Greens in bloom and dew. Yesenin rash you bird cherry snow. Analysis of Yesenin’s poem “Bird cherry is snowing ...”

We offer you beautiful spring poems by Sergey Yesenin. Each of us knows from childhood sergei Yesenin's poems about spring, and someone is reading them to their children and grandchildren. These poems are included in the school curriculum for different classes.

Short poetry about the spring of Yesenin help not only to develop speech and memory, but also to get acquainted with the beautiful spring time of the year.

Sergei Yesenin's Poems about Spring

Poem Chara S. Yesenin

In the colors of love spring princess

On the grove of braids spread

And with a choir of bird prayers

They sing to her the anthem of the bell.

Drunk under the spell of fun

She glides like smoke through the woods

And a gold necklace

Shines in shaggy hair.

And after her a drunken mermaid

Dew splashing on the moon.

And I, like a passionate violet,

I want to love, to love spring.

Verse Spring evening by Sergei Yesenin

The river silvery flows quietly

In the kingdom of evening green spring.

The sun sets over the wooded mountains.

A golden horn is floating up the moon.

West turned pink ribbon

The plowman returned to the hut from the fields,

And behind the road in the birch often

The nightingale tightened the love song.

Listens affectionately to deep songs

From the west, a pink ribbon of dawn.

With tenderness looks at distant stars

And the earth smiles at the sky.

Poems Coming Spring Esenina

The snow is melting fast

Poems Bird cherry S. Yesenin

With spring blossomed

And the branches are golden

What curls, curled.

All around dew

Slides down the bark

Under it, spicy greens

Shines in silver.

And next to the thaw,

In the grass, between the roots,

Running, flowing small

And the greens are golden

It burns in the sun.

Creeping wave

All branches

And insinuatingly under the steeper

She sings songs.

Poems Spring Yesenin

I accept life as the first dream.

Yesterday I read in Capital

Though the hell howl

Knock the drowned man naked, -

I'm with a sober head

Comrade peppy and cheerful.

We have nothing to regret rotten,

Yes, and you do not need to feel sorry,

Kohl might dutifully die

I'm in this blizzard bliss.

I won’t touch you.

Sit by the bird’s law.

The law of rotation in the world is,

Kohl with people of the same booth, -

My poor maple!

I'm sorry I offended you.

Your clothes are torn

April without a warrant

Let go of the green hat

In a gentle armful

The lord will embrace you.

And the girl will come to you,

Pouring water from the well

To harsh October

You could fight snowstorms.

Dogs didn’t eat it:

She was just not visible

But the fight is over.

She with her lemon light

Trees dressed in green

So drink my chest

I am now going to bed

Keeps a kidney out.

Greens in bloom and dew.

In the field, leaning toward the shoots,

Rooks walk in the strip.

Silk grasses

It smells of tarry pine.

Oh you, meadows and oak groves, -

I'm stupefied in the spring.

Rainbow Secret News

Glow in my soul.

I think of the bride

I only sing about her.

A rash of you, bird cherry, with snow,

Sing you, birds, in the forest.

In the field of jogging

I'll blow the color with foam.

Well, how can I not love you,

How not to love me, flowers?

I would drink with you.

Noise, Levka and Reseda.

My soul was in trouble.

Noise, Levka and Reseda.

Yellow face from the sun shining.

High above the meadows

In the east there is a glow.

Foam rose, the dawn is fogging,

Like the depths of obscure eyes.

Spring has come, like a wanderer,

With a staff in bark bast shoes.

On the birch trees in the shadow grove

Voiced voiced earrings

And with dawn in the garden lilac

Yesenin's poems: about love, about life, biography, lyrics

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Sergei Yesenin's Poems about Spring - Seasons

Children's poems about spring

Soviet stage, years

A.S. Pushkin. Captain's daughter

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“Bird cherry pours snow ...” Sergey Yesenin

It rains bird cherry in the snow,
Greens in bloom and dew.
In the field, leaning toward the shoots,
Rooks walk in the strip.

