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Analysis of Pushkin's poem "went out the daylight. Analysis of the poem "went out daylight shining" Pushkin

Analysis of the poem A.S. Pushkin "went out the daylight"

The work "went out to the daylight ..." was the first poem of the new period of Pushkin creativity and the beginning of the so-called "Crimean cycle" of Elegia. This cycle also includes poems "rare clouds of flying ridges ...", "who saw the land where the luxury of nature ...", "My friend, forgotten by the traces of the past years ...", "forgive me jealous dreams. .. "," Rainy day the ground; rainy night mound ... ".Genre - Romantic Elegy.

Composition. The poem can be divided into two parts. In the first, all thoughts and feelings of the lyrical hero are fixed to the "remote shore", travel purposes. In the second, he recalls the abandoned "decens". Parts of the poem are opposed to each other: "Remote Beach", to which the lyrical hero seeks, it seems to him the "magical" edge, in which he seeks "with a wave and longing". "Ottely the edges", on the contrary, are described as "Brecha Sad", with them the "desires and hopes of a volatory deception", "lost infant", "vicious errors", and so on.

Elegy "went out the daylight shine ..." marks the beginning of the romantic period in the work of Pushkin. It sounds traditional for romanticism the topic of flight of the romantic hero. The poem contains the whole range of characteristic signs of romantic worldview: a flavored fugitive, abandoned forever, hints on "crazy love", on deception, etc.

It should be noted the limit romance of Pushkin images. The hero is not just on the border of the elements (between the ocean, sky and earth), but on the border of the day and night; As well as between the "crazy love of the previous years" and the "distant limits". Everything was brought to the limit: not the sea, but "the sullen ocean", not just the shore, but the mountains, not just the wind, and the wind and fog at the same time.

"Rog out daylight" Analysis of the work is the topic, idea, genre, plot, composition, heroes, problems and other issues are disclosed in this article.

History of creation

Elegy is written on the ship when Pushkin sailed from Kerch to Gurzuf with the Raevsky family. This is the period of South Link Pushkin. Rajewsksky took with him on the journey of the sick poet so that he would correct his health. The ship sailed on the peaceful sea of \u200b\u200bAugustov night, but Pushkin deliberately thickens paints in Elegia, describing the raging ocean.

Literary direction, genre

"Rogue daylight" - one of the best samples of the romantic lyrics of Pushkin. Pushkin is passionately enjoys the work of Bairon, in the subtitle an Elegy calls "Imitation Byron". She echoes some motives for the farewell song of Child Harold. But your own impressions and emotions, the inner world of the lyrical hero of Pushkin are not like a cold and impassive farewell from the birthplace of Childe Harold. Pushkin uses reminiscence from the Russian folk song: "Just like a fog on a blue sea."

The genre of poem "went out the daylight" - Philosophical Elegy. The lyrical hero says goodbye to the sad shores of the foggy homeland. He complains to early youth (Pushkin 21), on separation with friends and "Laminations". As a romantic, Pushkin is somewhat exaggerating their own suffering, he is disappointed with what was deceived in his hopes.

Theme, the main idea and composition

The theme of Elegia is philosophical saddings associated with forced departure from their homeland. Pushkin says that the lyrical hero "ran", but this is a tribute to the tradition of romanticism. Pushkin was a real exile.

Eleginity can be divided into three parts. They are separated by refrain (repeat) of two lines: "Shumi, noise, obedient sail, worry under me, sullen ocean."

The first part consists of only two lines. This entry, the creation of a romantic situation. Strits combine solemnity (daylight luminous) and song motifs.

The second part describes the condition of the lyrical hero, hoping for happiness in the magical southern distant edges and crying about the left of the homeland and everything is connected with it: love, suffering, desires, deceived hopes.

In the third part, the unknownness of the future is opposed, which in the second part is associated with the hope, and sad memories of the past and about the foggy homeland. There first loved the lyrical hero, became a poet, I learned sadness and suffering, his youth was held there. The poet regretting the separation with friends and women.

The result of the poem is a total of one and a half lines located in front of refrain. This is the main idea of \u200b\u200bthe poem: the life of the lyrical hero has changed, but he accepts the previous life experience, and the future unexplored life. The love of the lyrical hero was not faded, that is, a personal rod remains in man, beyond the time changes or circumstances.

Obvious sail (so solemnly Pushkin calls the sail) and the sullen ocean (in fact the quiet Black Sea) are symbols of life circumstances, from which the person depends, but he cannot influence them. The lyrical hero is resigned with the inevitable, with the natural laws of nature, over time and loss of youth, taking all these phenomena, albeit with light sadness.

Size and rhymes

Elegy is written by a multiple yamb. Alternate female and male rhyme. There is a cross and ring rhyme. Multiple Yamb and a non-permanent rhyme brought close to the narrative of a live speech, make poetic reflections of Pushkin universal.

Trails and images

Elegy combines clarity and simplicity of thought and sublime syllable, whom Pushkin is achieved by the use of obsolete words, old-bands: sail, limits, bearer, weakness, curtain, inhabitants, Zlakaya.

