Vladimir Mayakovsky - What is good and what is bad: verse. "What is good and what is bad" V. Mayakovsky

Leningrad, Operating Publishing "Surbo", 1925. 20 s. C IL. Described by a chromolithic cover. 27.5x20 cm. Published without a title leaf. Circulation 10130 copy. Price 75 kopecks. One of the most famous Soviet children's books.Emergency rarity!

Written in the spring of 1925. On May 20, 1925, Mayakovsky signed an agreement with the publishing house "Surbo". The term of representing the manuscript - May 22, 1925, apparently, the poem has already been written. A separate publication was published in November 1925 with Fig. Hood N. Denisovsky. Strict selection of parts, composite laconism and saturated color gamut greatly adapt innovative techniques Hood. Nikolai Denisovsky to the level of perception of a child. These qualities are present in the illustrations to the poem "What is good and what is bad?", Completed in 1925 N. Denisovsky. The artist finds witty formed decisions, almost leel to the words of the poet. "If there is a drown dwarf / weak boy, / I / such / don't even want to insert into a book," Mayakovsky writes, and Denisovsky seals a bold klyax drawing. The book constantly meet not only poetic, but also graphic hyperbolas. For example, the crow, at the sight of which a cowardly boy turns to flight, significantly surpasses the child with his size. The drawing of the cover (in it you can find obvious strokes from the Lebedev "ice cream") in the reduced version repeated on one of the turns: the father answers the son's questions, keeping the book in the hands of which he himself. In some lithographs, the manner of execution is emphasized by the ingredients of foreign well-detailed fragments (wallpaper pattern, clock dial, soap wrapper).

What is good and what is bad?

Baby Son.

to the father came,

and asked Kroch:

What

oK

and what is

badly?-

I have

there are no secrets -

listen, kids, -

pope this

answer

put

in a book.

If the wind

roofs tear

if a

grad Zagoded, -

everyone knows -

this is

for walking

badly.

Rain shockal

and passed.

The sun

in general, light.

It -

very good

and big

and children.

If a

son

black night

dirt lying

on the face, -

clear,

this is

very bad

for guys skin.

If a

boy

loves soap

and dental powder

this Boy

very cute,

it comes well.

If Bit

dried Drachun

weak boy

i am

i do not want

even

insert into the book.

This shouts:

Do not ride

those,

who is less than growth! -

This Boy

so good

ploy just!

If you are

broke in a row

book

and the ball,

october say:

blossish boy.

If boy

loves work,

pile

in a book

finger

about this

write here:

is he

good boy.

From Crows

karapuz

used, Zahav.

This boy is

just a coward.

it

very bad.

This,

though himself with a top,

sporit

with a formidable bird.

Brave boy

oK,

in life

it will be useful.

This

in the dirt climb

and happy.

what is a shirt of a shirt.

About this

they say:

he is bad,

slut.

This

cleans the boots

moose

self

galosh.

It

although small

but quite good.

Remember

this is

each son.

Known

any child:

will increase

from son

cVIN,

if the Son is

swine

Boy

joyful went

and solved the crumb:

"Will

to do well,

and I will not -

badly".

1925.

