The main idea was she was sitting on the floor. An analysis of the poem she sat on the floor. Literary trails and the size of the poem

To read the verse “She was sitting on the floor ...” Fyodor Ivanovich Tyutchev is extremely sad, knowing the history of his writing. The work was created in 1958. Then an adult poet had an affair with a young girl. Despite the fact that the man was married, their romance had an incredible and turbulent history. However, soon young Elena became pregnant, in connection with which a scandal of enormous proportions arose. The wife of the poet Eleanor Tyutchev was in despair from this news. This even prompted her to destroy most of her correspondence with her husband. This event is dedicated to this poem.

The author is like an outside observer in this story. He looks at the woman who goes over old letters, throws them and looks at them again. She seemed not to notice him, completely concentrating on what now no longer mattered. Despite the fact that the poet feels ready to “fall to his knees”, he realizes that nothing can be changed. For his chosen one, he becomes only a shadow, gradually losing his significance. Just like these letters, which are doomed to disappear. And she gradually loses touch with reality, demonstrating complete detachment from what is happening.

The text of Tyutchev’s poem “She was sitting on the floor ...” is full of sadness and sorrow because it is impossible to return. Each line is like a requiem for lost trust and broken union. The poet understands the inevitability of the situation, but can no longer do anything, and this awareness kills. This sadness of the author is also transmitted to the reader. Despite the ambiguity of the situation, it causes sadness and longing for what is happening. It is impossible not to be imbued with the feelings of a person whose life is crumbling before our eyes. The work is taught in literature classes in high school. And you can read it online or download it completely on our website for free.

She was sitting on the floor
  And sorted the pile of letters
  And like cooled ash
  I took them in my hands and threw them.

Took familiar sheets
  And it was wonderful that she looked at them,
  How souls look from above
  On them an abandoned body ...

Oh how much life was here
  Irreversibly experienced!
  Oh how many woeful minutes
  Love and joy killed! ..

I stood silently aside
  And the mouth was ready on his knees, -
And I felt terribly sad
  Like an inherent cute shadow.

Tyutchev wrote the poem “She Was Sitting on the Floor” in 1858. It was published that same year in the journal Russian Conversation in the second volume.

It is assumed that the poem is dedicated to the second wife of Tyutchev Ernestina. Tyutchev's relationship with women was confusing. His first wife, Eleanor, died under tragic circumstances, but soon Tyutchev married Ernestine. He was familiar with Ernestina long before the death of his first wife. But in the second ten years of a happy marriage with Ernestina, the situation repeated itself. In 1849, Tyutchev fell in love with Elena Denisieva, who was almost two times younger than him. Since then, for a long 14 years, until the death of Denisyeva, Tyutchev was torn between two women. Ernestine was wise and saved the marriage. But she had to be desperate. This is precisely the state of the heroine of the poem "She sat on the floor."

Literary direction and genre

The poem belongs to the genre of intimate lyrics. It is written in the best traditions of romanticism. The lyrical hero and heroine of the poem are described at the moment of the highest tension of feelings, they are lonely and ready for action, but they refuse it as useless. Passion still intensifies, not finding a discharge.

Theme, main idea and composition

The poem consists of four quatrains. The first, second and fourth - a genre scene, a description of a woman sorting a pile of letters (the first two stanzas) and the lyrical hero observing this (the last stanza). In the third stanza, the lyrical hero refers to the content of the letters being analyzed, which he knows because he himself wrote them.

The theme of the poem is the conflict between once close people, dying feelings. The main idea: love, even fading away, never leaves a person, living in his heart as sadness, regret, pain that will remain with him forever.

Trails and images

The image of the heroine is devoid of any details. She has no appearance, no name replaced by a pronoun she. And yet the image of a woman is very specific. Through appearance (posture and actions) Tyutchev conveys her inner world.

The beginning of the poem was supposed to shock the reader of the 19th century. This is our contemporary can sit in jeans on the floor and rummage through the papers. If a noblewoman in the 19th century. sitting on the floor, this means that something blatant happened in her life, that her legs simply gave way or she was not in herself.

The heroine’s attitude to letters as cooling ash (comparison) means that they were useless and meaningless for her. But the heroine still picks them up. Obviously, she throws out only letters belonging to the lyrical hero.

Having described the confusion in the heroine’s soul, Tyutchev turns to her only characteristic in the poem - a look that is called miraculous, that is, strange (although in the original word looked wonderfully   stress on atobviously for rhythm).

