To love others is a heavy cross to whom it is dedicated. The journal room. Goy you, Russia, my dear

This poem was written in 1931. The creative period since 1930 can be called special: it was then that the poet sings love as a state of inspiration and flight, comes to a new understanding of the essence and meaning of life. Suddenly, he begins to differently understand the earthly feeling in its existential, philosophical meaning. The analysis of the poem “To love others is a heavy cross” is presented in this article.

History of creation

The lyrical work can be called a revelation, since in it Boris Pasternak captured a difficult relationship with two significant women in his life - Eugenia Lurie and Zinaida Neigauz. The first lady was his wife at the very beginning of the literary path, and the second poet met much later. Eugene was about the same circle with the poet, he knew how she lives and breathes. This woman understood art, and literature in particular.

Zinaida, on the other hand, was a person who was far from a bohemian life; she coped well with the daily duties of the hostess. But for some reason, at some point, it was a simple woman who was more clear and closer to the poet’s refined soul. No one knows why this happened, but after a short time, Zinaida became the wife of Boris Pasternak. The poetic analysis “To love others is a heavy cross” emphasizes the depth and strain of these difficult relationships with two women. Involuntarily, the poet compares them, analyzes his own feelings. These are the individual conclusions Pasternak comes to.

“To love others is a heavy cross”: analysis

Perhaps this poem can be considered one of the most mysterious poetic creations. The semantic load in this lyrical work is very strong, from it the real aesthetes are breathtaking and the soul is worried. Boris Pasternak himself (“To love others is a difficult cross”) called the analysis of his own feelings the greatest mystery that is beyond clue. And in this poem he wants to understand the essence of life and its integral component - love for a woman. The poet was convinced that the state of love changes everything inside a person: significant changes take place with himself, the ability to think, analyze, and act in a certain way is subject to revision.

The lyrical hero feels a sense of reverence for the woman, he is determined to act for the benefit of developing a great and bright feeling. All doubts recede, fade into the background. He is so struck by the grandeur and beauty of the state of integrity that has opened up to him that he experiences delight and ecstasy, the inability to live on without this feeling. The analysis “To love others is a heavy cross” reveals the transformation of the poet’s experiences.

The status of the lyrical hero

In the center is the one who directly experiences all the transformations on himself. the lyrical hero changes with each new line. His previous understanding of the essence of life is replaced by a completely new understanding and takes on a shade of existential meaning. What does the lyrical hero feel? He suddenly found a safe haven, a man who could love him wholeheartedly. In this case, the lack of education, the ability to think deeply is perceived by them as a gift and grace, as evidenced by the line: "And you are beautiful without convolutions."

The lyrical hero is ready until the end of his days to devote himself to solving the mystery of his beloved, which is why he compares it with the mystery of life. The urgent need for change awakens in him; he needs to free himself from the burden of previous disappointments and defeats. The analysis “To love others is a heavy cross” shows the reader how deep and significant changes have taken place with the poet.

Symbols and meanings

In this poem, metaphors are used that seem simple to the average man inexplicable. To show the full power of an accomplished rebirth in the hero’s soul, Pasternak invests certain meanings in words.

"The rustle of dreams" personifies the mystery and incomprehensibility of life. This is something truly elusive and piercing, which cannot be understood only by reason. It is also necessary to connect the energy of the heart.

"The rustle of news and truths" means the movement of life, regardless of external manifestations, shocks and events. Whatever happens in the outside world, life strikingly continues its inexorable movement. Contrary to everything. Contrary to.

"Verbal rubbish" symbolizes negative emotions, experiences of the past, accumulated resentment. The lyrical hero speaks of the possibility of renewal, of the need for such a transformation for himself. The analysis “To love others is a heavy cross” emphasizes the importance and necessity of renewal. Love here becomes a philosophical concept.

Instead of a conclusion

The poem leaves pleasant feelings after reading. I want to remember him for a long time and the meaning that it contains. For Boris Leonidovich, these lines are a revelation and an open secret of the transformation of the soul, and for readers it is another reason to think about their own life and its new possibilities. The analysis of Pasternak’s poem “To love others is a heavy cross” is a very deep disclosure of the essence and meaning of human existence in the context of a single human existence.