Denisovsky, Nikolai Fedorovich (1901, Moscow - 1981, Moscow) - painter, schedule, theater artist, posterist, honored artist RSFSR. Born in the family of artist schedule F. Denisovsky. He studied in Moscow in the Stroganovsky Art and Industrial School (1911-1917) at S. Noakovsky and D. Shcherbinovsky, in the Fuel and Decorative Workshop of Yakulov. In 1917, under the leadership of G. Yakulov, he participated in the painting of the cafe "Pittoress" on Kuznetsky Bridge in Moscow. As early as study, he tried his strength as an artist-designer in the chamber theater, in the free opera S. Zimin (since 1914). In 1920-1921, the performances of the workshop N. Forreger and the indicative theater in Moscow. Cooperation with G. Yakulov continued until 1928. In 1918-1928, together with other students, Yakulov, he worked on the scenery and sketches of costumes to the play "Tsar Edip" (award of the theater department of the People's Commissariat), "Measure", "Red Rooster", "Princess Brambill", "Zhirofla-Zhirofla", "Senior Formika", "Call Di Rienz" for indicative and chamber theaters. In 1918 he participated in the design of Moscow for the celebration of May 1. Immediately after graduation, Vhowemas worked as a secretary of the art education department of the drug addict from D. Sterberg. In these years, it was close to V. Meyerhold, V. Mayakovsky, V. Bryusov, L. Popova, A. Rodchenko, V. Stepanova. In 1922-1924, the drug addresses in Berlin and Amsterdam were sent as secretary of the first Russian art exhibition. One of the organizers and the Chairman of the Board of Lubrachnaya, the participant of all its exhibitions in 1919-1922. Together with other members of the Company, stencils for the "windows of growth" V. Mayakovsky, painted the agitoes, created posters. One of the founders of the Society of Stankovists (1925-1932), a member of 2-4 exhibitions remains. In 1929 he left remaining. In the 1920s, collaborated with Moscow and Leningrad satirical magazines ("Red Pepper", "Magni", "Crocodile", "Buzotor", "Behemot", "Spotlight", "Beach", etc.). In 1925 he wrote a series of pictures "Moisan in the resort".

For the exhibition of artistic works by the decade, the anniversary of the October Revolution, which opened in January 1928 in Moscow, created a cloth "First meeting of the Council". In the late 1920s - early 1930s, I went to creative business trips to the Donbass mines (1929), Kerch plants (1930), the gold mines of the Far East (1930), in the ports of the Red Army (1931) and on the results of these business trips created several graphic Cycles ("in the Donbass" and "at the Kerch Metallurgical Plant", both - 1929) and book-albums ("Comrade Artem", 1930; "Gold", with its own text, 1931; "Coal, cast iron, steel", 1932) . Based on the graphics series in the early 1930s, created picturesque works on production topics: "Miners", "steam hammer", "Cast iron yield", etc. Illustrated books for the State District and other publishers, in particular "goose step" E. Sincler ( 1924), "January 9th" M. Gorky (in the collection "9th of January", 1930), "Stars in the forest" A. Barto (1934) and others worked a lot over the illustrations to the poems V. Mayakovsky: " What is good and what is bad?" (1925), "Left march", "Comrade T-Taming", "Optimist Factory" and others. Friendly relations with V. Mayakovsky continued until the death of the poet. It was N. Denisovsky in 1930, it was the apartment of V. Mayakovsky in Gendrikov Lane to celebrate the 20th anniversary of the creative activity of the poet. Participated in exhibitions: VII Exhibition of the Group "L'Arsey" ("Spider") (1925, Paris), "Russian figure for ten years of the October Revolution" (1927, Moscow), an exhibition of acquisitions of the State Commission on the acquisitions of works of fine arts for 1927- 1928 (1928, Moscow), the fourth exhibition of paintings of modern Russian artists (1928, Feodosia), modern book art at the international exhibition of the press (1928, Cologne), exhibition of German artists (1928, Berlin), "Graphics and book arts in the USSR" (1929, Amsterdam), exhibition of Russian graphics (1929, Riga), artistic and handicraft exhibition of the USSR (1929, New York, Philadelphia, Boston, Detroit), exhibition of Russian art (1929, Winterthur, Switzerland), an exhibition of acquisitions of the State Commission on Acquisitions of works of fine arts for 1928-1929 (1930, Moscow), exhibition of works of revolutionary and Soviet topics (1930, Moscow), "Socialist construction in Soviet art" (1930, Moscow) , "Modern Russian Art" (1930, Vienna), Exhibition of Soviet Art (1930, Berlin), First Exhibition of Fine Arts of the USSR (1930, Stockholm, Oslo, Berlin), Exhibition of Reporting Artists Commanded to Industrial and Collective Term Construction (1931 , Moscow), "Anti-imperialist exhibition dedicated to the International Red Day" (1931, Moscow), International Exhibition "Art of the Book" (1931, Paris; 1932, Lyon), exhibition of Soviet graphics, books, poster, photos and artistic industries (1931, Johannesburg), Exhibition of works by artists who are sent to areas of industrial and collective farm construction (1932, Moscow), Jubilee exhibition "Artists of the RSFSR for the XV years" ( 1932, Leningrad), Exhibition of Soviet Art (1932, Koenigsberg), Health Exhibition (1932, Los Angeles), Second Exhibition of Soviet Graphics, Books, Poster, Photography and Artistic Industry (1932-1933, Johannesburg), Art Exhibition "15 years of RKKKA "(1935, Kharkov), art exhibition" Industry of Socialism "(1939, Moscow), exhibition of graphics on the topics of the WCP (b) (1940, Moscow), an exhibition of the best works of Soviet artists (1941, Moscow), All-Union Art Trade shows 1947 and 1950 (both - Moscow), an art exhibition dedicated to the 40th anniversary of the Great October Socialist Revolution (1957-1958, Moscow), etc. From the late 1910s a lot and fruitfully worked in a poster area. In 1929-1930, together with V. Mayakovsky, he created a series of drawings to the Posters of Naroscope. In 1931 he became a member of the founder of the association of workers of the revolutionary poster. During the war years, it was one of the organizers and managers of the "TASS windows", and with the 1956th artist of the creative association "Agitplakat". He worked as an artist in Isaiz (1931-1935) and "Voschekhodnik" in Moscow (1931-1935, 1947-1949). In the 1930s continued to work in the theater, the performances of the small theater (since 1933). In 1934, he headed the brigade of artists who had developed a project for the decorative decoration of residential neighborhoods, production and transport facilities, etc. by order of the Kramatorsky Machine-Building Plant. In 1930-40 he continued to engage in easel painting, wrote portraits and thematic paintings. He taught in Vhutein in Leningrad (1928-1930), then in IPC with MGHHI. V. I. Surikova (1935-1938), MiPidi (1949-1952), LVHPU (1952-1954). The author of articles on the visual arts, memories. Honored artist RSFSR (1962). Personal exhibitions: 1956, 1961 (both - Moscow).