In comparing the second stanza, the whole essence of the heroine’s state, the whole gamut of her feelings. Her gaze is compared to the gaze of souls on an abandoned body. This is regret, and relief, and liberation, and a step to the new, and the undoubted end of earthly life. Letters to the heroine are dead, how dead are the relationships with the person who wrote them. No wonder Tyutchev uses the epithet familiar   sheets as if talking about people. On the other hand, the sheets are familiar not only to the heroine. The lyrical hero recognizes their letters in them.

In the third stanza, the motive of killed love and joy just appears. This stanza is different from the other three in emotional intensity. Outwardly, everything still remains calm, but exclamations emphasized by interjection burst from the heart of the lyrical hero about. Tyutchev describes the life of the past remaining in letters as irreversibly experienced, and calls minutes woeful   (epithets).

The motive for death remains in the fourth stanza. The lyrical hero is “terribly sad.” Word scary   - a stronger adverb than highly. The sadness was so strong, as if he felt a presence sweet   shadow (epithet), that is, remembered the deceased. This deceased is love. Participle inherent   - Old Slavicism, meaning located here. Today we would say present.

The lyrical hero, unlike the heroine, does not lose his head. He silently stands aside and repents of something, ready to fall to his knees, but does not fall. Either he feels the futility of such an act, or does not admit his guilt to the end. But the male figure towering over exhausted sitting on the floor of a female - a symbol of the insolubility of the conflict between lovers.

The poem "She was Sitting on the Floor" absolutely does not need the context of Tyutchev's biography, it is understandable to anyone regardless of whether he is familiar with the life of the poet. But still, the poem is autobiographical. Ernestina knew about Denisieva and was able to live with this knowledge. In addition, Tyutchev really wrote to her " pile letters ”(epithet), many of which she destroyed, so some of the poems dedicated to her turned out to be irretrievably lost.

Size and Rhyme

The poem is written by a four-foot iamba. Cross rhyme, male and female rhymes alternate.

•   Analysis of the poem F.I. Tyutcheva "Silentium!"

She was sitting on the floor

And sorted the pile of letters

And like cooled ash

I took them in my hands and threw them.

Took familiar sheets

And it was wonderful that she looked at them,

How souls look from above

On them an abandoned body ...

Oh how much life was here

Irreversibly experienced!

Oh how many woeful minutes

Love and joy killed! ..

I stood silently aside

And the mouth was ready on his knees, -

And I felt terribly sad

Like an inherent cute shadow.

Updated: 2011-05-09

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Historical and biographical material

History of creation and date of writing of the poem

The poem is dedicated to the second wife of the poet Ernest Fedorovna. The 1850s were a time of dramatic experiences associated with love for E. A. Denisyeva, a young pupil of the Smolny Institute, where two daughters of the poet were studying at that time. "Illegal affair", which lasted 14 years, ended with the death of Denisieva.

The place of the poem in the work of the poet

The poem was written in 1858. By this time, Tyutchev finally came to poetic fame. ON. Nekrasov attributed his work to the "brilliant phenomena of Russian poetry."

The main theme of the poem

Love theme

Lyrical plot

A woman burns her correspondence. The lyrical hero is watching aside.

The problem of the poem

Awareness of the irrevocable departure of once strong feelings.

Composition of the poem

The first two stanzas are descriptions of visible actions. The last two are a description of the internal state of the heroes.

Lyrical hero

Although the lyrical hero is directly in the described environment, he is not included in the action, we only know about his inner experiences.

The prevailing mood, its change

Bitter sadness grows into despair. This is despair from powerlessness, the inability to influence the course of things, to correct their mistakes.

Love lyrics

4 stanzas, quatrains

Key Images

In the center are not even heroes, but this pile of letters. The "cooled ash" is all that remains of the once violently raging fire of passion. The heroine looks at them as something long forgotten and completely alien to her. These letters are the last memory the only evidence of past love.

Vocabulary poems

Book "sorrowful", "inherent"

Poetic Syntax

In the poem there are: epithets: acquaintances, sorrowful, sweet, etc .; alliteration giving expressiveness to a work: h, p, b, f, c; personification: familiar dreams, love and joy of the murdered; inversion: I stood silently aside and the mouth was ready on my knees. Comparison: I sorted a pile of letters, and, like a cooling ash, I took them in my hands and threw them; how souls look from above; as from an inherent cute shadow. The antithesis is love and sorrow. At the end of the lines is an ellipsis - understatement.