In the life of Pasternak there were three women who were able to win his heart. Two of the lovers devoted to the poem, an analysis of which is presented in the article. It is being studied in grade 11. We suggest that you familiarize yourself with a brief analysis of “To love others is a heavy cross” according to plan.

Brief analysis

History of creation   - the work was written in the autumn of 1931, two years after meeting Zinaida Neigauz.

Theme of the poem   - love; qualities of a woman worthy of love.

Composition   - The poem is created in the form of a monologue, an appeal to the beloved. It is laconic, but, nevertheless, is divided into semantic parts: the hero’s attempt to solve the secret of her lover’s special beauty, brief thoughts on the ability to live without “litter” in the heart.

Genre   - elegy.

Verse size   - written in four-foot iamba, rhyme cross AVAB.

Metaphors – “Loving others with a heavy cross”, “the charms of your secret to the answer to life is tantamount to”, “the rustle of dreams”, “the rustle of news and truths”, “shaking verbal rubbish from the heart”.

Epithets – “You are beautiful”, “meaning ... selfless”, “not a big trick”.

Comparison – "Your meaning is like air."

History of creation

The story of the creation of the poem should be sought in the biography of Pasternak. The first wife of the poet was Eugene Lurie. The woman was an artist, so she did not like and did not want to do everyday life. Boris Leonidovich himself had to do household chores. For the sake of his beloved wife, he learned to cook, wash, but for a long time he did not have enough.

In 1929, the poet met Zinaida Neuhaus, the wife of his friend pianist Heinrich Neuhaus. The modest, pretty woman immediately liked Pasternak. Once he read her his poems to her, instead of praise or criticism, Zinaida said that she did not understand anything from what she read. The author liked this sincerity and simplicity. He promised to write more clearly. The love relationship between Pasternak and Neuhaus developed, she left her husband and became the poet's new muse. In 1931, the analyzed poem appeared.

Topic

The poem develops a popular theme of love in literature. The poet’s life circumstances leave an imprint on the lines of the work, so poems must be read in the context of Pasternak’s biography. The lyrical hero of the work merges completely with the author.

In the first line, Pasternak alludes to a relationship with Eugenia Lurie, which was really difficult to love, since the woman was hot-tempered and willful. Next, the lyrical hero turns to his beloved. Its advantage, he considers the "lack of convolutions", that is, not too high intelligence. The poet believes that this is what gives the woman charms. Such a representative of the weaker sex is more feminine, can be a wonderful mistress.

The author believes that the beloved lives not so much with the mind as with feelings, so she knows how to hear dreams, news and truths. It is as natural as air. In the last stanza, the poet admits that next to such a woman it is easy for him to change. He realized that it’s very easy to “shove verbal rubbish from the heart” and prevent a new blockage.

Composition

The poem is created in the form of a monologue, an appeal to the beloved. It can be divided into semantic parts: the hero’s attempt to solve the secret of the lover’s special beauty, brief thoughts on the ability to live without “litter” in the heart. Formally, the work consists of three quatrains.

Genre

The genre of the poem is elegy, as the author ponders the eternal problem, in the first line you feel sadness, apparently from the fact that he felt this “heavy cross” on himself. There are also signs of a message in the work. The poetic size is a four-foot iambic. The author uses an ABAV cross-rhyme.

Means of Expression

Pasternak uses artistic means to uncover the theme and create the image of an ideal woman. The main role is played by metaphor: “To love another heavy cross”, “the charms of your secret to the answer to life are equivalent”, “the rustle of dreams”, “the rustle of news and truths”, “to shake verbal rubbish from the heart”.

Much less in text epithets“You are beautiful,” “meaning ... selfless,” “not a big trick.” Comparisonjust one thing: "your meaning is like air."

The writing

Boris Leonidovich Pasternak is a remarkable poet and prose writer of the 20th century. He can be fully called an esthete writer who subtly and deeply feels the beautiful. He was always a connoisseur of natural and pristine beauty, which, of course, was reflected in his work. And, as a striking example of all the above, I would like to pay special attention to such a poem by Pasternak as "To love others is a heavy cross ...".