Artist Alexey Laptevillustrated "what is good ..." in 1930, repeated the most successful sense and composite finds of Denisovsky ("Drying Drachun" is crossed by a wavy line, etc.), but gave its drawings a somewhat more realistic character, supplemented the compositions with landscape motifs . The artist recalls that "at the request of the editor was to show Mayakovsky sketch. But did not have time. I went to him - he lived near the Polytechnic Museum, but he did not find him at home. And on the other day, the newspaper reported his death ... ". In the 1930s. The poem was a real bestseller, it was printed in Moscow, Gorky, Rostov-on-Don, Pyatigorsk.

"What is good and what is bad" Vladimir Mayakovsky

Baby Son.
To the father came,
And asked Kroch:
- What
OK
And what is
badly? -
I have
There are no secrets -
Listen, kids, -
Pope this
answer
Put
in a book.

- If the wind
roofs tear
if a
Grad Zagoded, -
Everyone knows -
This is
For walking
badly.
Rain shockal
And passed.
The sun
In general, light.
It -
very good
and big
and children.

If a
son
black night
Dirt lying
on the face, -
clear,
this is
very bad
For guys skin.
If a
boy
Loves soap
and dental powder
This Boy
very cute,
It comes well.

If Bit
Dried Drachun
weak boy
I am
I do not want
even
Insert into the book.

This shouts:
- not a trick
those,
Who is less than growth! -
This Boy
so good
Ploy just!

If you are
broke in a row
book
And the ball,
October say:
Blossish boy.

If boy
Loves work,
pile
in a book
finger
about this
Write here:
is he
good boy.

