As belong to Onegin in a secular society. The image of a secular society in the novel "Eugene Onegin" and the comedy "Mount from the mind." Abstract. B) A. S. Griboedov "Mount from Wit"

Consciousness of a person, a system of life values, as is known, in many respects form moral laws adopted in society. Pushkin writes in the novel both about the metropolitan and Moscow and provincial nobility.
Special attention The author of the novel gives the St. Petersburg nobility, whose typical representative is Evgeny Onegin. The poet in all details describes the day of his hero, and the day of Onegin is a typical day of the capital's nobleman. Thus, Pushkin recreates the picture of the life of the entire St. Petersburg Society. Fashionable

Daytime walking on a specific route ("Nadiv Wide Bolivar, Onegin rides on the boulevard ..."), lunch in the restaurant, visit theater. Moreover, for Onegin the theater is not an artistic spectacle and not even a kind of club, but rather the place of love intrigues, backstage hobbies. Pushkin gives her hero the following characteristic:
Theater is an evil legislator,
Non-permanent
Charming actresses,
Honorary Citizen Kulis ...
It describes the Pushkin Cabinet of Onegin, his outfit. The author, as it wishes to once again emphasize the conclusion of young people from the national soil, because they have been in an early childhood in an atmosphere of someone else's language, people (governess and governers are foreigners) and things. ("But Pantalonians, Frak, Vest, all these words in Russian no ..."). The day of the young France is completing the ball, a favorite time to conduct the metropolitan nobles.
Pushkin speaks of the St. Petersburg Supreme Society with a fairing share of irony and without special sympathies, for the life of the metropolitan "monotony and sandra", and "Light noise is very quickly bored."
Local, provincial nobility is presented in the novel very widely. This is Uncle Onegin, the family of Larina, guests in the name of Tatiana, Zaretsky.
The uncle of Onegin was the "rustic old-timer", she worked out with the key, looked out the window, pressed the flies and read the "calendar of the over-year year."
Bright representatives of the provincial nobility gather from Tatiana in the names: the nails, the "host is an excellent, owner of the men's men"; Petushkov, "County France"; Flans, "Heavy Gossip, Old Plut". If Pushkin introduces real historical persons, such as Caverin, in this case, in this case, the author uses the names of well-known literary characters: Cattlenins are the heroes of the "inexpensive" phonvizin, Buyanov - hero of the "dangerous neighbor" V. L. Pushkin. The author also consumes speaking surnames. For example, Trick means a "broken stick" - a hint that he cannot be accepted in the Higher Society, but in the province he is welcome.
Not far from Lensky, Zaretsky, "Once Buyan", "Head Hard", now, "Father of the idol family", "Persian Mirny". But it can not be called a decent person, because he loves "friends to embroider young / and put them on the barrier." This is happening in the case of Lensky and Onegin. In general, Zaretsky is the culprit of the death of Lensky; Although he, as a second, could prevent a duel, but did everything possible to take place.
And Vladimir Lensky can be attributed to the local nobles. He is "romantic and nothing more", by definition of Belinsky. As a romantic, he does not know about life, people see anyone in a pink, either in black light ("he was a cute heart of ignorant ..."). He is alienated from the national culture, maybe more Onegin (neighbors call the Lensky semi-Russian). Arguing about the future of Vladimir Lensky, Pushkin sees two possible paths. Following the first one, he could become Kutuzov, Nelson or Napoleon or even finish the life so, so fish, because the Lensky man is passionate, capable of a reckless, but heroic act (in this he is close to Pushkin). But his trouble is that the medium in which he falls, hostile to him, he is considered to be an eccentric. Lensky would rather go on the second path:
And maybe then: poet
The ordinary waited for the lot.
He would become an ordinary landowner, which was Uncle Onegin or Dmitry Larin.
Larin, about which Belinsky says that he is "something like a polyp belonging to the same time with the two kingdoms of nature - a plant and animal," was "good small", but in fact, the person is ordinary (evidence of this is the Ochakov medal which was not an individual award in contrast to the Order). His wife was fond of his youth books, but the passion was rather age. He married unwittingly, was taken into the village where "rushed and crying first," but then it was engaged in the farm, "I got used to and pleased."
The world of the local nobility is far from perfection, because there are spiritual interests in it, the needs are not defining, as well as the interests of intellectual ("their conversation is prudent about Senokos, about wine; about Psarn, about his relatives"). However, Pushkin writes about him with greater sympathy than about St. Petersburg. In the provincial nobility, naturalness and immediacy are preserved as the properties of human nature ("the neighbors of a kind family, / non-surmonious friends"). Local nobles in the sense of the world weight, life was quite close to the people. This is manifested in relation to nature and religion, in compliance with traditions ("they kept in the life of a peaceful habit of cute ancient ...").
The Moscow nobility of Pushkin pays less attention than Petersburg. It takes several years since Pushkin wrote the 1st chapter of his novel, and A. S. Griboedov finished the comedy "grief from the mind", but Pushkin contributes to the epigraph of the seventh chapter Griboyedovsky lines, emphasizing that since then in Moscow Little has changed. The ancient capital has always been distinguished by patriarchal. So, for example, Tatyana meets the aunt gray Kalmyk, and fashion for Kalmykov was at the end of the 18th century. Moscow Nobility - the image is collective unlike Petersburg, where Eugene Onegin is the main character. Pushkin, speaking of Moscow, as if inhabiting her heroes of the Griboedovskaya comedy, whom did not change the time ("but they are not visible in them, everything is in them on an old sample ..."). Appears in Moscow society and a real historical person: "To her (Tatiana) somehow the Vyazemsky hooked ...". But in Moscow, all the same bustle, "noise, laughter, running, worship," who leave indifferent and Tatiana and the author.
The influence of the highest light itself is regardless of ambiguous. The 1st chapter gives a sharply satirical image of light. The tragic 6th chapter ends with lyrical departure - the author's reflections about the age border, which he is preparing to step over: "I will soon be thirty years old?" And he calls on the "Jun inspiration" to save the "soul of the poet" from death, not to give
… get stoned
In a dead link of light
In sem waters where with you i
Bat, cute friends!
So, the out, dead soul.
But here is the 8th chapter:
... and now I am for the first time
I bring to the secular round.
And what?
She likes the order of slender oligarchic conversations, and the cold pride is calm, and this mixture of ranks and years.
It really explains this contradiction of Y. Lotman: "The image of the light received double lighting: on the one hand, the world is soulless and mechanistic, he remained the object of condemnation, on the other - as a sphere in which Russian culture develops, life is spiritualized by the game of intellectual and spiritual forces, Poetry, pride, as the world of Karamzin and Decembrists, Zhukovsky and the author's "Eugene Onegin", he retains unconditional value.
Society is heterogeneously. It depends on the person himself, whether he will take the moral laws of a unwell majority or the best representatives of the world. "

In the novel "Yevgeny Onegin" Pushkin, the nobility disagreeed with light strokes - people in whose society Evgeny Onegin, and with whom, in addition to the main characters, he had to support relationships, communicate. The metropolitan nobility was strikingly distinguished from the provincial landowners who lived in the outback. This gap was all the more noticeable than less often the landowners went to the capital. Interests, the level of culture, the formation of those and others often turned out to be at different stages.

