Love another heavy cross to whom it is dedicated to. Coffee room. Goy you, Rus, my native

This poem was written in 1931. The creative period since 1930 can be called special: it was then that the poet chants love as a state of overlooking and flight, comes to a new understanding of the essence and meaning of life. Suddenly, he begins otherwise to understand the earthly feeling in the existential, philosophical meaning. Analysis of the poem "Love Other - Heavy Cross" is presented in this article.

History of creation

The lyric work can be called revelation, as in Him Boris Pasternak captured a difficult relationship with two significant women in his life - Evgenia Lurier and Zinaida Negauz. The first lady was his wife at the very beginning of the literary path, and with the second poet met much later. Eugene was about one circle with a poet, he knew what she lives and breathes. This woman understood art, and literature in particular.

Zinaida also represented a man far from bohemian life, she perfectly coped with everyday duties of the hostess. But for some reason at some point, it was a simple woman who was clearer and closer to the soul of the poet. No one knows why it happened, but after another short time Zinaida became the wife of Boris Pasternak. The poetic analysis of "Loving Other - Heavy Cross" emphasizes the entire depth and the observation of these difficult relationships with two women. The poet compares them unwittingly, analyzes their own feelings. Here to some individual conclusions comes Pasternak.

"Loving Other - Heavy Cross": Analysis

Perhaps, this poem can be considered one of the most mysterious poetic creations. The meaningful load in this lyrical product is very strong, from her real esthetes captures the spirit and shower worried. Boris Pasternak himself ("Loving Others - Heavy Cross") Analysis of his own feelings called the greatest mystery, which is unrequited by a randering. And in this poem, he wants to understand the essence of life and an integral part of its component - love for a woman. The poet was convinced that the state of love all changes inside a person: significant changes with him themselves occur, the ability to think, analyze, come in a certain way.

The lyrical hero is experiencing a sense of reverence in front of a woman, he is determined to act for the benefit of the development of a large and light feeling. All doubts are retreating, go to the background. He is so amazed by the greatness and beauty of the state of integrity that has been experiencing enthusiasm and exhaustion, the inability to live on without this feeling. Analysis of "Loving Other - Heavy Cross" reveals the transformation of the experiments of the poet.

The state of the lyrical hero

In the center there is one who is experiencing all transfiguration in itself. The lyrical hero is changing with each new line. His former understanding of the essence of life is replaced by a completely new understanding and acquires the shade of everyday sense. What does the lyrical hero feel? He suddenly found a reliable refuge, a man who can love him unless. In this case, the lack of education, the ability to high reflections is perceived by him as a gift and grace, as evidenced by the line: "And you are beautiful without crying."

The lyrical hero is ready to devote himself to the end of the days to devote himself to the breakdown of the secrecy of the beloved, which is why compares it with a mystery of life. It awakens the sharp need to change, it needs to be freed from the cargo of the former disappointments and defeats. Analysis of "Loving Other - Heavy Cross" shows the reader as deep and significant changes occurred with the poet.

Symbols and values

In this poem, metaphors are used, which a simple town man will seem incomprehensible. To show all the power of the drying rebirth in the soul of the hero, Pasternak invests certain meanings in words.

The "rustling of dreams" personifies the mysteriousness and incomprehensibility of life. This is something truly elusive and piercing, which cannot be comprehended only by reason. You must also connect the heart energy.

"Shelest news and truth" means the movement of life, regardless of external manifestations, shocks and events. Whatever happened in the outside world, life is strikingly continues its inexorable movement. Alternating everything. Contrary to.

Sloves Sory symbolizes negative emotions, the experiences of the past, accumulated insults. The lyrical hero speaks of the possibility of updating, about the need for such a transformation for himself. Analysis of "Loving Other - Heavy Cross" emphasizes the importance and need of update. Love here becomes a philosophical concept.

Instead of imprisonment

The poem leaves pleasant feelings after reading. I want to remember him for a long time and about the meaning that it concludes. For Boris Leonidovich, these lines are the revelation and the open secret of the transfiguration of the soul, and for readers - an extra reason to think about their own life and its new opportunities. Analysis of the poem of Pasternak "Love Other - Heavy Cross" is a very deep disclosure of the essence and meaning of human being in the context of a separate human existence.