The first thing that catches your eye in this work is the simplicity and ease of the syllable. It is very short, consists of only three quatrains. But this brevity is one of his greatest virtues. Thus, each word is, as it were, more appreciated, has great weight and meaning. Analyzing the author’s speech, one cannot but pay attention to the amazing naturalness of the language, simplicity, and even some colloquiality. The literary and linguistic bar has been reduced to almost everyday speech, take at least such a phrase as "All this is not a big trick." Although there is also a book style, for example, the initial phrase of the work “To love others is a heavy cross”. And here I would like to note that this phraseological turn contains a clear allusion to biblical motifs, which are so frequent in the works of Boris Pasternak.

How to determine the theme of this poem? It would seem that the work is an appeal of the lyrical hero to his beloved woman, admiration for her beauty:

To love others is a heavy cross

And you are beautiful without convolutions

And the charms of your secret

The answer to life is equivalent.

The question arises - what is the secret of the charms of his beloved? And then the writer gives us the answer: her beauty lies in its naturalness, simplicity ("And you are beautiful without convolutions"). The following quatrain brings us to a deeper semantic level of the work, to reflection on the essence, nature of beauty as a whole.

What is Pasternak's beauty? This beauty is natural, without artificiality, without pomp and sophistication. In this poem we again encounter the so-called "theory of simplicity" of the poet, simplicity, which is the basis of life, of all things. And women's beauty should not contradict, but organically fit into the overall huge and global picture of universal beauty, which all God's creatures equally possess. Beauty is the only and main truth in the poet’s world:

In the spring I hear the rustle of dreams

And the rustle of news and truths.

You are from a family of such basics.

Your meaning, like air, is selfless.

Particularly symbolic is the last line of this quatrain. How deeply metaphorical is the expression “disinterested air”! When you think about it, you understand that nature is actually disinterested, it gives us the opportunity to breathe and, accordingly, live without asking for anything in return. So beauty, according to Pasternak, should be disinterested, like air, it is something that belongs to everyone equally.

In this poem, the poet distinguishes between two worlds - the world of natural, natural beauty and the world of people, everyday squabbles, “verbal litter” and petty thoughts. The image of spring as a time of rebirth and rebirth is symbolic: "In the spring you hear the rustle of dreams and the rustle of news and truths." And the lyrical heroine herself is like spring, she is “from a family of such foundations”, she is like a fresh breath of the wind, she is a conductor from one world to another, the world of beauty and the natural. In this world there is only room for feelings and truths. It would seem easy to get into it:

It's easy to wake up and see clearly

Word litter shake out of the heart

And live without clogging in the future,

All this is not a big trick.

The key to this new and wonderful life is beauty, but are all able to see true beauty in simple and unsophisticated? .. Is it possible for each of us to “wake up and see clearly” ...

It should be noted the features of the author's presentation of the lyrical hero and lyrical heroine of this poem. They seem to remain behind the scenes, they are unclear and vague. And each of us can involuntarily imagine ourselves and our beloved on the site of the heroes. Thus, the poem becomes personally significant.

Turning to the composition of the poem, it can be noted that the author chose a size that is easy enough to perceive (a four-foot iambic), which once again confirms his intention to emphasize the simplicity and uncomplicated form that recedes from the content. The same is proved by the fact that the work is not overloaded with artificially created paths. Its charm and charm are in its naturalness. Although it is impossible not to notice the presence of alliteration. “The rustle of dreams”, “the rustle of news and truths” - in these words the frequent repetition of hissing and whistling sounds creates an atmosphere of peace, silence, peace and mystery. After all, the main thing can be said only as Pasternak does - in a quiet, whisper ... After all, this is a secret.

Finishing my thinking, I involuntarily want to rephrase the author himself: to read other poems is a heavy cross, and this is really “beautiful without convolutions”.

“To love others is a heavy cross” Boris Pasternak

To love others is a heavy cross
  And you are beautiful without convolutions
  And the charms of your secret
  The answer to life is equivalent.

In the spring I hear the rustle of dreams
  And the rustle of news and truths.
  You are from a family of such basics.
  Your meaning, like air, is selfless.

It's easy to wake up and see clearly
  Word litter shake out of the heart
  And live without clogging in the future,
  All this is not a big trick.