Images of landowners and the Great Sweetheart only partly were fictional. Pushkin himself rotated in their environment, and most paintings depicted in the work were spied on secular rounds, balas, dinners. With a provincial society, the poet communicated during the forced reference in Mikhailovsky and during the stay in Boldino. Therefore, the life of the nobility, which is in the village that in Moscow and St. Petersburg depicted poets with knowledge of the case.

Provincial local nobility

Along with, other landowners lived in the province of Larina. With most of them, the reader gets acquainted in the name of. But some strokes on portraits of neighbors and landowners can be seen in the second chapter, when Onegin settled in the village. Simple in his spiritual warehouse, even a few primitive people tried to make friends with a new neighbor, but as soon as he saw the approaching trees, he sat down on the horse and leaving the rear porch to not be noticed. The maneuver of the newly connected landowner was seen, and the neighbors offended in their best motives stopped attempts to reduce his friendship with Onegin. It is interesting to describe Pushkin to replace the replacement of the barbecue by the lifting:

But in the corner I was inflated,
Seeing terrible harm
His calculating neighbor;
Another smile smiled
And everyone decided to go to the voice
That he is the most dangerous eccentric.

The attitude of the nobles to Onegin became hostile. Sharp on the language of the gossip began to talk about it:

"The neighbor is our illness; madman
He is Pharmal; He drinks one
Glass of red wine;
He is not suitable for ladies;
Everything yes Yes not; Do not say yes-S.
Il. no with" That was the general voice.

Invented Ruscases are able to show the level of intelligence and educational people. And since he left much to be desired, Lensky was also not delighted with his neighbors, although he made visits from politeness. Although

Lord neighboring villages
He did not like pions;

Some landowners who have grown daughters have dreamed of getting a "rich neighbor" to their son-in-law. And since Lensky did not seek to get into someone's skillful placed networks, he, too, began to visit his neighbors more often:

He ran their conversation noisy.
Their conversation is prudent
About Senokosa, about wine,
About Psarn, about his relatives.

In addition, Lensky was in love with Olga Larina and spent almost all his evenings in their family.

Almost all neighbors came to the name of Tatiana:

With his spouse doodine
Fantastic trifles arrived;
Nails, the owner is excellent,
Owner of the beggars;

Here Pushkin clearly ironizes. But, regret, such cloves, who robbed as a sticky, their men, there were a lot among landowners.

Cattle, couple gray
With children of all ages, counting
From thirty to two years;
County frank Petushkov,
My brother cousin, Buyanov,
In the Puhu, in the carriage card
(As you, of course, he is familiar),
And the retired adviser to flanges
Heavy gossip, old plow,
Grooming, bribemer and jester.

Xxvii.

With the family of Panfil Harlikova
Arrived and Monsia Trick,
Stuck, recently from Tambov,
With glasses and in red wig.

Pushkin does not need to spend long stains on the characteristics of guest guests. Surnames spoke for themselves.

At the celebration, not only the landowners representing several generations were attended. The older generation was represented by cattle, the couple is gray, they were clearly for 50, the retired adviser to the flanges, he was also far over 40. In each family there were children who made the younger generation that were glad to the regimental orchestra and dance.

The provincial nobility is trying to imitate the capital, arranging balls and holidays, but everything is much more modest here. If in St. Petersburg, dishes prepared by French chefs from overseas products are offered, its own reserves are set in the province. The saved fatty cake was prepared by the yard cooks, tinctures and emphasis was made from berries and fruits collected in their own garden.

In the next chapter, which describes the preparation for a duel, the reader will get acquainted with another landowner

Zaretsky, once Buyan,
Creek hacks Ataman,
Head Version, Tribune Tractured,
Now good and simple
Father of the family of idle,
Reliable friend, landlord peaceful
And even an honest person.

It is His, Onegin is afraid, and without deciding to offer Lensky reconciliation. He knew that the Zaretsky could

Friends to embroider young
And to put them on the barrier
Il to make them make them,
In order to have breakfast threesome,
And after secretly desalcy
Cheerful jest, lie.

Moscow Noble Society

Tatyana got to Moscow not by chance. She came along with his mother at the bride fairy. In Moscow, there was a close relatives of Larina, and Tatiana and his mother stopped with them. In Moscow, Tatiana was close to the noble society, which was more archaic and frozen than in St. Petersburg or the province.

In Moscow, Tanya was greeted by himself warmth and mentally. The old women were crumbled in memories, "United States of Moscow," looking at the new relative and girlfriend, found a common language with her, shared the secrets of beauty and fashion, told about their heart victories and tried to disappear her secrets from Tatyana. But

the secret of his heart
Cherished treasure and tears and happiness,
Stores silently meanwhile
And they are not divided with anyone.

Guests arrived in the Alena Alena Mansion. So as not to look excessively scattered or arrogant,

Tatiana wish to listen
In conversations, in a common conversation;
But all in the living room takes
Such a rampant, vulgar nonsense;
All in them so pale, indifferent;
They are even boring.

All this was not an interesting romantician girl, who in the depths of the soul, perhaps waiting for some miracle. She often stood somewhere on the sidelines, and only

Archives of youth Tolpayu
On Tanya, it is stiff
And about her between
Unknown speak.

Of course, similar "archives of youth" could not interest the young young lady. Here Pushkin applied the old Slavonic form of adjective to emphasize the belonging of the "young men" to the "past century". In the late XVIII - first half of the XIXVEK, late marriages were not uncommon. Men were forced to serve to make a certain state, and only then married. But in the bride they chose young girls. So unequal marriage in the age ratio were at that time - not uncommon. They looked down on the provincial young lady.

Together with Mother or Kuzny, Tatyana visited theaters, it was taken to Moscow balls.

There is a close, excitement, heat,
Music roasting, candle brilliant,
Flashed, vikhori fast couples,
Beauties lightweights,
Personal people,
Bride extensive semicircle,
All feelings are striking suddenly.
Here seem smart note
Your incompleteness, your vest
And the inattentive Lorrow.
Cheerful holidays here
Hurry to appear, thunder,
Shine, capture and fly away.