In the life of Pasternak there were three women who were able to conquer his heart. Two of the lovers are devoted to the poem, the analysis of which is presented in the article. It is studied in 11th grade. We suggest familiarizing yourself with a brief analysis of "Love Other - Heavy Cross" according to plan.

Brief analysis

History of creation - The work was written in the fall of 1931, two years after the acquaintance with Zinaida Negauz.

Subject poem - love; Quality Women deserving love.

Composition - The poem is created in the form of a monologue-appeal to his beloved. It is concise, but, nevertheless, it is divided into semantic parts: the hero's attempt to solve the secret of the special beauty of his beloved, brief meditation over the ability to live without "Sora" in the heart.

Genre - Elegy.

Poetic size - Posted by a four-stranded yamba, rhymes Cross Avav.

Metaphor – "To love other heavy cross", "the delights of your secret is equivalent to life of life", "Shore of dreams", "Shelter of news and truths", "verbal litter of heart out of heart."

Epitts – "You are beautiful," "Meaning ... Nonsense", "not a big trick".

Comparison – "Your meaning, like air."

History of creation

The history of creating a poem should be sought in the biography of Pasternak. The first wife of the poet was Evgenia Lurie. The woman was an artist, so he did not love and did not want to engage in life. Boris Leonidovich had to do homemade. For the sake of his beloved wife, he learned to cook, washing, but he was not enough for a long time.

In 1929, the poet got acquainted with Zinaida Nugause, his friend-pianist Henry Negauz. Modest, the pretty woman immediately liked Pasternak. Somehow he read her poems, instead of praise or critics Zinaida said that she did not understand anything from the read. The author liked this sincerity and simplicity. He promised to write clearer. Love relations between Pasternak and Neigauses developed, she left his spouse and became a new poet muse. In 1931, an analyzed poem appeared.

Subject

The theme of love is developing in the poem in the literature. The lines of the work impose an imprint of the life circumstances of the poet, so it is necessary to read poems in the context of the biography of Pasternak. The lyrical hero of the work is completely merged with the author.

In the first line, Pasternak hints at the relationship with Evgenia Lurier, which was really not easy to love, since the woman was hotbed and wayward. Next, the lyrical hero appeals to the beloved. Its advantage, he believes "no convulsion", that is, not too high intelligence. The poet believes that this is exactly what the woman gives the woman. Such a state of weak floor is more feminine, maybe a beautiful mistress.

The author believes that the beloved lives not so much by the mind how many feelings, so she knows how to hear dreams, news and truth. It is the same natural as the air. In the last stanza, the poet admits that next to such a woman it is easy to change him. He realized that very easily "verbal litter of heart out of the heart" and not allow, new clogging.

Composition

The poem was created in the form of a monologue-appeal to his beloved. It can be divided into semantic parts: the hero's attempt to solve the secret of the special beauty of his beloved, brief meditation over the ability to live without "Sora" in the heart. Formally, the work consists of three katrenins.

Genre

The genre of the poem is Elegy, as the author hesitates over the eternal problem, there is sadness in the first line, apparently because he felt this "heavy cross". There are also signs of messages in the work. The poetic size is a four-stranded jamb. The author uses the Cross Rhymes of Avav.

Means of expressiveness

To disclose the theme and creating an image of an ideal woman, Pasternak uses artistic agents. The main role is played metaphor: "Loving another heavy cross", "the delights of your secret is tantaming the life of life", "Shore of dreams", "Shelest of news and truths", "verbal litter of heart out of heart."

Much less in the text epithets: "You are beautiful," "Meaning ... Nonsense", "not a big trick." Comparisonjust one thing: "Your meaning, like air."

The writing

Boris Leonidovich Pasternak is a wonderful poet and prosair of the 20th century. It can be fully called an aestheus writer, thin and deeply feeling beautiful. He was always a connoisseur of beauty natural and pristine, which, of course, was reflected in his work. And, as a vivid example of everything above said, I would like to pay special attention to such a poem of Pasternak, how to "love others - a heavy cross ...".