From Crows
Karapuz
Used, Zahav.
This boy is
Just a coward.
it
very bad.

This,
Though himself with a top,
Sporit
With a formidable bird.
Brave boy
OK,
in life
It will be useful.
This
In the dirt climb
And happy
What is a shirt of a shirt.
About this
They say:
he is bad,
slut.

This
cleans the boots
Moose
Self
Galosh.
It
Although small
But quite good.
Remember
this is
Each son.
Known
Any child:
will increase
From son
pork
If the Son is
Pig.

Boy
joyful went
And solved the crumb:
"Will
to do well,
and I will not -
badly".

Analysis of the poem of Mayakovsky "What is good and what is bad"

The poetic heritage of Mayakovsky, intended for small readers, is performed by optimistic intonations. His young addressees opens a huge world - young, joyful, inhabited by hardworking and confident adults. The characters of the artistic text "Walking" are brave arrangement, smart Komsomol members, a worker and a peasant, a People's Deputy, fighting for children's happiness, affectionate nanny. Gallery of positive images anticipates the heroes of the work "", which appeared in three years later. The author gives an unequivocal assessment to all the characters, not bypassing the attention and disgusting idlers: stupid old marsomars, bourgeois, chatty lady. In an effort to be honest and logical to the end, the poet spreads even animals to different sides: he refers to the number of positive examples, and a dirty dog \u200b\u200bis negative.

In the textbook creation, created and published in 1925, there are also instructing and confidential intonations. Bright and clear figurative structure, sincerity, clear stored, unique style - the strengths of the poetic text provided its popularity from modern readers.

The unusual long name of the work demonstrates the main antithesis, on which its composition is built. Abstract moral categories are interpreted from the point of view, a clear kid: "Good" and "bad." The right to tell about the moral benchmarks The poet trusts the father of the "crumbs of the Son" - a character, close and authoritative for young listeners.

Code of Conduct, like a mosaic, is made up of separate episodes that demonstrate options for commendable or reprehensible actions. A series of examples begins with a description of the weather, suitable or preventing walking. Then father appeals to the images of boys. Dirtny, Drachun, Svarukh, Cowards are placed on a negative pole. Hardworking and bold guys who comply with the purity and order, carefully related to things are proclaimed by an example for imitation.

The final episode is built taking into account the peculiarities of child psychology, not increasing the relevance and in modern reading. Father finishes his speech by a generalization that has become aphorism: bad habits arising in early years are inclined to grow into adults. Honest conversation for serious topics causes gratitude and joyful satisfaction. "Krocha" assimilates a complex subject and acquires invaluable experience of an independent decision - to follow the life expensive marked signatures "Good".

232 -

Baby Son.

to the father came,

and asked Kroch:

What

and what is

badly? -

there are no secrets -

10 Listen, kids, -

pope this

in a book.

If the wind

roofs tear

grad Zagoded, -

everyone knows -

20 This is

for walking

233 -

Rain shockal

and passed.

in general, light.

very good

and big

30 and children.

black night

dirt lying

on the face, -

very bad

for guys skin.

40 if

loves soap

and dental powder

this Boy

very cute,

it comes well.

If Bit

dried Drachun

weak boy

50 I am

insert into the book.

This shouts:

Do not ride

234 -

who is less than growth! -

This Boy

so good

60 Pouches just!

broke in a row

october say:

blossish boy.

If boy

loves work,

70 in the book

about this

write here:

good boy.

From Crows

used, Zahav.

This boy is

80 just a coward.

very bad.

though himself with a top,

with a formidable bird.

Brave boy

235 -

90 is useful.

in the dirt climb

what is a shirt of a shirt.

About this

he is bad,

Olga Perchkova
Analysis of the poem V. Mayakovsky "What is good and what is bad?"

Analysis of the poem B.. Mayakovsky

"What ?"