On one of the balls on Tatiana, her future husband drew attention.

Nobles of St. Petersburg

In the first part of the poetic novel, the secular society of St. Petersburg was described by light sketches, view from. On the father of Onegin Pushkin writes that

Serving perfectly noble
His father lived on debts
Gave three bala annually
And finally dreamed.

Not one Onegin-senior lived in a similar way. For many nobles it was the norm. Another stroke of the secular society of St. Petersburg:

Here is my Onegin at freedom;
Oxt of the last fashion,
how dandy London dressed -
And finally saw the light.
He is in French perfectly
Could express and wrote;
Easy Mazurka dance
And bowed at ease;
Why do you like more? The light decided
That he is smart and very nice.

Description, Pushkin shows what interests and worldviews in aristocratic youth.

No one confuses that the young man does not serve anywhere. If the noble surname has estates and serfs, then why serve? In the eyes of some Mamash, perhaps Onegin was a good party for marriage of their daughters. This is one of the reasons why in the world take and invite young people on balls and lunches.

It happened, he is still in bed:
The notes are carried to it.
What? Invited? Indeed,
Three houses for the evening name:
There will be a ball, there is a children's holiday.

But Onegin, as you know, did not seek to tie myself to the bonds of marriage. Although it was an expert on the "science passion gentle".

Pushkin describes the ball on which Onegin arrived. This description also serves as a sketch to the characteristic of Petersburian morals. On such bala, young people got acquainted, fell in love

I was crazy about balls:
Relieving no place for recognition
And for the presentation of the letter.
Oh you, respectable spouses!
You will offer your services;
I ask my speech:
I want to warn you.
You are also mamma, pludd
For daughters, see following:
Keep it right Lornet!

At the end of the novel, St. Petersburg City Society is no longer so faithless as at the beginning.

Through the close range of aristocrats,
Military Frances, diplomats
And proud ladies she slides;
Here the village quietly and looks,
Admiring the noisy closeness
Flashed dresses and speeches,
Slendous guests
Before the hostess young ...

The author introduces the reader with Nina Voronskaya, dazzling beauty. A detailed portrait of a secular society of the capital Pushkin gives a dinner in the House of Tatiana. Here gathered how then they spoke, all the cream of society. Describing the people present at the dinner, Pushkin shows how Tatyana's hierarchical staircase rose highly rose, coming out married Prince, a military officer and a veteran of the Patriotic War of 1812.

the color of the capital,
And know and fashion samples,
Everywhere there are faces,
Necessary fools;
Here were ladies older
In Cheps and in roses, seemingly evil;
There were several maidens,
Do not smile;
There was a messenger who said
About state affairs;
Here was in fragrant gray
Old man, the old joyful:
Cancelled fine and cleverly
What is currently somewhat ridiculous.

There was a padded epigram,
On all angry lord:

But, along with representatives of the highest light, several random persons who came here were attended for dinner for various circumstances.

Here was prolasov who deserved
Fame of the lowness of the soul
In all albums stuck,
St.-Priest, your pencils;
In the doorway another dictator ballroom
Stood magazine picture,
Rumba, like verbal cherubs,
Tightened, it is real,
And traveler is laid
Earthly saved.

The noble status presented very high demands on its representatives. And Russia was a lot of truly worthy nobles. But in the novel "Eugene Onegin" Pushkin shows along with glitter and luxury, vices, emptiness and vulgarity. Leaning to costs, life is not for funds, and the desire for imitation, the reluctance to serve and benefit the society, the impracticality and carelessness of secular society are shown in the novel to the fullest. These lines were called upon to make readers think, most of which presented this nobility, reconsider their lifestyle. It is not surprising that Evgeny Onegin was accepted by the reading public ambiguously, and not always favorably.

The character of Onegin is not invented by Pushkin. He summarized the features typical of many then young people. These are people secured by the work of the fortress peasants who received the most disorderly education. But unlike the enormous majority of representatives of the dominant class of landlords, calmly and serenely relate to their looting life and the position of the oppressed people, these young people, smarter, more sensitive, more conscientious and noble, have experienced dissatisfaction with environmental environment, from everything Public building and at the same time discontent with himself. Not accustomed to either upbringing, nor the social status of labor, to work, to active actions, they did not think to fight against an unfair public system, against the depraved representatives of the nobility class corrupted. They contemptively closed in themselves, felt disappointed in life, embittered on everything and at all.

They dramatically stand out among the secular crowd, seemed in society with some strange people, but they themselves continued to lead the same empty, empty secular (in the city) or a landowner (in the village) Life well, understanding all the badness of her and not experiencing it Nothing but boredom and mental suffering. Pushkin perfectly characterizes the feelings of boredom and hopelessness peculiar to these people in the following poems of the XI stanza eighth chapters:

* Impexually see before
* One dinners long row,
* Look at life like a rite
* And after the Chinny Tip
* Go without sharing with her
* Neither general opinions or passions.

Pushkin depicts in the face of Onegin, of course, egoista, but this is not a smooth, in love with the Egoist, and how the Great critic Belinsky called the Great critic, "the" suffering egoist ". Onegin, apparently, understands that one of the main sources of his longing, "Handra" is the lack of labor, any activity of a social nature. But he is so smart that he cannot go on the ones like a fashionable way, which is available at that time a young nobleman who wants to find a "useful" lesson. He will not serve neither an officer nor an official because he understands (or feels) that it would mean actively supporting the building that is injustice of which is the ultimate cause of its longing and disappointment.

To make the goal of your life, those or other minor improvements in labor or our peasants would not be able to feel that it would be separate patches, minor, private measures, not solving the main and main problem of the destruction of slavery of peasants, serfdom ...

The only thing that could be decent to devote all his strength, all his life is a young enlightened nobleman, similar to Onegin, would be a straight struggle with the main evil of the then Russian life - with the serfdom and royal autocracy. But we have already seen that it was not capable of this in the virtue of its upbringing and living conditions that killed in it all public activity. "Toscating laziness" is the characteristic feature of Onegin, "the work thoroughly was tense ...".

There were advantage of advanced, enlightened nobles and those who managed to overcome their class egoism, who have irreparable impressions of the grievous position of the peasants, from the cruel torment of soldiers, from rudeness and reaction facilities the autocracy took over the harmful consequences of their upbringing and social status. They have decisively entered the path of the revolutionary struggle with the royal government, the struggle for the overthrow of the autocracy and the destruction of serfdom. Such were the Decembrists, who were just in those years when the Pushkin novel (1819-1825) occurs, secretly prepared a revolutionary uprising; Such was the Pushkin himself, who was brought up with his revolutionary verses from readers hatred for oppressors, passionate love for freedom and to their homeland, thirst for a revolutionary attachment.