The first thing that rushes into the eyes in this work is the simplicity and ease of the syllable. It is very short, consists of only three quit. But in this brevity is one of its greatest advantages. Thus, every word is more appreciated, it has a lot of weight and meaning. Analyzing the author's speech, it is impossible not to pay attention to the amazing naturalness of the tongue, simplicity and even some conversation. The literary-language planka is reduced to almost everyday speech, take at least such a phrase as "all this is not a big trick." Although the book style is found, for example, the initial phrase of the work of "Loving Other - Heavy Cross". And then I would also like to note that this phraseological turnover contains a distinct allusion on biblical motifs that are so frequent in the works of Boris Pasternak.

How to determine the topic of this poem? It would seem that the work is the appeal of the lyrical hero to the beloved woman, admiration for her beauty:

Love other - heavy cross,

And you are beautiful without sinks,

And charms your secret

Ripping life is equivalent.

The question arises - what is the secret of the charms of his beloved? And then the writer gives us an answer: her beauty lies in her naturalness, simplicity ("And you are beautiful without crying"). The next quatrains takes us to a deeper meaning level of the work, on reflections on the essence, the nature of the beautiful in general.

What is beauty on Pasternak? This beauty is natural, without artificiality, without porch and delights. In this poem, we again face the so-called "theory of simplicity" of the poet, simplicity, which is the basis of life, all things. And the beauty of female should not contradict, but organically fit into the overall huge and global picture of the beauty of the universal, which is equally fully possessed by the creation of God. Beauty is the only and main truth in the world of the poet:

The rustling of dreams are heard in the spring

And the rustling of news and truths.

You are from family such basics.

Your meaning, like air, is uncanyten.

Particularly symbolic the last line of this quatrain. How deeply metaphorically expression "disinterested air"! Thinking into it, you realize that nature is actually disinterested, it gives us the opportunity to breathe and, accordingly, live, not asking anything in return. So beauty, by Pasternak, should be unselfish, like air, it is something that belongs to everyone equally.

In this poem, the poet will distinguish two worlds - the world of natural, natural beauty and the world of people, everyday dery, "verbal saration" and petty thoughts. Symbolized image of spring as the time of revival and rebirth: "The rustling of dreams and the rustling of news and truths are heard in the spring." And the lyrical heroine itself is similar to spring, it "from the family of such basics", she is like fresh wind breath, is a conductor from one world to another, the world of beautiful and natural. In this world there is a place only for feelings and truths. Get into it seemingly easy:

Easy to wake up and overlook

Sloves sophistic sophisticate

And live without clogging inherent

All this is not a big trick.

The key to this new and excellent life is beauty, but are you all able to see in a simple and undispical true beauty? .. Whether it is from us to "wake up and overlook" ...

It should be noted the features of the author's presentation of the lyrical character and the lyrical heroine of this poem. They seem to remain behind the scenes, they are unclear and vague. And each of us involuntarily can imagine the heroes of themselves and their beloved. Thus, the poem becomes personally significant.

Turning to the composition of the poem, it can be noted that the author chose a sufficiently easy to perceive size (four-stranded yamb), which once again confirms its intention to emphasize the simplicity and uncomplication of the form, which retreats before the content. It is proved by the fact that the work is not overloaded artificially created paths. His charm and charm in its naturalness. Although it is impossible not to notice the presence of alliteration. "Rustling of dreams", "Shelter of news and truths" - In these words, the frequent repetition of hissing and whistling sounds creates an atmosphere of peace, silence, peace and riddles. After all, you can only speak about the main thing as Pasternak does - quietly, whisper ... After all, it is a mystery.

Finishing his thinking, unwittingly want to rephrase the author himself: reading other poems is a heavy cross, and this is really - "fine without crying."

"Love other - heavy cross" Boris Pasternak

Love other - heavy cross,
And you are beautiful without sinks,
And charms your secret
Ripping life is equivalent.

The rustling of dreams are heard in the spring
And the rustling of news and truths.
You are from family such basics.
Your meaning, like air, is uncanyten.

Easy to wake up and overlook
Sloves sophistic sophisticate
And live without clogging inherent
All this is not a big trick.

