Ivanovich as a poet and writer was influenced by many factors. As soon as he graduated from Moscow University, he was offered a job abroad. Tyutchev moved to Germany and became a freelance attaché during a mission in Munich. There Fyodor Ivanovich spent 22 years. Despite the remoteness from his native land, he continued to love him and warmly relate to Russian culture and nature.

It was singing the beauty of Russian fields, rivers, mountains that the outstanding poet was able to express most clearly his talent. Before analyzing Tyutchev’s poem "Spring Thunderstorm", it should be noted that it is rightly considered a classic. There are two dates for writing this masterpiece. The first time it was published in the journal Galatea (1829). After 25 years, already in Russia, the poet amended the first stanza and added another.

In the analysis of Fedor Tyutchev’s poem "Spring Thunderstorm" it is worth recalling that it refers to the early stage of the master’s work. What was the reason for writing this essay, is it just the impressions of the spring thunderstorm? There is an opinion that this could be affected by falling in love with Eleanor's wife. Tyutchev was then 22 years old, and he just got married. The inspiration of the poet can be judged by the last stanza ("You say ..."). The tone of the poem is very joyful - nature is recovering from winter sleep.

Main theme

It is necessary to continue the analysis of Tyutchev’s poem "Spring Thunderstorm" with the definition of the main theme. The poet colorfully paints a spring thunderstorm to the reader. Thunderstorm appears as a movement leading to change and the birth of something new. Fedor Ivanovich simultaneously compares the nature and world of people. The spring thunderstorm is compared with youth, the initial stage in the formation of the human soul. Having come out of childhood, youth is trying to loudly declare its existence.

Tyutchev shows the reader an unusual thunderstorm. This is not a formidable and awesome element, but a beautiful, strong and triumphant phenomenon.

The main idea of \u200b\u200b"Spring Thunderstorm"

What idea is the creation of Fedor Ivanovich? The author tries to show that a person is part of this world. He attributes human features to the sky, water, the sun. Life with a thunderstorm is renewed, its meaning is illuminated from within. When there was peace and silence, the soul did not hear the rush. Thunderstorm becomes a symbol of desire, the release of the internal forces of the human soul. With a thunderstorm, existence becomes vibrant and intense.

With the unusual thunderstorm, the author shows the reverse side of all being. He teaches the reader to look at all the vicissitudes and thunderstorms of life from a positive perspective. Life, like a natural phenomenon, is seething, sparkling, radiant. Everything is in dynamics, the thunder is “frolic and playing,” and all life is happy with it - birds, rain, a waterfall. The cloud also laughs, spilling water. Description of the first rain is made in a joyful mood.

Plot features

In ordinary words, the artist works a miracle - he draws a thunderstorm in such a beautiful light that the reader just has to enjoy. Initially, the author reports that the spring thunderstorm is a joy for him. He likes to look at the blue sky, where the first peals of thunder are heard. He calls them young. Then it began to rain, dust flew. The birds began to rejoice at the thunderstorm and screamed. Then the poet compares the thunderstorm with a mythical phenomenon. The rain is like for him the nectar spilled from the goblet by the goddess of youth Hebe (from ancient Greek mythology).

Composition and genre

An analysis of Tyutchev’s Spring Thunderstorm poem will be incomplete without mentioning its construction. This amazing composition is very small, consists of four stanzas. A stanza is a certain number of lines that are combined by a common rhyme. In this case, the author uses a four-poem.

The first stanza gives a definition of the topic and introduces mainly - a thunderstorm. The second and third stanza is a description of the element itself. In the fourth stanza, the appearance of a thunderstorm is associated with a divine principle. All stanzas harmoniously flow one into another. In the last part, the author tries to predict the reader’s thoughts about what is happening. Regarding the genre, it is worth noting that this is an ordinary lyric poem.

Thunderstorm image

Tyutchev provides the reader with a single image - a thunderstorm. It is perceived by a young creature in which joyful power is rampant. The poet clearly recreates many of the characteristic features of this image. Fedor Ivanovich shows an unusual rain. Usually it all starts with swelling clouds, a dark low sky. Such a picture evokes fear and horror. Tyutchev’s everything is different: the element is described easily and joyfully. Thunder came, but it wasn’t scary at all. The poet shows a spring thunderstorm with a light rehearsal before stormy summer downpours. The rain did not go, did not water, but simply sprayed. F. I. Tyutchev has another poem - “How the roar of summer storms is funny”, in which the poet shows a completely different element.

The ending of the poem is very unusual. Tyutchev recalls the "windy Hebe" and Zeus. Why is he doing this? Everyone knows that Zeus was considered the main ancient Greek god, a thunderer, he symbolized the power of the sun, immortality and fire. In myths it was said that arrows for throwing lightning were in the claws of the eagle of Zeus. The goddess of eternal youth, Hebe, came to water this bird in a myth to nectar water. What did Tyutchev change in his poem in relation to myth? Tyutchev decided to show that the laughing Hebe poured a boiling goblet on the ground. By this, the author shows his joyful understanding of the world. He has an unusual image of a thunderstorm, he is fantastic, mythical.

Is there only a thunderstorm in the poem? The reader subtly traces the soul of the poet, drunk with love for a woman. With unusual images and phenomena, the author shows the state of his soul so that others feel his happiness and joy.