People like Onegin did not belong to this category of noble revolutionaries. But already the fact that they felt uncomfortable in the then public atmosphere, Handryli, says that they still stood significantly higher than the overall level of noble youth. And if the circumstances of the life of Onegin helped him cure him from egoism, from proudly inhydrated to others, it would be quite natural and natural to bring him with people who share his main views, his sharply negative attitude towards the existing system, - with the Decembrist revolutionary.

The main character of Roman A.S. Pushkin "Eugene Onegin" is a nobleman, an aristocrat. It is directly associated with modernity, with the real circumstances of Russian reality and with people of the 1820s. Onegin is a sign with the author and with some of his friends ....

One of the main characters of the novel in verse by A.S. Pushkin - Onegin. It is not by chance and the work is called his name. The image of Onegin is a complex and controversial, concluding positive signs of progressiveness and sharply negative features of clearly pronounced individualism ....

Letters of Tatiana and Onegin are dramatically allocated from the total text of Pushkin Roman in verses "Eugene Onegin." Even the author himself highlights them: the attentive reader will immediately notice that there is no longer a strictly organized "Oneginskaya Strafs", but noticeable ...

Roman "Evgeny Onegin" is a favorite brainchild of Pushkin. The novel was written for eight years. Began to write his novel P. during the flourishing period of the social movement, during the heyday of freedom-loving ideas, and finished writing it during the years of a terrible reaction after ...

The 19th century can be called the "golden age" of Russian literature. Pushkin's illuminated by the genius, Lermontov, Gogol, shine talent Zhukovsky, Krylova, Griboedov, Russian literature in the first half of the 19th century made a truly giant step forward. And, of course, among many ingenious works, which were written in the 19th century, were and dedicated to the lives of secular society. The most bright and fully reflective this question is the image of a secular society - works, Roman A. S. Pushkin "Evgeny Onegin" and comedy A. S. Griboyedov "Mount from Wit".

"Woe from the mind" A. S. Griboyedov and Yevgeny Onegin A. S. Pushkin - works devoted to one period of life of Russia. This era was significant for the country. After the war of 1812, the opinion of the intelligentsia about the Russian peoples, which freed Russia from Tirana Napoleon has deeply changed. At the same time, secular society attract foreign trends, fashion, culture, books. All these contradictions described the authors in their works. In order to better understand what the image of a secular society in these works is better, I analyzed them in detail and suggest you familiarize yourself with the results obtained.

In the course of work, I set the following goals:

The most fully reveal the topic "The image of a secular society in the works of A. S. Pushkin and A. S, Griboedov."
Analyze the works of A. S. Pushkin "Evgeny Onegin" and A. S. Griboyedov "Mount from the mind."
Immerse yourself in the 19th century atmosphere and understand what the secular society of that time lived.
Get acquainted with the scientific literature corresponding to this topic.
Assess the relevance of these works today

Main part.

BUT) A. S. Pushkin "Evgeny Onegin".

Roman "Evgeny Onegin" is one of the most significant works of Russian literature. His author, A. S. Pushkin, belonged to the noble environment, so he had a fairly complete performance about her.

From the side of the Father, A. S. Pushkin belonged to the ancient noble clan, mentioned in the annals from the times of John the Terrible, and Pushkin's mother was the granddaughter of Ibrahim Hannibal, famous by the poet "Arape Peter Great". He received an excellent education, the young Pushkin was in the highest light. Father's links and service under the Ministry of Foreign Affairs opened Pushkin to the exit to the best houses of the Big Light - the counts of the Budetin and Vorontsov, the princes of Trubetskiy, drying columns. Here Pushkin is at first with a ferritious passion to the balas and all the great entertainment. But the big light soon bored him, but also this mumbling touch to the highest light was enough to understand his entire margin, realize what guides people in this environment, and subsequently tell about it in his novel "Eugene Onegin".

History of creating a novel.

September 13, 1830, in Boldino, Pushkin wrote the eighth, and 25 - the ninth, the last, head of his novel "Eugene Onegin." Long work was over. With the novel went into the past a whole era of life. But the shower was restless and sad, the author did not want to say goodbye to his heroes. He expressed this feeling in verses:

MIG It has come: My work is finished long-term,

What incomprehensible sadness is secretly disturbing me?

With these verses, the author wanted to express the reluctance to part with his heroes, who during the writing of the novel became his relatives, with the society that he was so carefully and thoughtfully described. After all, the consciousness of man, the system of life values, as is well known, the moral laws adopted in society are largely formed.

Petersburg A. S. Pushkin.

Pushkin writes in the novel as the metropolitan and Moscow and provincial nobility. Particular attention by the author of the novel gives the St. Petersburg nobility.

A. S. Pushkin knew Petersburg. Moreover, he loved this city. Petersburg was for Pushkin the symbol of the grandeur and power of Russia. In many of his works, he wrote about St. Petersburg with love. For example, in its work "Copper Horseman" he noted:

Love you, Peter Creation,

I love your strict, slim view,

Neva Purchase flow

Coastal granite

Your fence is a cast iron,

Your thoughtful nights

Transparent Surak, shineless,

When I'm in my room,

I write, I read without a lamp,

And clear sleeping bulk

Deserted streets, and light

Admiralty needle.

And, not the night darkness,

On golden skies,

One dawn change another

Hurry up, giving night half an hour.

But at the same time, it was, as he wrote to his wife, "Kinsky Petersburg", where the crowned despot lived, where even the bastions of the Petropavlovsk fortress reminded him of the friends of the Decembrists in imprisonment. Pushkin understood that in this city there is no freedom that the St. Petersburg secular society appreciates, first of all, not thoughts, feelings and soul, and the situation in society, title and money.

The image of a secular young man is Evgeny Onegin.

It would seem, Evgeny Onegin is a typical representative of the Peterbizian nobility, but is it so? A. S. Pushkin presents Evgeny Onegin at home, in his free, slightly ironic manner - "Those who thought a young horse", "good my friend." Pushkin in the fast and short retreat draws the biography of Onegin. The medium to which Onegin belonged, and formed his convictions, his morality, interests and tastes. Having lived on debts, Odegin's father did not come up with a special system of upbringing for his son - he did, like everything: first hired a Frenchman for his son, then Gutener, "French French". Superficial secular education was custom, the norm, everyone lived in this environment. Pushkin himself belonged to her and could say with full right: "We all studied little by little, something and somehow." Wednesday and determined the "race of classes" of Onegin, when it was time for "rebellious youth" - "secular life".