Analysis of Pasternak’s poem “To love others is a heavy cross”

The personal life of Boris Pasternak was full of fleeting novels and hobbies. However, only three women were able to leave an indelible mark on the poet’s soul and evoke a feeling that is commonly called true love. Boris Pastrenak got married quite late, at the age of 33, and his first wife was the young artist Evgenia Lurie. Despite the fact that the couple were crazy about each other, quarrels broke out between them constantly. The poet's choice turned out to be a very quick-tempered and wayward lady. Plus, she considered it less than her dignity to engage in arranging everyday life while at the easel another unfinished painting was waiting for her. Therefore, all the household chores were forced to take on the head of the family, who over several years of family life learned to cook, wash and do the cleaning perfectly.

Of course, Boris Pasternak and Eugenia Lurie had much in common, but the poet dreamed of family coziness and that there was always an ordinary person next to him, devoid of creative ambitions. Therefore, when in 1929 he was introduced to the wife of his friend pianist Heinrich Neuhaus, he literally fell in love with this modest and sweet woman from the very first moments. During one of her visits to a friend, Boris Pasternak read Zinaida Neigauz several of her poems, but she honestly admitted that she did not understand anything about them. Then the poet promised that he would write specifically for her in a simpler and more accessible language. At the same time, the first lines of the poem “To love others are a heavy cross” were born, which were addressed to the lawful spouse. Developing this topic and turning to Zinaida Neigauz, Pasternak noted: "And you are beautiful without convolutions." The poet hinted that the subject of his hobbies is not distinguished by high intelligence. And this is precisely what attracted the author most of all in this woman, who was an exemplary mistress and fed the poet excellent dinners. In the end, what happened was to happen: Pasternak simply recaptured Zinaida from her legal spouse, divorced her own wife, and married again to one that had become his true muse for many years.

In this woman, the poet admired her simplicity and artlessness. Therefore, in his poem, he noted that "the charms of your secret to the answer to life are equivalent." With this phrase, the author wanted to emphasize that it is not the mind or natural attractiveness that color a woman. Her strength lies in her ability to live according to the laws of nature and in harmony with the environment. And for this, according to Pasternak, it is not at all necessary to be an erudite person who is able to maintain a conversation on philosophical or literary topics. It is enough to be sincere, to be able to love and sacrifice oneself for the sake of a loved one. Turning to Zinaida Neigauz, the poet writes: "Your meaning, like air, is selfless." This simple phrase is full of admiration and admiration for a woman who does not know how to pretend, flirt and conduct small talk, but she is pure in thoughts and deeds. Pasternak notes that it’s not difficult for her to wake up in the morning and “shake verbal rubbish from her heart” to start the day from scratch, joyfully and freely, “to live without clogging in the future”. It was this amazing quality that the poet wanted to learn from his chosen one, and he admired with such pure purity, poise and prudence.

At the same time, the author noted that it is not at all difficult to love such a woman, as if she were created for the family. Zinaida Neigauz became for him the ideal of a wife and mother, who won his heart with selfless concern for loved ones and the desire to always come to the aid in difficult times.

However, a touching affection for his wife did not prevent Boris Pasternak from experiencing love torment again in 1946 and having an affair with Olga Ivanskaya, an employee of the New World magazine. But even the news that his beloved is expecting a child did not affect the poet’s decision to keep his own family, in which he was truly happy.

And you are beautiful without convolutions

And the charms of your secret

The answer to life is equivalent.

In the spring I hear the rustle of dreams

And the rustle of news and truths.

You are from a family of such basics.

It's easy to wake up and see clearly

Word litter shake out of the heart

And live without clogging in the future,

All this is not a big trick.