Analysis of the poem of Pasternak "Love Other - Heavy Cross"

Boris Pasternak's personal life was full of fleeting novels and hobbies. However, only three women were able to leave an indelible trace in the soul of the poet and cause a feeling that was customary to call real love. Boris Pastreck married Boris Pastrek rather late, at 33 years old, and his first wife became a young artist Yevgeny Lurie. Despite the fact that the spouses were crazy about each other, the quarrels constantly broke out between them. The election of the poet turned out to be a lady very hot-tempered and wayward. Plus, she considered her dignity to engage in the arrangement of life at the time as an next unfinished picture was waiting for her on Easel. Therefore, all homemade hassle was forced to take on the head of the family, who for several years of family life learned to cook perfectly, washing and cleaning.

Of course, Boris Pasternak and Evgenia Lurie had a lot in common, but the poet dreamed of a family comfort and that there was always an ordinary person, devoid of creative ambitions. Therefore, when in 1929 he was represented by the spouse of his friend's pianist Heinrich Nugauz, then literally from the first moments fell in love with this modest and cute woman. During one of the visits to a friend, Boris Pasternak read Zinaida Neugauz a few of his poems, but she honestly admitted that they did not understand anything. Then the poet promised that it was especially for her to write a simpler and most affordable language. At the same time, the first lines of the poem "Love Other - Heavy Cross" were born, which were addressed to the legitimate spouse. Developing this topic and turning to Zinaida Nugauses, Pasternak noted: "And you are beautiful without crying." The poet hinting that the subject of his hobbies is not distinguished by high intelligence. And it was precisely the author most of all in this woman who was an exemplary hostess and fed the poet with excellent lunches. As a result, it happened that it was necessary to happen: Pasternak was simply discouraged by Zinaida at a legitimate spouse, divorced his own wife and married the one that for many years became his genuine muse.

In this woman, the poet admired her simplicity and idleness. Therefore, in his poem, he noted that "the delights of your secret is equivalent to life." This phrase, the author wanted to emphasize that the woman is painful or natural attractiveness. Her power is in the ability to live according to the laws of nature and in harmony with the world around. And for this, according to Pasternak, it is absolutely necessary to be an erudite special, which is able to support the conversation on the philosophical or literary themes. It is enough just to be sincere, be able to love and sacrifice themselves for the sake of a loved one. Turning to Zinaida Nehigauz, the poet writes: "Your meaning, like air, unfortunate." This simple phrase is full of admiration and admiration for a woman who does not know how to pretend, koking and lead secular conversations, but Cista's thoughts and actions. Pasternak notes that it is not difficult for her to wake up in the morning and "verbal litter of heart out of the heart" to start the day with a clean leaf, joyfully and freely, "live without clogging in the future." It was this amazing quality that the poet wanted to learn from his chosen, and precisely such a spiritual purity, balance and prudence admired.

At the same time, the author noted that it is not difficult to love such a woman, as it seems to be created for the family. Zinaida Nehaauz became the ideal of his wife and mother for him, who conquered his heart a disinterested caring for loved ones and the desire to always come to the rescue.

However, touching attachment to the spouse did not prevent Boris Pasternak in 1946 to once again experience love flour and make an affair with the employee of the New World magazine Olga Ivan. But even the news that his chosen is awaited by the child, did not affect the decision of the poet to preserve his own family, in which he was truly happy.

And you are beautiful without sinks,

And charms your secret

Ripping life is equivalent.

The rustling of dreams are heard in the spring

And the rustling of news and truths.

You are from family such basics.

Easy to wake up and overlook

Sloves sophistic sophisticate

And live without clogging inherent

All this is not a big trick.