Evgeny Onegin was a man educated and brought up, he studied at home:

He is in French perfectly

Could express and wrote

Easy Mazurka dance

And bowed outdoors.

In a secular society, the honor and public opinion was valued above all, which created a special type of behavior:

And here is a public opinion!

Spring honor, our idol!

And this is what the world is spinning!

Also Onegin, as a secular young man, characterizes one day from his life described by Pushkin.

The morning begins reading notes with invitations to the ball, then classes in the "Fashion Pupil" office, a walk through the boulevard, a restaurant dinner. In the evening - theater, after the theater Return home - "To get dressed" - and a trip to the ball:

Theater is an evil legislator,
Non-permanent
Charming actresses,
Honorary Citizen Kulis ...

From Bala Onegin comes home only at the dawn.

What is my Onegin? Half-one

He drives the bed with the ball.

It describes the Pushkin Cabinet of Onegin, his outfit. The author, as it wishes to once again emphasize the conclusion of young people from the national soil, because they have been in an early childhood in an atmosphere of someone else's language, people (governess and governers are foreigners) and things. ("But Pantalonians, Frak, Vest, / All these words in Russian no ...").

Evgeny Onegin is the main character of the work and disclosure of his character for the reader A. S. Pushkin paid the most forces. Shortly before the Roman's final, pointing to the one-standing Onegin (and he, returning from the journey, immediately appeared on the Rauta, in the usual bustle of the eternal festival), Pushkin dropped truly the remark: "As something superfluous."

True, this remark remained in the options of chapter. In the canonical text, the corresponding place looks somewhat different, but also noteworthy:

But who is in the crowd chosen

Is there silent and foggy?

For all, he seems to be a stranger.

With the external difference of these characteristics, they are relatively related: in the same case, Onegin is taken in relation to the surrounding society. It is for those who constitute the light, Onegin, or extra, or someone else's. But how could this happen? After all, we remember that on the nature of Onegin Frant, an adherent of points and secular gatherings. But it is worth it for a while (as happened with Onegin's traveling) as you immediately become unnecessary, more than a person. And this is also indicative. Inside the crowd rages rampant egoistic passions. In the exchange of remarks behind the card table and in the break between the dances, opinions are derived, the actions of individual people are evaluated, the behavior of entire groups is agreed.

This is a secular crowd. Pushkin has a steady negative attitude towards it.

Social society, as one of the reasons for Duele Vladimir Lensky and Eugene Onegin.

Another representative of the secular society is Vladimir Lensky.

In your village at the same time

The landowner has a new row

And just as strict analysis

In the neighborhood, the reason served:

Named Vladimir Lenskaya

With soul straight to Gettingten

Handsome, in full color of years,

Fans of Kant and Poet.

He from Germany foggy

Brewing fruits:

Wolno-loving dreams,

Spirit, fervent and rather strange,

Always enthusiastic speech

And curls black to shoulders.

So says A. S. Pushkin about Vladimir Lensky.

Vladimir Lensky far from this Russian life. It is impossible to determine to a certain category of society. We cannot call him a secular person, because he is far from the light and in his poems he chants "separation and sadness, and something, and the fog of the distance ...". Lensky young and sees all through the prism of age and literature. Lensky everything idealizes. It also proves his choice. Olga is a typical beauty that does not have individuality. She is mediocre, her image was made so many times that he lost all his charm. But it understands only Onegin. What is Onegin?

Evgeny Onegin and Vladimir Lensky .... Who are they for each other?

They agreed. Wave and stone,

Poems and prose, ice and flame

Not so different among themselves.

First mutual differences

They were boring each other;

Then I liked; later

Going away every day riding

And soon became inseparable.

So people (first I repent)

From doing nothing friends.

However, Nile and Lena is insignificant, the quarrel of Onegin and Lensky, and we want to believe: it will still hurt, friends will come up, Lensky marries her Olga ... However, the duel will take place, one of the friends will die. But who? Even the most inexperienced reader is clear: Lensky will die. Pushkin is unnoticed, urgently prepared us for this thought.
Random quarrel - only a reason for a duel, and the reason for her, the cause of Lensky's death is much deeper. After all, in the quarrel of Onegin and Lensky, the force comes, which cannot be reversed, is the power of "public opinion". And again the secular society! Onegin understands everything perfectly .... He himself tells himself that he:

It was necessary to have himself
Not a punishment ball
Not a fervent boy, fighter,
But husband with honor and with the mind.

Pushkin picks up the verbs, very fully drawing the state of Onegin: "I blamed myself," "I was owned," "he could," "he had to disarm the young heart ..." But why are all these verbs in the past time? After all, you can still go to Lensky, explain, to forget the enmity - it's not too late ... "Alone with his soul" Onegin understood everything. But that's the trouble that the ability to stay alone with his conscience and to do so how to make a conscience, is a rare ability. For him you need the courage, which is not from the main character. And because of this, it dies in anything is not a taught man - the poet Vladimir Lensky.

Social society in the village.

Belinsky called Roman A. S. Pushkin - "Encyclopedia of Russian life. This is its value. In his novel, the author told his readers about all the segments of the population. For example, about the fortress nobility.

The fortress village occupies a central place in the composition of the novel. It is shown immediately after St. Petersburg as a sharp contrast to it. She helps us understand what the capital's secular society is distinguished from the village Social Society. And is there any differences?

In the northern capital, time rapidly runs, slowly flows in the village. The Northern Capital has the wide opportunity to follow the Western fashion, use the achievements of European civilization, and the "morals of our old nature" reign in the village, the connection of man with nature is strong. Pushkin shows a medium that influenced the formation of the vital values \u200b\u200bof the main characters. Among the metropolitan nobility, childhood and youth of Onegin took place, and Tatiana rose in the village. The plain nobility the poet draws and satirically, and ironically, and sympathetically, with notes of nostalgia and a good smile.

In the family of Larina, the author sees different starts. The surname of the landowners comes from the word "Lara" - the gods of a homemade hearth. In their rustic house a lot of good, patriarchal and touching. The life of Larina is "peaceful", without envy, malice, cruelty. These are quiet, simple people, hospitable, welcoming. They went through the hand in life hand, without great passions, but also without wild quarrels and scenes. Even indifferent and bored Onegin rated the warmth of the home of the Larina:

And by the way: Larina is simple,
But a very cute old woman.