Analysis:Already in the first lines of the poem outlines the main idea of \u200b\u200bthe work. The lyrical hero distinguishes his beloved, believing that the beauty of this woman is in simplicity. But at the same time, the heroine is idealized. It is impossible to understand and unravel it, therefore, "the charms of her secret The solution to life is equivalent." The poem is a confession of the lyrical hero who can no longer imagine his life without a lover.
  In this work, the author addresses only the theme of love. He does not address other problems. But, despite this, it should be noted the deep philosophical meaning of this poem. Love, according to the lyrical hero, lies in simplicity and lightness:
  In the spring I hear the rustle of dreams
  And the rustle of news and truths.
  You are from a family of such basics.
  Your meaning, like air, is selfless.
  The beloved lyric hero is part of the force that is called truth. The hero is well aware that you can very easily get away from this all-consuming feeling. You can wake up one day, as after a long sleep, and no longer plunge into a similar state:
  It's easy to wake up and see clearly
  Verbal litter from the heart to shake.
  And live without clogging in the future,
  All this is a little trick.
  But, as we see, the hero does not accept such a deviation from his feelings.
  The poem is written by a double-handed iambic, which gives the work great melody, helps to subordinate it to the main idea. Love in this poem is as light as its size.
  Parsnip refers to metaphors that are often used in his text: “the delights of a secret”, “the rustle of dreams”, “the rustle of news and truths”, “to shake verbal rubbish from the heart”. In my opinion, these paths give this amazing feeling a lot of mystery, inconsistency and, at the same time, some elusive charm.
In the poem, the poet also resorts to inversion, which, to some extent, complicates the movement of the thoughts of the lyrical hero. However, this technique does not deprive the product of lightness and some airiness.
  The poet conveys the feelings and experiences of the lyrical hero with the help of sound recording. So, in the poem hissing and whistling - "s" and "sh" prevail. These sounds, in my opinion, give this amazing feeling great intimacy. I think these sounds create a feeling of whispering.
  Pasternak considers the state of love the most valuable that a person has, for only in love do people show their best qualities. “To love others is a heavy cross ...” is a hymn to love, its purity and beauty, its irreplaceability and inexplicability. It must be said that until the last days it was precisely this feeling that B.L. Parsnip is strong and invulnerable, despite all the difficulties of life.
  For the poet, the concepts of “woman” and “nature” are merged together. The love for a woman is so strong that the lyrical hero begins to feel a subconscious dependence on this emotion. He does not think of himself outside of love.
  Despite the fact that the poem is very small in volume, but, nevertheless, it is very spacious in ideological and philosophical terms. This work attracts with its lightness and simplicity of truths hidden in it. I think this is where Pasternak’s talent manifests itself, which was able in sometimes difficult situations to find truth that is perceived very easily and naturally.
  The poem "To love others is a heavy cross ..." became, in my opinion, the key work about love in Pasternak's work. To a large extent, it became a symbol of the poet’s creativity.

Size - 4 iamb

PINE

In the grass, between wild balsamins,

Daisies and forest bathing,

We lie, hands thrown back

And their heads lifted up to the sky.

Grass on a pine clearing

Impassable and dense.

We look at each other again

We change poses and places.

And now, immortals for a while,

We face the pines

And from diseases, epidemics

And deaths are set free.

With intentional monotony,

Like ointment, thick blue

Lies bunnies on the ground

And dirty our sleeves.

We share the rest of the redwoods,

Under the swarm of goosebumps

Pine sleeping pills

Lemon with incense breathing.

And so frantic on blue

Run the fire trunks

And we won’t take out our hands for so long

From bent over heads

And so much breadth in my eyes

And so are all submissive from without

What is somewhere beyond the trunks of the sea

He fights all the time to me.

There are waves above these branches

And falling from a boulder

Unleash a hail of shrimp

From the scrambled bottom.

And in the evenings behind the tug

On traffic jams stretches dawn

And casts fish oil

And the hazy haze of amber.

It is getting dark, and gradually

The moon bury all traces

Under the white magic of foam

And the black magic of water.

And the waves are noisier and higher

And the audience on the float

Crowd at the pillar with a poster,

Indistinguishable in the distance.

Analysis:

The poem "Pines" can be attributed to the category of genre landscape thinking. Thinking about the concepts of the eternal - time, life and death, the essence of all things, the mysterious process of creativity. Considering that during this period a destructive wave of World War II was rolling in Europe at full speed, these verses sound especially penetrating like an alarm. What should a poet do in such terrible times? What role can he play? Pasternak, as a philosopher, painfully sought the answer to these questions. All his work, especially the late period, suggests that the poet is trying to remind mankind of things beautiful and eternal, to return to the path of wisdom. Creative people always see the beautiful, even in ugly things and events. Isn't this the main calling of the artist.