The sublime syllable creates periphrase: daylight luminaries (sun), vice of vicious delusions, pets of pleasure.

Pushkin epithets are accurate and capacious, many metaphorical epithets: obedient sail, sullen ocean, shore remote, Earth midday, Magic edges, Dream, Bereg Sad, Misty Motherland, Lost Bear, Lightweight Joy, Cold Spring, Spring.

Traditional epithets in combination with original make a speech close to folk: the sea is blue, the fog of evening, insane love, limits are distant. Such epithets are often in the position of inversion.

There are metaphors that give the narratives of the liveliness: the dream flies, the ship flies, the journey plowed.

The main motive of Elegy is farewell to adolescence and adolescence, farewell to Petersburg. The lyrical hero tells about the past, his soul does not want to forget the cute heart of times:

And I feel: tears were born again;

Soul boils and freezes;

The dream is familiar around me flies;

I remembered the former years of insane love,

And everything I suffered, and all that the heart is cute,

Desires and hopes of volatile deception ...

Hence the chosen genre of the lyrical work - Elegy, in which the sad reflection of the poet found an expression in the experiences, the feelings of the lyrical hero. An important role is played in the poem of the motive of memories: although secular, the salon life deceived many expectations of the lyrical hero, she could not kill her "elevating deception" of the first love, nor the joy of poetic inspiration, no heat and the heart of friendly ultrasound. Pafos poem romantic: all thoughts come to mind lyrical hero: night, away from native places. Nature surrounding the poet is also romantic: this is the sea night, and "obedient wind", and enveloping the water surface fog. The gap with the past is not deprived of regrets, but in the future the poet would like to take with me all the best: the earth, the remote shore, which seems to be a lyrical hero in the night dusk, revives hope for happiness, love. Therefore, he is not afraid of a "sullen ocean" nor the noise of "obedient wind". Elegy motifs of the work cause not tomorrow and melancholy, but a quiet sadness, peace.

Specifically-realistic parts are transmitted to a generalized imaging plan. The dream of a lyrical hero is not essential. They acquire their romantic completeness on a nationwide national basis: the relationship of Pushkin Elegy with the songs of Russian Folklore is characteristic. Like the song Tradition Pushkin three times repeats the lines:

Shumi, noise, obedient wind,

Worry under me, sullen ocean,

which become a kind of refrain of the whole work.

The poet uses artistic and expressive agents characteristic of the romantic work: epithets ("to the Bregs sad", "to the limits of distant"), metaphors ("seeker of new impressions", "former heart wounds"), personification ("changed joy", " Worry under me, the sullen ocean ") and the use of pyrrhiyev creates a calm, melodic intonation, transmitting the scale of depicted pattern, EE is generalized, and also resembles slowness, the observance of Russian folk songs.

A.S. Pushkin "went out the daylight" wrote in 1820, when he went to his southern link. Traveling on the ship from Feodosia to Gurzuf inspired memories of the irrevocably last time. Invalid reflections contributed to the surrounding situation, because the poem was written at night. The vessel quickly moved along the sea, which was covered with an impenetrable fog, not allowing to consider the approaching shores.

The themes of "poetry and poet", love and civil lyrics affected Pushkin in his works. "The daytime shone went out" - a vivid example because in this poem the author is trying to understand the nature of the universe and find a place for a person in it. In the form of writing, this work is an Elegy - a genre of romantic poetry, who visits on the lyrical hero to think about his fate, life, one's own destination.

The verse of Pushkin "went out the daylight" is conditionally divided into three parts, separates them from a friend of refrain. At first, a picture of the night sea arises in front of the reader, which fell fog. This is some introduction to the main part of the philosophical work. In the second part, Alexander Sergeevich places memories of the past days, which brought him suffering, about the former love, about hopes and desires, and wishes. In the third part of the verse, the poet describes his homeland, recalls that his youth blew himself there, friends remained in this country.

Pushkin "went out the daylight" wrote not to complain about his destiny or be sad about irrevocably left youth. In the final part of the poem, it contains the main meaning - the hero has not forgotten about anything, he remembers his past well, but he changed himself. Alexander Sergeevich did not belong to the romance wishing to constantly stay young, he calmly perceives natural changes taking place with a person: birth, growing, period of maturity, old age and death.

Pushkin's poem "went out daylight" symbolizes the transition from youth to maturity, and the poet does not see anything bad in it, because over the years it comes wisdom, and the person begins to understand more, objectively to evaluate the events. The lyrical hero with warmth remembers the past, but also to the future it relates quite calmly. The poet surrender to the mercy of the natural move of things, he understands that a person is unable to stop the time, which in the poem symbolize the ocean and wind.

A.S. Pushkin "went out the daylight" wrote to express his humility to the natural laws of being. This is exactly the humanistic pathos and the main meaning of the work. In nature, everything is thought out in detail, the natural processes taking place with the person are not subject to him, he is unable to stop growing, aging or overcome death, but this is the eternal course of life. The poet bowed to the justice and wisdom of nature and thanks it not only for joyful moments, but also for bitterness from the offense, spiritual wounds, because these feelings are part of a person's life.