Analysis:Already in the first lines of the poem, the main idea of \u200b\u200bthe work is set forth. The lyrical hero stands out his beloved, believing that the beauty of this woman is in simplicity. But at the same time the heroine is idealized. It is impossible to understand it and solve it, so "the charm of her secret is equivalent to life." The poem is a confession of a lyrical character, which can no longer present his life without a beloved.
In this work, the author affects only the theme of love. It does not turn to other problems. But despite this, the deep philosophical meaning of this poem should be noted. Love, according to the lyrical hero, is simplicity and lightness:
The rustling of dreams are heard in the spring
And the rustling of news and truths.
You are from family such basics.
Your meaning, like air, is uncanyten.
The beloved lyrical hero is part of the strength called the truth. The hero is well aware of what can be very easy to escape from this all-consuming feeling. You can wake up one day, as after a long sleep, and no longer dive into a similar condition:
Easy to wake up and overlook
Sloves sorny out of the heart.
And live without clogging inherent
All this is a small trick.
But, as we see, the hero does not accept such a retreat from his feelings.
The poem is written by a double-legged yamb, which gives the work greater melodiousness, helps to submit it to the main idea. Love in this poem is as easy as its size.
Pasternak appeals to metaphors that very often uses in their text: "charms secret", "Rust of dreams", "Shelest news and truths", "verbal litter of heart out of heart." In my opinion, these trails give this amazing feeling a big mysteriousness, inconsistency and, at the same time, some elusive charm.
In the poem, the poet resorts to inversion, which, to some extent, complicates the movement of the thoughts of the lyrical hero. However, this technique does not deprive the work of lightness and some airiness.
Feelings, experiences of the lyrical hero, the poet transmits and with the help of sounding. So, in the poem prevailing hissing and whistling - "C" and "W". These sounds, in my opinion, give this amazing feeling greater intimacy. I think these sounds create a feeling of whisper.
Pasternak considers a love state to be the most valuable thing that there is a person, because only in love people show their best qualities. "To love others is a heavy cross ..." - anthem of love, its purity and beauty, its indispensability and inexplicity. It must be said that until the last days, this feeling was done by B.L. Pasternak is strong and invulnerable, despite all the complexity of life.
For the poet, the concept of "Woman" and "Nature" merge together. Love for a woman is so strong that the lyrical hero begins to feel a subconscious dependence on this emotion. He does not think himself out of love.
Despite the fact that the poem in volume is very small, but, nevertheless, it is very spacious in ideological and philosophical terms. This product attracts its ease and simplicity of the truths hidden in it. I think this is the talent of Pasternak, who was able to find the truth in sometimes difficult situations, perceived very easily and naturally.
The poem "Love Others is a heavy cross ..." It became, in my opinion, a key product about love in the work of Pasternak. To a large extent, it was the symbol of the creativity of the poet.

Size - 4 yam

Pines

In the grass, between wild balsamines,

Daisies and forest baths,

We are lying, hands Throwing

And to the sky head crop.

Grass on the bridge pine

Improving and thick.

We will overload and again

We change poses and places.

And so, immortal for a while,

We are closed to the face of pines

And diseases, epidemics

And death liberated.

With intentional monotony

How ointment, thick blue

Lies with the bunnies of the ground

And gets the sleeves.

We divide the rest of Krasnolesya,

Under the amusement of Murasha

Pine Snow Mix

Lemon with Ladan breathe.

And so frantic on blue

Bulge of fiery trunks,

And we will not take so long

From under the broken heads

And so much latitude in gaze,

And so submissive all from the outside,

That somewhere behind the trunks of the sea

I see all the time to me.

There waves above these branches

And, dumping from Boulder,

Wrap a hail of shrimp

With a rapid bottom.

And in the evenings by the tug

Dawn on traffic jams

And casts fish fat

And a molest smoking amber.

Mortals and gradually

Moon bury all traces

Under white foam magic

And black water magic.

And the waves are all noisy and above

And the public on the float

Crowds at the pillar with the posters,

Indistinguishable far away.

Analysis:

The poem "Pine" can be attributed by genre affiliation to the category landscape-thinking. Reflection on the concepts of eternal - time, life and death, the essence of the whole, the mysterious process of creativity. If we consider that during this period in Europe, a destructive wave of World War II rolled in full swing, these poems sound especially penetrated as Nabat. What should the poet do in such terrible times? What role can he play? Pasternak, being a philosopher, painfully looking for an answer to these questions. All his work, especially the late period, suggests that the poet is trying to remind mankind about the things of beautiful and eternal, return to the path of wisdom. Creative people always see beautiful, even in ugly things and events. It is not the main vocation of the artist.