The simplicity with which “Pines”, prosaisms, a description of the most ordinary landscape is written - all this borders on sacredness, causes an incomprehensibly painful feeling of love for the homeland, real, wired into the subconscious at the genetic level. Four-legged iambic with pyrrhic   the poet was chosen subconsciously as the size, I don’t want to believe in other reasons for this choice. In the way these verses sound, there is something pagan, eternal. It is impossible to remove or rearrange the words in places; they are woven into a single wreath. Everything is natural and irreplaceable, as in mother nature. Heroes fled from hustle, bustle, civilization, murder and grief. They merged with nature. Ask Mother for protection? We are all children of a vast planet, beautiful and wise.

Size - 4 iamb

FROST

The dead time of leaf fall

Last geese jambs.

Do not be upset:

Fear has big eyes.

Let the wind, the rowan is entertaining,

Scares her before going to bed.

The order of creation is deceiving

Like a fairy tale with a good ending.

You wake up tomorrow from hibernation

And going out into the winter surface,

Again around the corner of the water pump

You’ll stand rooted to the spot.

Again these white flies

And the roofs, and the holy grandfather,

And pipes, and forest lop-eared

Dressed as a fool.

Everything was icy on a grand scale

In a hat to the very eyebrows

And crouching wolverine

The path dives into a ravine.

Here hoarfrost vaulted tower,

Lattice tes on the door.

Behind a snowy thick curtain

Some kind of gatehouse wall,

The road, and the edge of the coppice,

And a new thicket is visible.

Soothing lull

Carved

It looks like a quatrain

About the sleeping princess in the grave.

And the white dead kingdom

Throwing in my mind shivering

I whisper softly: "Thank you,

You give more than they ask. "

Analysis:Aesthetics and poetics of the lyrics of B.L. Pasternak, the most extraordinary and complex poet of the twentieth century, is based on the interpenetration of individual phenomena, on the merging of everything sensual.

In the poem "Frost"   it is expressed so strongly that it is difficult to understand who the author is talking about. Does it depict a landscape or a person.

The dead time of leaf fall
Last geese jambs.
Do not be upset:
Fear has big eyes.

In fact, lyrical hero   inseparable from nature, there are no barriers between them.

The confused labyrinth of Pasternak metaphoricality seems to grow in “Hoarfrost” from line to line. Landscape space   becomes larger, from one emotion - “No need to be upset”caused by natural wilting, increases to a whole world "And the white dead kingdom".

The poem “Hoarfrost” was not written in the first person, but not in the third, and this is not a paradox, but filigree craftsmanship.

The endless life of nature freezes in momentary stiffness. Hoarfrost, a fragile crust of ice, as if makes life slow down, which gives the soul of the lyrical hero the opportunity to open up to nature, to dissolve in it.

Main motive   works are the motive of the road.

And the more dynamic it moves lyrical plotthe further the hero rushes to the knowledge of the complex and multifaceted world, the slower the time moves, bewitched by hoarfrost. The road here is not a linear path forward, but the wheel of life, "Order of creation"in which winter is replacing autumn.

Fairy-tale, enchantment of natural being is created through a difficult associative series:

It looks like a quatrain
About the sleeping princess in the coffin

Pushkin motives   it’s not accidental here, because the poem “Hoarfrost” is an aspiration for truth and beauty, which forms the basis of spiritual being, and Pushkin’s lyrics are a harmonious element of the word, mesmerizing by its simplicity. In general, the poem is full of references to Russian classical lyrics. Also visible is a forest that looks like a fairytale tower. But behind the tale, Pasternak hides life, as it is.

Images of death, filling the poetic space of the last lines, do not create a sense of doom, although notes indicating emotional pain creep into the narrative. Nevertheless, here these motives indicate that consciousness rises to a different, higher level. And how dissonance The "dead kingdom"life-affirming lines of the finale sound:

I whisper softly: "Thank you."

Their solemnity combines the broken Parsnip syntax into a harmonious artistic structure.

The name of the poem "Hoarfrost" is significant. This natural phenomenon B.L. Pasternak attached importance to the transition from one state to another, the path that the lyrical hero takes, he overcomes through a break, the frost is also a break-through stage between autumn and winter, indicating a whirlwind of life, unstoppable in its striving forward.

Size - 3 amphibrachs

JULY

A ghost wanders around the house.

All day steps above your head.

Shadows flicker in the attic.

A brownie wanders around the house.