Using inversions: “I stood silently aside”, “I was ready to fall on my knees”. At the end of the third stanza, an ellipsis expresses understatement.

Fine allegory

Epithets: “sorrowful minutes”, “sweet shadow”

Avatar: “the love and joy of the slain”

Comparisons: “as a cooled ash”, “as souls look from a height”, “as from an inherent sweet shadow”

Sound recording

The use of alliteration with “z”, “p”, “b”, “c”, and “g” gives expressiveness to the sound.

Trochee

Four-legged iambic. Two-syllable foot with emphasis on the second syllable

Rhythm and rhyme. Rhyming Methods

The poem is written using a cross-rhyme.

Reading Emotions

I really liked Tyutchev’s poem “She was sitting on the floor ...”, as if time had stopped in it, and love filled my hearts. Lines of work will undoubtedly remain relevant forever.

F. I. Tyutchev created wonderful poems in which he sang the beauty of nature. But he also has works on a beautiful and high feeling - love. One of the works of love lyrics is the poem "She sat on the floor", an analysis of which is presented in our article. We will also briefly describe what prompted the poet to write this masterpiece, which lovers of poetry still admire.

History of creation

Analysis of the poem "She sat on the floor" should begin with the one to whom it is dedicated. This work was written in 1858. It is believed that it is dedicated to the second lawful wife of the poet Ernestina Fedorovna. But Tyutchev fell in love with Elena Denisieva, who was much younger than the poet.

Fedor Ivanovich maintained relations with both. Ernestina Fedorovna was a wise woman, so she managed to save the marriage. But it was not easy for her, and it was just this that she appeared in F. Tyutchev's poem "She was Sitting on the Floor."

Literary genre of work

In the analysis of the poem "She sat on the floor," you need to determine which literary direction and genre it refers to. This work is written in the best traditions of romanticism and love lyrics. Heroes are very worried because of their love, but how to solve the problem, they do not know.

The hero and heroine are both a couple and alone. Therefore, the stress state in which they are intensified. Here in such a sad lyrical mood the whole poem is written.

Theme and composition features

The next paragraph in the analysis of the poem "She was Sitting on the Floor" is the definition of the main theme of the work. This is a conflict that arose between two once close people, between whom feelings faded. And from this realization, both experience bitterness, regret, sadness.

But despite the fact that feelings have already lost their strength, memories of them bind these people. The first, second and fourth stanzas are a description of one simple sketch. The main characters are a woman who parses letters and a man who watches her. And in the third stanza, a description of the letters that cause so many emotions in the heroine is given.

Stanza Analysis

In a brief analysis of the poem "She sat on the floor," each stanza can be considered individually. In the first, the reader sees the image of a woman who sits on the floor not from fatigue, but from the excess of feelings that she experiences at that moment. She is overwhelmed with despair, sadness, because, sorting through letters, she realizes that all feelings have passed. These messages remind her of this, so a woman cannot hold letters in her hands.

In the next stanza, the poet develops the idea that was described at the very beginning. Letters have already become part of the heroine. Reading what is written in them, she recalls everything that has already passed. And so she has such a sad mood. In the third stanza, the poet shows the whole tragedy of the departed love, because, according to Tyutchev, love and strong feelings are inseparable from each other.

The last part reveals the image of the lyrical hero. Although he, like the heroine, is silent, but his observation of her speaks more than words. He feels guilty because he understands that it is because of him that the woman is so worried. The hero repents of this, and he is also sad that love has passed. For them, she remained only a bright memory.

Images of heroes

In the analysis of Tyutchev’s poem "She sat on the floor", it is necessary to note the features of the characters of the work. The hero and heroine are devoid of any details: there are no names, no descriptions of appearance, or any distinctive character traits. But the emphasis in the work was placed on the inner experiences of the heroes.

A woman is sorting letters, comparing them with cooled ash. This can be interpreted as the fact that for her they mean nothing. But she picks up some. Therefore, it can be assumed that some messages are of particular value to her. The only hint of her appearance is a description of the heroine’s look. It is through the eyes of a person that you can understand how he feels. The woman does not notice the presence of the hero, she is absorbed in her experiences. A man feels superfluous in this situation.