The simplicity with which "pines", proseclaisms, description of the most common landscape - all this borders with sacrality, causes an inconspicuously degrading feeling of love for the Motherland, real, stitched into the subconscious at the genetic level. Four-stranded jamb with pyrical As a size is chosen by the poet subconsciously, I don't want to believe in other reasons for this choice. In how these verses sound, there is something pagan, eternal. It is impossible to remove or rearrange the words in places, they are woven into a single wreath. Everything is natural and indispensable as the mother nature. Heroes ran away from bustle, civilization, murders and grief. They merged with nature. Are they asking for mother protection? We are all children of a huge planet, beautiful and wise.

Size - 4 yam

FROST

Deaf time leaf fall

Last geese jambs.

No need to be upset:

Fear has big eyes.

Let the wind, Ryabina occupying

Scares it before bedtime.

The order of creativity is deceptive

As a fairy tale with a good end.

Will you get out of hibernation tomorrow

And, after going to the winter smooth,

Again around the angle of water

How to stand in packed.

Again these white flies,

And roofs and a holy grandfather,

And pipes and forest loop

The jester masquerade is dressed.

Everything got out with a swing

In dad to the most eyebrows

And muddling Rosomakh

The path dives into the ravine.

Here, Inea vaulted by Terem,

Grid tens on the doors.

Behind the snowy thick curtain

Some kind of watching wall,

Road, and the edge of the transfer,

And the new piece is visible.

Solemn lull,

Mentiled into the threads

Looks like Quatrasion

On Sleeping Tsarevna in the Coffin.

And the White Dead Kingdom,

Those who thoughtfully in a shiver,

I whisper quietly: "Thanks,

You are more than asking, you give. "

Analysis:Aesthetics and poetics Lyrics B.L. Pasternak, the most extraordinary and complex poet of the twentieth century, is based on the interpenetration of individual phenomena, on the merger of the whole sensual.

In poem "Frost" This is expressed so much that it is difficult to understand, the author tells us about the com. Whether he depicts a landscape or painting a man.

Deaf time leaf fall
Last geese jambs.
No need to be upset:
Fear has big eyes.

In fact, lyrical hero Inseparable from nature, there are no obstacles between them.

The tangled labyrinth of Pasternakovskaya metaphoricity seems to grow into "more" from the string to the string. Landscape space becomes larger, from one emotion - "It's not necessary to upset"caused by natural fading increases to the whole world "And the White Dead Kingdom".

The poem "Inay" is not written on the first person, but not from the third, and this is not a paradox, but a filigree skill.

The endless life of nature freezes in a minute stiffness. Animes, fragile crust of ice, as if forces being to slow down, which gives the soul of the lyrical hero the opportunity to reveal to meet nature, dissolve in it.

Main motif Works - the motive of the road.

And the more dynamic moves lyrical plotThe further the hero is rushed to the knowledge of the world of complex and multifaceted, the slower the time is distinguished by Ineu. The road here is not a linear way forward, but the wheel of life, "Order of creativity"in which winter comes to change the autumn.

Fabulistics, the conceived of natural being is created through a difficult associative series:

Looks like Quatrasion
About sleeping princess in the coffin

Pushkin motifs It is no coincidences here, because the poem "Inay" is an aspiration to the truth and beauty that makes up the basis of spiritual being, and Pushkin's Lyrics is fascinating with its simplicity of the harmonious element of the word. In general, the poem is full of reference to the Russian classic lyrics. Also visible and a forest similar to Tappy Terem. But behind the fairy tale in Pasternak hid life, such as it is.

Images of deathFilled the poetic space of the last lines, do not create a sense of doom, although notes indicating mental pain is incremented into the story. But nevertheless, here these motives indicate that consciousness rises to another, higher level. And like dissonance "Dead Kingdom"the life-affirming lines of the final sound:

I whisper quietly: "Thanksgiving"

Their solemnity unites the broken Pasternakovsky syntax into a slim artistic structure.

The name of the poem "Inay" is a sign. This natural phenomenon B.L. Pasternak gave the value of an inheritance from one state to another, the path that the lyrical hero performs, he overcomes through the dod to the other, also the donor stage between the fall and winter, testifying about the clubs of life, uncontrollable in his aspiration forward.

Size - 3 amphibery

JULY

In the house wanders ghost.

All day steps above your head.

The shadow flashes in the attic.

House wanders the house.

Everywhere hanging out inappropriate

Prevents all things

In the bathrobe steps to bed,

Takes up tablecloth from the table.