Language features

The imagery and semantic coloring of the creation of Fyodor Ivanovich is achieved using artistic and expressive means. The author uses vocabulary neutral in style. All states and actions in the work are conveyed by verbs of a personal form or verbal participles. With each new verb, the poet brings a new picture to the masterpiece. First he talks about peals, then about rain, then about dust. Everything changes dynamically.

F. I. Tyutchev is a master of colorful epithets, and he proved it once again in Spring Thunder. He calls “peals” “young”, pearls - “rain”, a stream - “agile”. The poet uses a number of personifications that give inanimate phenomena (pearls, thunder, flow) the ability of living beings. The master did not leave his creation without metaphors, inversions.

Means of Expression

To reveal the poetic image of a thunderstorm, the author uses a lot of sonor consonants, as well as alliteration with the sounds "r" and "g" ("gr om gr will"). In the poem there is a reception of assonance, when identical vowels are repeated to give it a special linguistic expression. With the help of paths, the poet turns thunder into a nimble and mischievous little boy who frolics and plays. In the sun, streaks of raindrops are golden, which resemble pearls on the branches of trees.

Reader's Rating

Fedor Ivanovich Tyutchev is a real Orpheus, singing the Russian nature. What do contemporaries see in his poem "Spring Thunderstorm"? Many people conclude that people need to survive a thunderstorm at least once a year in order to understand that all gloomy events end in joy, peace of mind and peace.

Nowadays, when everyone has moved away from nature, this work is very relevant. Readers immediately recall the grandeur and beauty of the founders of all living things. Everyone wants to return to its origins and express their warmth, appreciation. Readers are delighted with the skill with which Tyutchev concentrated his attention on the spring natural phenomenon. He did not just poetize the storm, but endowed it with a deep philosophical meaning.

In the landscape lyrics of Athanasius Fet there are a lot of poetic works dedicated to such a beautiful period of the year as spring. And this is completely natural. After all, spring is associated with a revival, with a new life that manifests itself after the winter cold. Looking at all the changes that occur in nature, Fet created his melodic and graceful creations.

The poem “Spring Thoughts” belongs to the group of such wonderful works. The first lines describe the amazing updates of nature. Birds return from distant lands, ice frees the river and gives it the opportunity to rage with renewed vigor, the sun warms the earth with its warm rays.

However, in the last lines the poet writes that in that cold winter that preceded a beautiful spring, a quarrel occurred between the lovers and now the lyrical hero is not sure whether everything will change for the better. One can only hope.

A feature of this poem is the constant repetition of the word "again." What is this talking about? About the inexhaustible cycle in which all life on earth is drawn. Each year, spring begets life and raises new plants from the earth. Every year, people find and lose each other. And, unfortunately, nothing can be done about it.

One person, one relationship - this is just a grain of it that wanders at the first blow of the breeze. However, all living things have the right to real happiness. Therefore, the lyrical hero, shifting thoughts in his head, hopes only for the best ..

Often, spring in the lyrics acts as the personification of rebirth, awakening, a symbol of the birth of a new life. This time of year brings joy and extraordinary emotional uplift, gives hope for a better future. Many poems dedicated to the spring of Fet. Among them - “Oh, the willow is all fluffy ...”, “Still the spring of fragrant bliss ...”, “I came to you with greetings ...”, “The first lily of the valley”, “The depths of heaven is clear again ...”, “Still spring, - as if unearthly ... "," Another May night "," What an evening!

A stream ... ". Most of them are imbued with the enthusiasm associated with the advent of spring. The lyrical hero, like his surrounding nature, welcomes the ongoing changes. Perhaps he does not fully understand why spring gives rise to such emotions in his soul, which does not prevent him from giving himself completely.

The poem "Spring Thoughts" begins with a positive note. The hero is inclined to perceive spring as a time of hope, love. The first four lines of the work are devoted to the description of the landscape. The poet talks about birds flying from afar, shores breaking the ice, warm sun, waiting for the fragrant lily of the valley to blossom. In the second

the stanza is reflected in the emotional experiences of the lyrical hero. The landscape that he observes gives rise to bright feelings and emotions. His heart is agitated, blood rushes to his cheeks. It seems that love, infinite as the world, is very near, is about to come and drag into its whirlpool. The mood of the third quatrain is somewhat different from the mood that reigned in the first two. From the final stanza, it becomes clear that in the winter the lyrical hero had close relations with a certain woman. Most likely, there was a discord between them. Now the man is not sure that in spring, in the midst of the sluggish nature they will again become close. Nevertheless, he does not leave hope for future happiness.

In all three stanzas, Afanasy Afanasievich repeats the word "again." Thanks to this, the reader has a sense of the cycle of life, the constant recurrence of things and phenomena. Every year spring comes, snow melts and plants are drawn to the warm sun, every year people fall in love and part. The world exists according to laws that have been in force for hundreds of years. Minor details change, the fundamentals remain unshakable. The lyrical hero is just a grain of sand in the vast universe, a small part of the eternal cycle. However, he also has the right to happiness, to love, to the joy awakened in the spring.

Other works on this topic:

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2.   Fet devoted many poems to the coming of spring. One of them is “Willow is all fluffy ...”. Often in art, winter is associated with a dream of nature. Spring personifies ...
3.   Since the advent of the early “Snow” cycle, Fetov’s lyrics included pictures of the winter landscape. His faces are diverse: an evil steppe wind reigning over a lifeless space, or a pleasant one ...
4.   “Spring” (1918). The poem was included in Pasternak's collection of themes and variations. The lyrical hero experiences the same feelings as a frightening distance and a house afraid to fall: Spring, ...