The hero here appears as a silent contemplator. The sheets of paper seem familiar to him, and the reader understands that he wrote these letters. But the man, unlike the heroine, is still able to reason. He is ready to ask her forgiveness, but, realizing the futility of the act, does nothing. But the fact that he stands apart, rising above the woman, shows the insolubility of the conflict situation.

Literary trails and the size of the poem

In the analysis "She was sitting on the floor," it should be noted that the comparisons and epithets that the poet used were used to convey the experiences of the heroes. A comparison of sheets of paper with cooled ash shows that these letters are a symbol of fading feelings. The heroine, sorting through them, is immersed in memories. All epithets have a minor hue, which emphasizes the tragedy of the situation.

The work is written by four-foot iamba. The alternation of male and female rhymes was used.

This poem is autobiographical in nature. Although no names are indicated in it, the researchers are sure that it is dedicated to the poet’s second wife, who endured and turned a blind eye to his connection with Denisieva. The poet loved Elena for her intelligence and courage, because relations with him cost her reputation and inheritance.

But thanks to Ernestine, the marriage was saved. And it was she who later, when Tyutchev lost Elena, comforted him. This poem shows the complexity of their situation, in which Tyutchev's lovers and himself were. But even those who are not familiar with his biography, having read this work, understand that we are talking about once close people. This poem is one of the most famous works related to the love lyrics of F.I. Tyutcheva.

* * *

She was sitting on the floor
And sorted the pile of letters -
And like cooled ash
I took them in my hands and threw them -

Took familiar sheets
And it was wonderful that she looked at them -
How souls look from above
On them an abandoned body ...

Oh how much life was here
Irreversibly experienced!
Oh how many woeful minutes
Love and joy killed! ..

I stood silently aside
And the mouth was ready on his knees, -
And I felt terribly sad
Like an inherent cute shadow

She was sitting on the floor
sorting letters which were old,
holding them before she threw them out
like ash gone cold.

Her look was strange
while she held those pages she knew so well,
as if she were a soul which peered down
at its abandoned shell.

So many irreversible events,
such life fulfilled and filled
with minutes of love and joy across the years!
How many grief-packed minutes killed!

Silent, I stood to one side
and my knees were ready to bend
as a fearful sadness crept into my heart,
as if at the ghost of a dear, old friend!

She sat upon the floor
Looking through a pile of letters,
She took them up and tossed them
Like so many cold ashes.
She took the familiar pages
And gazed at them strangely,
The way souls look from above
At their discarded bodies. . .
O how much life was in them,
Life irrevocably lived!
O how many bitter moments,
How much love and joy now dead! . . .
I stood silently aside
Ready to fall on my knees,
And I grew terribly sad,
As if in the presence of a dear ghost

Ona siedziała na posadzce
I stosy listów przeglądała,
I jak popiołu zimne garście
Brała je do rąk i rzucała.

Brała po jednym z listów stosu
I dziwnie na nie tak patrzyła,
Jak dusza patrzy tam z niebiosów
Na dało, które porzuciła.

O, ileż życia, kto policzy -
Niepowracalnie przeżytego,
O, ileż było tu goryczy,
Miłości, szczęścia straconego!

A ja milcząco z boku stałem,
I strach i smutek mnie ogarnął,
I na kolana upaść chciałem,
Jakbym zobaczył drogą zmarłą.

Na podu tu je čepila
I stara pisma prebirala,
Te poput hladna pepela
Kroz prste bi joj samo pala.

List poznat uzme, uzdiše,
I promatra ga zatečeno
Ko duša, kad se uzdiže
I gleda napušteno tijelo ...

O, koliko života tu
Bje nepovratno proživljeno!
O, koliko nad ljubavlju
Je mrtvom suza proliveno! ..

Postrance ja sam stajao
I kleknuo bih istog trena,
Tugovao i zdvajao
Pred tim što sad je draga sjena.

A padlón ült, körötte nagy
halom levél - azt válogatta,
hamuvá hült írásokat:
ezt olvasta, azt félredobta.

Felvett egy-egy képeslapot,
s megdermedt a csodálkozástól:
lelkek néznek így elhagyott
testükre az ég magasából.

Mily élet volt ez valaha,
és nem jön vissza soha többet!
Hány szomorú pillanata
megölt szerelemnek s örömnek!

Mellette álltam, csüggeteg,
némán, és majdnem térdre esve -
s elkomorodtam, mintha egy
kedves árny állt volna helyemre.