Foot at the threshold is not worse,

Runs in the whirlwind of draft

And with a curtain, like a dancer,

Swells to the ceiling.

Who is the balobnik-Nevezh

And this ghost and twin?

Yes, this is our veins of the visits,

Our summer holiday rental.

On all his short-lying

We rent a whole house.

July with thunderstorms, July air

I took the room with us.

July, dragging in pleasure

Pooh dandelions, burdock,

July, home through the windows of the lies,

Everything loudly speaking out loud.

Steppe unsophisticated disheve

Missing lime and grass

Botow and the smell of dill,

July air meadow.

Analysis: In such a way, the work of July, written by the poet in the summer of 1956, was constructed during the recreation in the country in Peredelkino. From the first rows, the poet intriguits the reader, describing the phenomena from the other world and arguing that "the house wanders houses", which fussing his nose into all the cases, "breaks up a tablecloth from the table", "runs in a draft of draft" and dancing with a window curtain. However, in the second part of the poem, the poet discloses cards and notes that July is the most hot and unpredictable summer month that the culprit is the culprit.

Despite the fact that intrigues no longer, Pasternak continues to identify July with a living thing, which are peculiar to the usual person. So, in the perception of the author, July is the "holiday rental", which is surrendered by the whole house, where he, and not a poet, is now a full-fledged owner. Therefore, the guest behaves accordingly, refuses and scares the inhabitants of the mansion with incomprehensible sounds in the attic, clapping doors and windows, hangs on the clothes "Pooh dandelions, burdock" and at the same time it does not consider it necessary to observe at least some kind of decency. July Poet compares with a steppe unsophisticated fruishing, which can afford the most stupid and unpredictable antics. But at the same time fills the house with the smell of linden, dill and meadow herbs. The poet notes that the uninvited guest, the swirl burst into his house, very soon becomes cute and desirable. It is a pity that his visits is a non-national, and soon Augustus will come to decline - the first sign of the impending autumn.

Pasternak does not bother this neighborhood at all. Moreover, the poet responds about his guest with a light irony and tenderness, followed by genuine love for this situation, filled with joy and serene happiness. Nature seems to be in order to postpone all important things for a while and make a company Shalun-June in his innocuous fun.

Size - 4 yam

Sergey Aleksandrovich Yesenin

he consisted in the literary flow of immudyism.

the reason for the arrival in imagineism. The desire to find permits of the most important conflict of life: the revolution, which Yesenin dreamed and which he dedicated his art, more and more flooded the bribed glow of corpses. Imazinism stood out of politics. In 1924, a poem "Song about the Great Hike" was published, where the party leaders Trotsky and Zinoviev were mentioned.

basic topics in work:

1. The topic of the Motherland and Nature;

2. Love Lyrics;

3. Poet and poetry

the topic of the Motherland is one of the extensive topics in the work of the poet: from Patriarchal (Peasantha) Russia to Soviet Russia.

Goy you, Rus, my native,

Huts - in the riza of the image ...

Do not see the end and edges -

Only blue sucks eyes.

How to go a mantist

I watch your fields.

And at low octools

Call fought poplar.

Smell like an apple and honey

At churches your meek saved.

And buzzing for Corrod

On the meadows cheerful dance.

Run by mint stitch

On driving green lech,

I meet me, like earrings,

Sneaken girl laughter.

If the Holy Holy Wrinkles:

"Throw you rus, live in paradise!"

I will say: "I do not need paradise,

Give my homeland. "

Analysis:

early poem. 1914

the image of the Motherland in Esenin is always associated with nature images. This reception calls psychological parallelism

in this poem, the poet glorifies the patriarchal principles in the life of the village "Huts in the image riza", "the churches of your meek saved."

in the poem, sadness of the outgoing patriarchalness is heard. And this once again proves infinite love for his region.

the poet refuses Paradise, the homeland of any.

Yesenin enthusiasm the slosple of the beauty of Nature "Fake Poplar"

in his early poetry poet pleases everything he notices in nature.

the poem looks like a folk song. epic motives.

fine expressive means:

the metaphor, "blue sucks eyes", which expands the space of verse.

comparison,

antithesis