Hanging around inappropriately

It gets in the way

In a bathrobe sneaking to the bed

Tears off the tablecloth from the table.

Do not wipe the feet at the door

Runs in a whirlwind of draft

And with a curtain like a dancer

Soars to the ceiling.

Who is this pampering ignoramus

And this ghost and double?

Yes, this is our newcomer,

Our summer vacationer vacationer.

For his entire brief visit

We rent the whole house to him.

July with a thunderstorm, July air

He rented rooms for rent.

July lugging in clothes

Dandelion fluff, burdock,

July, home through the windows,

Everything is loud speaking out loud.

Steppe unkempt tattered,

Smelling of linden and grass

Tops and the smell of dill,

July air meadow.

Analysis: In a similar vein, the work “July” is written, written by the poet in the summer of 1956 while relaxing at the cottage in Peredelkino. From the first lines, the poet intrigues the reader, describing phenomena from the other world and claiming that “a brownie wanders around the house,” who pokes his nose in everything, “tears off the tablecloth,” “runs into a whirlwind of draft” and dances with a window curtain. However, in the second part of the poem, the poet reveals the cards and notes that the culprit of all leprosy is July - the hottest and most unpredictable summer month.

Despite the fact that there is no more intrigue, Pasternak continues to identify July with a living creature that is characteristic of an ordinary person. Thus, in the perception of the author, July is a “summer resident vacationer”, who rents out a whole house where he, and not a poet, is now a full-fledged master. Therefore, the guest behaves accordingly, pranks and scares the inhabitants of the mansion with strange sounds in the attic, slamming doors and windows, hangs on the clothes “dandelion fluff, burdock” and does not consider it necessary to observe at least some decency. The poet compares July to the unkempt steppe rash that can afford the most stupid and unpredictable antics. But at the same time it fills the house with the smell of linden, dill and meadow herbs. The poet notes that an uninvited guest, breaking into a house in a whirlwind, very soon becomes sweet and desirable. It is only a pity that his visit is short-lived, and soon the August heat will come to replace July - the first sign of impending autumn.

Pasternak is not at all embarrassed by such a neighborhood. Moreover, the poet speaks of his guest with a slight irony and tenderness, which hides a genuine love for this time of the year, filled with joy and serene happiness. It would seem that nature is disposed to put off all important matters for a while and keep company with the minx-june in his harmless amusements.

Size - 4 iamb

Sergey Alexandrovich Yesenin

consisted in the literary movement of imagism.

reason for coming to imagism. the desire to find a solution to the most important conflict of life: the revolution that Yesenin dreamed of and to which he dedicated his art, was increasingly enlightened by the fierce glow of corpses. imagism was out of politics. in 1924, the poem "Song of the Great Campaign" was published, which mentioned party leaders Trotsky and Zinoviev.

main themes in the work:

1. The theme of homeland and nature;

2. love lyrics;

3. poet and poetry

the theme of the motherland is one of the broad themes in the poet's work: from patriarchal (peasant) Russia to Soviet Russia.

Goy you, Russia, my dear,

Huts - in the garb of the image ...

Do not see the end and the edge -

Only blue sucks his eyes.

Like a visiting pilgrim,

I look at your fields.

And at low outskirts

Poplar stubbornly withering.

It smells of apple and honey

Through the churches your meek Savior.

And buzzing after Korogorod

In the meadows a cheerful dance.

Escape the wrinkled stitch

To the green lech

To meet me like earrings

The girl laughs.

If the holy man shouts:

"Throw you Russia, live in paradise!"

I will say: "Do not have paradise,

Give my homeland. "

Analysis:

early poem. 1914

the image of the homeland of Yesenin is always associated with images of nature. this technique is called psychological parallelism

in this poem, the poet glorifies the patriarchal principles in the life of the village "huts in the vestments of the image", "Through your churches, the meek Savior."

in the poem, sadness is heard over the departing patriarchy. and this once again proves the boundless love of his land.

the poet abandons paradise, accepting any homeland.

Yesenin admires the discreet beauty of nature "poplar withers"

in his early poetry, the poet pleases everything that he notices in nature.

the poem is like a folk song. epic motives.

visual expressive means:

a metaphor, "blue sucks the eyes," which expands the space of the verse.

comparison

antithesis