The main goal and the task of children's literature - to form a child from a child about nature, family, values, rules of behavior and that such good, what such bad. Mayakovsky gives an answer to this question, opposing the concept « oK» and « badly» . Similar to Contrast reception is also written pooh 1925. "Walk", which is noted didactic

IN poem"What it is good and what is bad? "The story is conducted on behalf of the Father, who answers the Son to the question. Perhaps such The lyrical hero is chosen for the reason that the child always believes faster than the dad than a strangers.

The beginning is very thoughtful: The narrative should be built in such a way as to interest the child, so it is known that the poet repeatedly changed some lines.

At the beginning poem Meet alliteration: Selection of consistent "G" and "R"that imitates the beginning of thunderstorms - time not suitable for walking. Further on opposition is revealed, who comes correctly, and who is not.

From the crows Karapuz ran away, Zahav.

The boy is just a coward.

This is very badly.

Similarly other stanzas are compiled, where they are constantly found opposition: Boy - Garn and Cleales, Ripped Ball and Buddler in Hands good baby.

If a "Son of the Black Night" or "In the mud climbed and glad"then it is very badly, After all, cleanness is a guarantee of health. What if "The boy loves soap and dental powder", but "Also cleans the boots and washes Kalosha himself"T. "He is though small but quite good» .

Also good The boy should not be "Dyroid boys"which beats weak or "Just a coward". Even the one who is from the top must be brave.

Poem consists of a quit, in each use the word " oK"And" badly", morality is revealed using life situations and is given the definition of bloomy, Who- good. It is shown that the child must be hardworking, bold, truthful, which is reflected in the lines about the crows and karapuz, the book and the ball. At the same time, the story from the face of the father is carried out in a relaxed manner.

The semantic kernel is in such words as the "boy" (repeated 9 times, " bad"(6 times," Son " (5 times).

In the end poem The speech of the father brings the kid to the thought, as needed to do what the author was calculated poem. That is why the color of the ending is replaced by the raised, the verbs of the imperative ignition "know", "remember", pronouncing the generalized nature of "any", "each". And after all this follows such same emotional answer kid:

I will do oK, and I will not badly.

With the help of this poem It is easy to explain to any karapauz, as necessary and how it is not necessary to act in different life situations.

As we see, in poem B.. Mayakovoy"What it is good and what is bad? "Like distant Soviet times when needed a kind of sample for behavior, ideal have a nice childwhich would be wished to like other kids.

"What is good and what is bad?"

Baby Son.
To the father came,
and asked Kroch:
- What
OK
and what is
badly?-
I have
There are no secrets -
listen, kids, -
pope this
answer
put
in a book.

If the wind
roofs tear
if a
Grad Zagoded, -
everyone knows -
This is
for walking
badly.
Rain shockal
And passed.
The sun
In general, light.
It -
very good
and big
and children.

If a
son
black night
dirt lying
on the face, -
clear,
this is
very bad
for guys skin.

If a
boy
Loves soap
and dental powder
this Boy
very cute,
it comes well.

If Bit
Dried Drachun
weak boy
i am
I do not want
even
Insert into the book.

This shouts:
- not a trick
those,
who is less than the growth! -
This Boy
so good
ploy just!
If you are
broke in a row
book
And the ball,
october say:
blossish boy.

If boy
Loves work,
pile
in a book
finger
about this
Write here:
is he
good boy.

From Crows
Karapuz
used, Zahav.
This boy is
Just a coward.
it
very bad.

This,
Though himself with a top,
sporit
With a formidable bird.
Brave boy
OK,
in life
It will be useful.
This
In the dirt climb
And happy.
what is a shirt of a shirt.
About this
They say:
he is bad,
slut.
This
cleans the boots
moose
Self
Galosh.
It
Although small
but quite good.

Remember
this is
Each son.
Known
Any child:
will increase
From son
CVIN,
if the Son is
swine
Boy
joyful went
and solved the crumb:
"Will
to do well,
and I will not -
badly".

The poem of Mayakovsky V.V. - What is good and what is bad?