The poet of the road "Mile Starny" habits, who were followed by Tatiana's parents:

They stored in life peaceful
Habits of cute antiquity;
They have oily fat
Russian pancakes were found;
Twice a year they are govli;
Loved round swing,
Locking songs, dance ...

She drove on the work,
Solished mushrooms for winter,
Led expenses, Bril's foreheads,
I went to the bath on Saturdays.
Said Bila, Hardeing -
All this is a husband not asking.

But, on the other hand, the poet is sad that the life of peaceful village people is completely devoid of spiritual interests, searches, development. They are not interested:

Tribes of the past contracts
Fruits of science, good and evil,
And prejudices of centuries
And the coffin mystery fathers ...

Dmitry Larin - mediocre, primitive person:

Her father was kind small
In the past century, a belated;
But the books did not see harm;
He never read
They read the empty toy ...

But the father of Tatiana was not always simple Barin: he participated in the Russian-Turkish war in the Russian-Turkish war, deserved Chin Brigadier and the medal for the capture of Ocakov.

Tatiana's mother elevated, romanticly loved Sergeant Guard, then experienced a mental drama when she was married to the unloved man. The measured, calm life of "habit" led to the inner squeezing, the extinction of the mental gusts of Mother Tatiana and her husband. The poet hurts to realize how easily people turn into ordinary people, slowly lived their age. Still, the Larina family is the best one among the local nobility. In their house, not only the usual, unreasonable Olga rose - the most common type of noble girl in the beginning of the XIX century, but also a spiritually rich nature - Tatiana.

In the portrait of another ordinary man, Pushkin appears accusatory motifs. The poet talks about Rustic Uncle Onegin, which:

Years forty with the key screamed
I watched the window and the flies pressed.

In two stitching, a whole life of a person, filled with an inexpressible boredom: the forty years he spent in a deaf village without a business, without a family, in petty squabbles.

In the name of Tatiana we get acquainted with many neighbors and friends of Larina. In describing the secular society, the traditional reception is "speaking" surnames: trifles, cattleins. Heroes resemble characters from Comedy D.I. Fontvizin and A.S.Griboyedov. "Talking" surname in a nail. It is formed from the verb "Governing". This hero is "the owner is an excellent, owner of the beggars." Pushkin characterizes this landowner in accordance with the everyday logic of serfs. After all, he is good who robs the peasants. The poet describes a local foreigner, and the noble young lady, and the departure of Petushkova.
In this primitive and immoral world of ordinary people, it is impossible to "not suffocate" the best heroes - Onegin and Tatiana.

People surrounding them are unbearable. Therefore, Onegin avoided communicating with them, and Tatiana silently suffered. In a letter to Eugene, she admitted:

Imagine: I'm alone here,
Nobody understands me,
My mind is exhausted
And I should die silently.

From the influence of a vulgar environment, a girl saved her kind family, books, proximity to nature and folk culture.
By creating a parody image of a small nobility, Pushkin accurately and deeply showed how the construction of the manor life was formed, mostly, people are near, mediocre, who do not know how to think nor feel.

In Onegin, Pushkin is primarily represented by the spiritual and moral appearance of the noble intelligentsia of the Decembrists era. He personifies the problem of the society, that era, but at the same time it is strangely contrary to him. At the very least, it is absolutely accurate to say that it is at a high level of culture of his time, differing in this regard from most of the nobility society. And it unites him with Chatsky - the main hero of the comedy "Mount from the mind" of Alexander Sergeevich Griboyedov.

B) A. S. Griboedov "Woe from Wit".

The history of the creation and main conflicts in the comedy.

A.S. Pushkin is a wonderful statement: "Griboedov did everything. He wrote "grief from the mind." "Woe from the mind" is an original, highly artistic, socially significant comedy. A.S.Griboyedov worked on his main work for several years. The final edition was completed in the fall of 1824. Each image in the comedy reflects the essence of the real public types of its era. They are not fictional, not abstract, but deeply vital.
There are two conflicts in the work: love, the main participants of which are Chatsky and Sophia, and the conflict of socio-ideological, in which Chatsky is faced with the conservatives gathered at the Famusov House. From the point of view of the issues in the foreground - the conflict between the Chatsky and the Famovsky society, the contradiction between the civilian actual person and publicly passive, the reaction majority.

A. S. Griboedov in his comedy as well as Pushkin, showed the confrontation of two camp of the Russian nobility in the early 20s of the 19th century. These were years when advanced nobles clearly understood the need for change in the country. The fight began, the apogee of which was the uprising of the Decembrists. The best of the nobility opposed the usual orders, which Griboedov masterfully described in its work on the example of Moscow Baria.

Moskovskaya Baroze in Comedy A. S. Griboyedov "Woe from Wit".

Images of Moscow nobles in Comedy Griboyedov have a lot of common features. These are conservatives, opponents of all new, advanced. These people do not hide their attitude to the changes occurring in the country, on the contrary, they openly talk about their commitment to the century last:

Not that novelty was injected - never

Save us God! Not…

This speaks of their intelligence, their morality. These people are not interested in the individuality, the soul of every person. Everyone is assessed here on its material situation or origin and position in society.

This we can observe during the Bala scene. The Khatsky conflict with the Moscow society is most brightly manifested itself on the ball at Famusov. Bala scene is the culmination of Comedy Griboyedov. Chapsky's ball has time to overstand with the guests, heal the crazy and be convicted of everyone who gathered on the ball with society.

Bala scene is typical for Moscow Griboedovsky time. And the guests of Famusov are the most ordinary people of the Moscow society of the early 19th century. Some ride the bikes from boredom, others to get acquainted with the necessary people, others to arrange the fate of their children. Here are the people of one circle, there are no strangers here. And the established rules of behavior are the law.

The first, with whom the Chatsky is found to the ball - this is the spouses of the rich. Platon Gorich is a longtime familiar Chatsky, the former military, after the marriage completely fell "under the heel" of his wife. It is felt that Chatsky refers to Plato Mikhailovich and sincerely grieved with a variety that happened with her old friend. He though he fools over the gorge, but with obvious sympathy. But the princes of Toguhovsky with their family, with their numerous daughters. The first thing that interests the Princess is whether Chatsky is married. And how quickly disappears her interest when she learns that the candidate for the groom is not good! But the Countess of Hrumina: Grandma and her granddaughter - old Virgo. On her caustic comments, Chatsky responds no less sharply. It compares her with French modists.
And, of course, Chatsky outraves the fact that the Moscow society, condemning such a pass, like Zagoretsky, does not close the door in front of it, but continues to take on the bala. The frankly of all speaks of his stupidity of Hersestov: "I had a door to constipation from him; Yes Master to serve »Empty worthless people who do not want not only no change, but not even want to hear about them. Therefore, Chatsky, thinking and talking otherwise, his truth is a rejection of this society. That is why the rumor about the madness of the Chatsky, invented by Sofia, was so easily adopted for the truth by the guests of Famusov. So, the Moscow society makes the verdict to Chatkom: the mad. But Chatsky makes his sentence to Moscow society:

From the fire he will be unharmed,
Who will stay with you a day
Sucks with the air of one
And in it, the mind will destroy.