Silk grasses
It smells of tarry pine.
Oh you, meadows and oak groves, -
I'm stupefied in the spring.

Rainbow Secret News
Glow in my soul.
I think of the bride
I only sing about her.

A rash of you, bird cherry, with snow,
Sing you, birds, in the forest.
In the field of jogging
I will blow the color with foam.

Analysis of Yesenin’s poem “Bird cherry is snowing ...”

“Bird cherry is pouring snow ...” is a poem dated 1910 and related to Yesenin’s early landscape lyrics. It reflected the fresh look of the young poet on the beauty of nature. The work is imbued with joy caused by the coming spring - sometimes renewal, rebirth, love. The lyrical hero drugged her. The young man’s thoughts are occupied only by the bride, it is about her that he is ready to sing endlessly. The white color of bird cherry, which the poet compares with snow, emphasizes the "greens in bloom and dew", contrasting with it. Yesenin manages to fill the landscape with smells (resinous pine) and sounds (birds singing), which allows readers to draw the picture presented by Sergei Aleksandrovich in every detail in imagination.

Chanting the Motherland was Esenin's main creative task. The poem “Bird cherry is snowing ...” is not about some abstract nature, but about the nature of central Russia, which the poet knew and loved. He was born in the village of Konstantinovo, Ryazan province, surrounded by endless fields and beautiful forests. Having left home, Yesenin always missed his native places, so he often visited there. In the lyrics of Sergei Alexandrovich, folk traits are often found - his grandmother instilled in him a love of folklore. This can also be seen in the work "He dumps bird cherry in the snow ...". It reflects the syncretic unity of nature and man, characteristic of folk art. The lyrical hero addresses birds, bird cherry, meadows and oak groves. With them he shares his thoughts, joys.

In Yesenin's poems, nature is shown in perpetual motion, change and development. Like a person, she experiences happiness and sadness, is born and dies. Therefore, in the works of Sergey Alexandrovich personifications are often found: “bird cherry sprinkles”, “grasses will go down.” Speech figures are used not for the sake of a red word, but for the sake of a fuller and deeper expression of oneself. Hence the desire for the unity of all that exists on earth is born. In the creative world of Yesenin, people, plants, animals, objects and elements are children of mother nature.

The poems of Sergei Alexandrovich became the basis for a huge number of songs, and not only in Russian. It is put on the music and the work "He dumps bird cherry with snow ...". The composition entitled "Bird cherry" was included in the album "You are my fallen maple" by Russian singer Alexander Podbolotov.

Philological analysis of Sergei Yesenin’s poem “Bird cherry is snowing ...”

It rains bird cherry in the snow,
Greens in bloom and dew.
In the field, leaning toward the shoots,
Rooks walk in the strip.

Silk grasses
It smells of tarry pine.
Oh you, meadows and oak groves, -
I'm stupefied in the spring.

Rainbow Secret News
Glow in my soul.
I think of the bride
I only sing about her.

A rash of you, bird cherry, with snow,
Sing you, birds, in the forest.
In the field of jogging
I'll blow the color with foam.

This poem is a text, as it has the following signs of textuality:

informative, because contains new information - a special vision of the lyrical herothe moment of revitalization of nature, its heyday. The reader understands that the author associates the image of spring with the image of the bride;
integrity, because the text has a plan.

Admiring the lyrical hero with the arrival of spring.
Thoughts of the bride.
Appeal to nature.

All stanzas are closely connected with each other, one of them cannot be “torn out”, since the meaning of emotional experiences is clear only in context. At the psychological level, the reader perceives the text as a whole;

connectedness, because offers are interconnected. For example, sentences 3 and 4 are meadow herbs, their stupefying smell; 5 and 6 sentences - emotional awe from thoughts about the bride.
cohesion (intertextual connection): personal pronouns (I am a lyrical hero, she is a bride, you are a bird);
completeness. The text is “materially” independent (its understanding is possible outside the cycle of Yesenin’s poems “Bachelorette Party”). He has a contextually-semantic completeness (admiring the spring, blooming bird cherry - thoughts about the bride - appeal to bird cherry);
sociological, because connected with his era, the poem is symbolic, spring as a bride appears before us in a poem. The text itself performs a sociological function: it defines a person who is capable of experiencing love and tenderness for nature;
dialogicity, as It is connected with other prose, poetic and scientific texts, which touch upon the eternal problem of the relationship between man and nature. Hence the “dialogue” with other writers.
The unity of external and internal forms:

The external form is a lyric poem, the composition is simple, the arrangement of lines and stanzas is consistent; there is a combination of language means:the assonance of sound [ye] gives solemnity; the poem is saturated with color (“Greens in bloom”, “I will spread the color with foam”), bright epithets (“Silk herbs”); avatars (“Cheryemulyt sprinkles”, “Herbs will drop”) contribute to life, action; inversions (“Silk grasses will disappear,” “Bird cherry will sprinkle with snow”); rhetorical addresses (“Oh you, meadows and oak groves”, “Sing you, birds,” “Rash you, bird cherry”) give the poem imagery; anaphora emphasizes the main idea of \u200b\u200bthe text (“Cheryomuha sprinkles with snow” and “You rash, bird cherry in snow”); according to rhyme the poem is humming; the presence of separate members requiring special intonation, with pauses, makes speech smooth, slow; according to rhyme the poem is humming; written by three-footed dactyl, cross rhyming, which gives melody to the poem - this is a combination of language tools, included in the content side, realizing the author’s intention to present a picture of spring;

absolute anthropocentricity, as the text was created by man (S. Yesenin) and for man;
development, because at the substantive level of speech, this text finds expression in three direct relations of the main subject with other subjects lined up in subtopics (see paragraph 2);
a sequence that is at the surface level. Words, sentences are built sequentially, so it’s clear what is at stake;

12.13) static and dynamic. Staticity in the text is manifested in the fact that it is already the result of speech activity. This is S. Esenin’s poem “Bird cherry is snowing ...”. The dynamism of the text lies in the fact that the process of its transformation invariably takes place upon reading: perception and understanding;

14) aesthetics, because arouses a sense of aesthetic satisfaction, because the text of the artistic style sets itself the task; shows the beauty of nature in spring, the special condition of the hero;

15) imagery, as calls the reader system of representations:

a) bird cherry, snow, dew, field, rooks;

b) silk herbs, resinous pine, meadows, oak groves;

c) rainbow, secret messages, soul, bride, I sing;

d) birds, forest, runny run, I will carry the color.

These representations add up to images that add up to images capable of drawing a visual picture;

16) intentionality, because every writer and poet sets himself the goal of “reaching out” to the reader. Yesenin causes the reader a storm of feelings, emotions with the images that he creates and uses in his poem;

17) situationality, as the situation in which speech is taken into account. This text can be read in a literature lesson or read in solitude, but it is clearly not suitable for voicing at mass political meetings;

18) acceptability, as the audience or reader considers the sentences and their sequence as text;

19) interpretability, on the one hand, the author S. Yesenin, talking about the arrival of spring, interprets it by the strength of his talent in the emotional experiences of the lyrical hero, on the other hand, any reader seeks to comprehend the idea of \u200b\u200bthe poem, actively cognizes it, thus interpreting it.

Basic units of text

Complex syntactic integer. Sergei Yesenin's poem can be divided into three SSCs:

1st part - 1, 2 stanzas;

2nd part - 3 stanzas;

3rd part - 4 stanzas

The connection between sentences within each SSC is parallel.

Zachin - Shed bird cherry in the snow,
Greens in bloom and dew.

Middle part - I think of the bride,
I only sing about her.

The ending - You rash, bird cherry, with snow,
Sing you, birds, in the forest.
In the first SSS, the narrative of the arrival of spring begins, and its signs are given.

The second SSC is based on a description of the emotional experiences of the lyrical hero.

In the third SSS, the lyrical hero asks the spring to linger in order to preserve the image of his beloved in his thoughts longer.

Thus, based on the above symptoms, the poem of Sergei Yesenin can be called a text, because all signs of textuality are preserved in it.