The image of Paul Famusov as a representative of Moscow secular society.

If we are talking about the Moscow Second Society, we can not say about Pavel Afanasyevich Famusov.

Famusov is one of the central figures in the comedy. This is a bright representative of the "century past", he preaches the philosophy of "fathers", that is, those who have conservative views. "Fathers" in the play - high-ranking officials and at the same time rich landowners. This is a Famus society. They oppose freedom of speech and enlightenment. In the hands of the Famovsky Society concentrated power. The service position of Famusov is high enough: he is "manager in a government place." It is from him that the material state and success of many people depends: the distribution of the ranks and awards, "protection" with young officials and pensions of old men
Famusov is a convinced defender of the whole congestive. In his opinion, to live correctly - it means to do in everything, "" How did the fathers, "learn," on older looking ". The hero praises Moscow morals, the unchanged century from the century:

There are all its laws:
Here, for example, we have been underway,
What is the honor of the Father and Son:
Be bad, yes if you want
Shower thousands of two generics -
That and the groom.

The image of Alexander Chatsky.

Famovovsky society in comedy, firmly stored the tradition of the "century past", was opposed to Alexander Andreevich Chatsky. This is the advanced man of the "Century of the present", more precisely, the time when after the Patriotic War of 1812, which aggravated the self-consciousness of all sectors of the Society of Russia of the time, secret revolutionary circles, political societies began to emerge and develop. Chatsky in the literature of the 20s of the XIX century is the typical image of a "new" person, a positive hero, a Decembrist in the views, public behavior, moral convictions, throughout the warehouse of the mind and soul. His views against the existing obscures are becoming increasingly sharp.
If the Famuses are the defender of the old century, the flourishing time of serfdom, then Chatsky with indignation of the Revolutionary-Decembrist speaks of serfs and serfdom. In the monologue "And the judges who?" He is angrily opposing those people who are pillars of the noble society. He sharply expresses against the pretty heart of Famusov orders of the Golden Ekaterininsky century, the "century of humility and fear - a century for apt and sleeper."

The ideal of Chatsky is not Maxim Petrovich, the proposed nobleman and the "hunter will be embezzled," and an independent, free person, alien to slave gentity.

If Magizubov, Molchanin, cliffs are considering the service as
The source of personal benefits, the service of persons, and not the work, then Chatsky breaks connections with the ministers, goes from service precisely because he would wish to serve the case, and not lacker before the bosses. "It would be glad to serve, sick," he says. It protects the right to serve as enlightenment, science, literature, but it is difficult in such a society.

If the Famusovskoe society with neglect refers to the entire people, national, slavies imitates the external culture of the West, especially France, even neglecting their native language, then Chatsky is standing for the development of national culture, developing the best, advanced achievements of European civilization. The collision of the Chatsky - a man with a volitional character, one-piece in his feelings, a fighter for the idea - with the Famovski society inevitably. This clash takes gradually increasingly fierce character, it is complicated by the personal drama Chatsky - the crash of his hopes for personal happiness.

The reasons for the choice of sofa silence.

Sophia - a mixture of good instincts with a lie, a live mind with the lack of every hint of ideas and beliefs, confusion of concepts, mental and moral blindness - all this does not have the character of personal defects, this can be called common features of her circle.

Recall that Sophia is raised in the Famovskogo society, she received the classical education of that time - poems, dancing, piano and her favorite French novels .... All this imposed a certain imprint on its character. On the one hand, it has a living mind, passion and female softness, on the other hand, is a misunderstanding of the surrounding world, which and drove it with silent.

"I did not try! God bounce us! " - She says about her relationship with silent. But is it? And what do we know about the silence itself?

He is finally compliant, modest, quiet. And on the soul of misconduct. Aliens and incision and either does not rub away .... So I love him for! " - This is how Sofya is described by Sofya, not noticing that "the portrait goes out." Sophia sees in it modest, poor, not daring to raise her eye, in love with a young man. ... and .... Patronizing him. She seeks to make a "boy - husband" from him, and if we recall the Famusov society, we will understand where Sofia takes these ideas. After all, it is in this society that such husbands are not uncommon.

In some critical articles (for example, in the article by Goncharov "Millon Torzani), Sophia is compared with Pushkin Tatiana and we can talk about the relevance of this comparison. "The soul was waiting for someone," says Pushkin about Tatiana in the work of "Eugene Onegin", but if you look at Sophie Griboedov, we will understand that the choice of Sofia on Molchalin fell by chance. Like Tatiana, she chooses his beloved, not knowing him, without understanding him, his mental qualities. Her soul was waiting for someone

A lively mind, ideas, the thought of feeling is ruined in Sofye, so it does not notice in the silence of what is obvious to others: nonsense, greed, meanness and fohymism.

The last date of lovers shows silence in all its glory.

"And here is a lover, I take a kind of one person's daughter ...." And Sofya? "Do not continue. I blame myself around. But who could think could, so that he was so cunning! "

So, we understand that the choice of Sofia was due mainly limited choice. After all, Sofya, with all his spiritual deposits, still belongs to the Famówov world.

C) comparing Onegin and Chatsky.

What is still like these two heroes, secular Onegin and the enlightener Chazki, the heroes of various works, but one era?

Of course, they come from the same society, they are peers, both are smart, insightful, both see the inconsistency of secular life, expose her essence from the cover of an external tinsel and brilliance. Both are trying to find themselves, find themselves, traveling or replacing the situation. Both have unsuccessfully folded relationships with a weak floor, but, however, the reasons for this are somewhat different. If Chatsky, still in love with Sophia, gradually disappointed in it, finding in her character the features of the society hated him, then Onegin, meeting with Tatiana, already in deep disappointment from life, therefore he reacts for the love of Tatiana noble. But he understands that it is not capable of becoming a decent husband and father of the family, so he fears clean and delicate love of Tatiana.

Chatsky personifies a living mind, advanced aspirations, fire, movement, and rapid educational activities. Onegin turns out to be more passive on a background, a man with a light, almost extinct, but who can still be checked, just to make it necessary to someone else, inflate the fire and turn it into the flame.

Conclusion.

"Together with the modern brilliant creation of Griboedov -" grief from the mind ", Pushkin's poetic novel put a solid foundation for new Russian poetry, new Russian literature. Before these two works, the Russian poets have not been able to be poets yet, singing alien Russian reality objects, and almost not able to be poets, taken as the image of the world of Russian life, "said V. G. Belinsky.

Indeed, these two works have played a huge role in the development of Russian literature. After reading them, you can most fully compile your idea of \u200b\u200bthe secular society of that time. Having studied this topic, I realized that the lifestyle of adherents of a secular society of that time is not very different from the lifestyle of the elite, the so-called higher society, today's days. Unfortunately, now the soul, sincere feelings and the best character traits sometimes appreciate less than money, position, connection. And so I can say that my theme of my abstract is relevant to this day. Answers to modern questions, problems, you can always find at the classics. Let's read the classics!

Bibliography:

I. E. Kaplan "Analysis of works of Russian classics."

A. M. Gurevich "The plot" Evgenia Onegin ""

S. Sandomir "Mystery Onegin"

I. Medvedev "Woe from Wit"

V. I. Korovin "A. S. Griboedov. Life and art"

N. S. Ashukin "Pushkinskaya Moscow"

Arnold Hesse "Pushkin in Moscow"

Journal "Literature at School" for 2004, 1997

N. K. Piccanov "Woe from Wit".

I. A. Goncharov "Millon Torzania"

V. Orlov "A. S. Griboedov and his comedy "

S. E. Shatalov "Heroes of Roman A. S. Pushkin" Evgeny Onegin "»

Internet resources.

Discussion is closed.

The understanding of man Pushkin affected not only when creating an image of Onegin, but also almost everyone else. Such was Pushkin's main principle of creating characters. As an artist-realist, he understood that these natural and as if eternal human properties appear in a different way in people of different ages, epochs or nationalities. After all, in different epochs, a person is formed under the influence of non-socio-historical circumstances! But does this mean that a person remains unchanged - even with the same conditions of Being? Here Pushkin came close to the artistic discovery, which was fully developed later by L. Tolstoy and which glorified not only his name, but also all Russian literature. Chernyshevsky through a quarter of a century after Pushkin will call it a "soul dialectic". In his understanding, this meant self-approval, the development of the human soul due to the struggle and overcoming the internal contradictions. This is how it looked in Pushkin's novel.

A secular crowd around Onegin has not changed. The lifestyle remained unchanged. Some and the same impressions are included in his consciousness. Some and the same speeches he is forced to behave. The medium affects it in the same direction. Does this mean that he should always remain young honey? From the point of view of Pushkin, it is impossible. Why? Because youth passed. Onegin approached the moment of maturity. The vital necessity was the need to understand the surrounding world and himself. Thoughtless pleasure no longer pleases, because it feels forced. He should be like everything! And he does not want and already 'cannot stay faceless or fulfill the roles bothering him.

During the twenty-two stanz, Pushkin depicted how spiritual devastation begins at Onegin. It is cheerfully sent to the boulevard, but then everything put on the day is committed with a sense of increasing fatigue. And under the morning he returns half a hand and exhausted home. The eternal holiday of life takes no less strength than active work. So Onegin ripened for the new role of passive romance. But why exactly romance, and passive, not another type? The type of romance draped into the cloak of Bayronovsky Childe Harold, has already developed at the beginning of the 1820s. The passion for them was widespread in the West and in Russia. To be or seemed disappointed romantic - this for those years was so new and fashionable, which immediately allocated the ordinary vision from the crowd. There were creatively gifted romance. There were romantic active, who sought to transform the world and searched for effective means to implement their aspirations. And many of the passive romantics sought bright self-declarations: in dreams, in verses, in fantastic visions, they transformed the world. So according to the new role, Onegin was supposed to create at least something. And initially Pushkin intended to include his poetic observations and considerations in the novel. But subsequently "Album Onegin", allegedly discovered by Tatiana in the Barsky house, he removed from the text of the novel and left a short remark about this episode:

* The apostate of rapid pleasures,
* Onegin home locked,
* Yawning, feather took,
* I wanted to write - but the work is stubborn
* He was tsen; nothing
* Did not come out of his pen,
* And he did not get into the headshop
* People, about koi not judge,
* Then what belongs to them.

Is there any a disgust to persistent creative work prevented Onegin to become a poet? Maybe he did not have a talent - a strong, bright, original talent? In any case, the option with the album would leave the reader in doubt. Removing it, Pushkin thereby rejected this path of activity of his hero.

So, poetic talent is not found, and therefore naturally try yourself in science.

Maybe it will be at Onegin a strong mind, logic and ability to wide fruitful generalizations:

* And again, devoted to idleness,
* In that conscience, in that sense there is no
* Trying mental emptiness,
* On all various tries;
* He sat down - with a praise goal "
* And outdated old man,
* As women, he left books
* And shelf with dusty family
* Drew the mourning taffeta.

So, this hope is buried. The readiness is one, and the toastfulness of the mind, a research approach in the perception of the world, the ability to get to the root of phenomena, a tireless thirst to know everything is quite another. The mind manifests itself in generalization, in the ability to find the essence of things and phenomena, establish a link between objects and events. The mind opens a new one, the readiness repeats the old and combines the already known. Probably, Onegin still understood the difference between them - that's why he tried to assign his mind to someone else's.

Onegin is enough (the smartness to understand the need to be all the European scholarships. He decided to replenish the knowledge, this is true, but not all: he actually tried to correct the shortcomings of his home education. And soon I realized that the "assigned" fruits of someone else's mind still do not allow "assigned" To create a new one. To what extent is deep and sharply realized this Onegin? We can guess this. Pushkin has shown only the external manifestations of the process of internal experiences, but they allow you to guess what is happening in the soul of Onegin. After all, the whole length is shown As one of one hope left Onegin. The hope of becoming significant, outstanding or even outstanding among people mature, and not frivolous secular vision. This is what sequence this happens. In the forty-second stanza it is said:

* Trutenitsa BIG light!
* He left you before.

Roman "Eugene Onegin" was created by Pushkin for 8 years (from 1823 to 1831). If the first chapters of the novel were written by a young poet, almost young men, the final chapters wrote a person with considerable life experience. This "mature" poet is reflected in ...

In the first rows of the novel, the main character, Evgeny Onegin, is characterized as a self-self-worn, caring only about his comfort and well-being, because he is in a burden to care for the dying uncle, pretend to be careful and caring: but ...