Claudia Shulzhenko Biography Personal. Shulzhenko Claudia Ivanovna. Song as a mini play

At the very beginning of the eighties of the last century, a poor elderly woman often strolled in the Moscow Park near the metro station "Airport". Hurrying to meet numerous passers-by, did not know in a lonely gray old woman, previously famous for the whole huge country Claudia Ivanovna Shulzhenko , G.olos which listened to the fighters and officers on all fronts of the Great Patriotic War. On peaceful hour, she applauded Donetsk miners and Kazakh cennics, Leningrad builders and Ivanovsky weaves. Her talent was admired by the leaders of the Soviet Union and the Honored Artists, she was indeed a superstar of the stage of that time and the idol of hundreds of thousands of people.

Please pass the minister that it is fiercely raised ...

The future great singer was born more than a hundred years ago, on March 24, 1906 in Kharkov. Classical music from early childhood tightly entered her life. The girl's father was a real connoisseur of songs and romances, an outstanding Kharkov accountant, in his free time playing in the spirit of the orchestra and singing in amateur choirs. It was his father who puts his daughter's love to folk songs and urban romances. All native encouraged the passion of Claudia music and inspired her on a very bold step. In 1923, a sixteen-year-old girl came to Nikolay Sinelnikov, the head of the Kharkov Drama Theater with a proposal of his services as an actress. Young actress Shulzhenko, with pigtails and in an elegant mother's dress, liked the director with his children's immediacy and beginners to manifest themselves with the talent of the musician. Claudia Shulzhenko was adopted in the troupe of the Kharkov Drama Theater. For several years, the novice actress worked under the leadership of Sinelnikov and soon on his recommendation entered the Kharkiv Conservatory on the course of vocal to Professor Chemisov. Thanks to persistent classes in the conservatory and participation in the productions of the native theater, Claudia Shulzhenko begins to learn the audience. Although the famous actress of Claudia Ivanovna did not, work in the dramatic theater did not pass for it without a trace. Acting Schulzhenko's most brightly manifested themselves on stage, where she managed almost all from the Arsenal Arsenal: Lyrics, comedy characters, the ability to dance.

Public recognition came to the singer in 1928, when she successfully performed on the scene of the famous Mariinsky Theater in Leningrad. Then in one evening her name became widely known to the audience of the city on the Neva. After that, the speeches to the singer fell off proposals from various concert sites and music lovers began to purchase tickets already "only on Claudia Shulzhenko".

I just sewed a new beautiful dress for myself. And if I deserve a high award, then this reward should be decently presented to me! Otherwise, I do not need your piece of iron.

By the spring of 1929, Claudia Ivanovna becomes the leading soloist of the Leningrad pop and, at the same time, successfully performs in the famous Moscow Music Theater. Thousands of plates with her voice are published. Without expressive appearance and a powerful voice, Shulzhenko, however, collected full halls in the cities of the USSR. She sang about love and separation, applying their own, unique intonation in each composition, trying to avoid oversight and unnecessary sentimentality. Claudia Schulzhenko's songs bribed the audience with their optimism and mysteriousness, they wanted to sing. In 1939, at the All-Union Estradi Competition Shulzhenko becomes a laureate. The chairman of the jury of the competition was Maxim Dunaevsky himself.

In the same year, the funny classist Vladimir Coralomet came from warm Odessa to the rainy Leningrad, who struck everyone with his southern charm. Claudia Shulzhenko met with him by chance in the train car and immediately fell in love. Coralock answered reciprocity and broke out a rapid and rather noisy novel ending with a wedding. Spouses lived together a quarter of a century. They had a son of George, whom star parents took with them everywhere, so it can be argued that the child almost grown behind the scenes.

The Great Patriotic War. The scene for Claudia Ivanovna becomes dugouts, hospital chambers with wounded fighters and edges of the forest with partisans, but even in such conditions, the singer appeared solely in the concert outfits. Once the singer advocated the warriors in the body of a cargo car, the side of which was open. During the execution of Schulzhenko, one of the songs occurred by enemy aviation. Bomb flew, explosions rang out. Someone pushed the singer from the truck and pressed against the ground with his body. When the raid ended, Schulzhenko rose from the ground, blundered from dust and spent his concert. One of the most famous songs of Claudia Shulzhenko with the name "Blue Platieca" was born in its repertoire during the war years. Previously, it was a Polish romance. Many artists sang "Blue Platkers", but Claudia Ivanovna categorically refused, but once Lieutenant Maximov approached her and offered new words for this song. Thus, the "blue handkerchief" on the words of the officer of the Soviet Army performed by Shulzhenko became truly "lyrical anthem of the Great Patriotic."

Warm wind blows, drove roads,
And on the South Front, the thaw again.
Snow melts in Rostov, melts in Taganrog.
These days will ever remember these days.
Chorus:
About fire-fires,
About friends-comrades
Somewhere, someday we will talk.
I remember the infantry,
And native company,
And you for the fact that you gave me to smoke.
Let's climb, comrade, one,
Let's snatch, my comrade!

During the hostilities, Claudia Ivanovna Schulzhenko was awarded the USSR medal "for the defense of Leningrad." In the victorious 1945th year, the singer was awarded the title "Honored Artist of the RSFSR".

In the early fifties, the famous and popular singer Schulzhenko. The circulation of its plates exceeded 170 million copies. It is noteworthy that in the modern show business the album is called platinum, if its circulation exceeds one million copies.

On December 31, 1952, Schulzhenko categorically refuses to appear in front of Joseph Vissarionovich at the New Year's concert. The day before, she was called from the Kremlin and said that she was obliged to sing before the leader, to which Shulzhenko answered that the Constitution had the full right to rest. Only the ambulance of Stalin saved the singer from an inevitable punishment.

The last time Claudia Ivanovna Shulzhenko came to a large scene of the column hall of the Unions in 1976. At the request of the audience, she performed all their songs of the war years. Eight years later, the People's Artist of the USSR Claudia Shulzhenko died, on the day her funeral shone the bright sun.

Claudia Ivanovna Shulzhenko - Pop singer, actress Theater and Cinema was born on 11/240 in 1906 in Kharkov.

She took the lessons of vocal at Professor Kharkov Conservatory N. L. Cheizova. In 1923, it began to work in the Kharkov Drama Theater and in the same year he made his debut as a singer, fulfilling the Romance "Stars in the sky" in the play "execution". He took part in all the divertiments given in the theater, in parallel speaking in working clubs and on the summer pops of the city. Performed during this period "Shakhtya number 3" and a song about a brick factory "are considered the first samples of modern household songs. In 1927, the composer Julius Meytus was specifically for Schulzhenko wrote several new works ("Red Mac", "Red Army", "Grenada"), which soon became popular.

In the spring of 1928, Shulzhenko goes to Leningrad, where May 5, on the day of the press, takes part in a concert for journalists in the Mariinsky Theater. After a successful debut on the stage of the Moscow Music Hall in the program "100 minutes of the Reporter" in January 1929, the Directorate of the Leningrad Music Hall invites Claudia Shulzhenko to join the theater's troupe. In the repertoire of the singer appear songs "Never", "Negritanskaya Lullaby", "Phys-Cult-Ura!". In 1929, Schulzhenko touches in Kiev and Nizhny Novgorod. Together with many famous artists takes part in the "Attractions in action". After a sharp criticism from rapma and the repertoire committee decides to experience himself in a new genre. With the help of ethnographer E. Pennova selects several folk songs for the new program: Ukrainian "and noise, and buzz", as well as "straighten, drain, horses," Russian "two cuckoo", the German "left march" (on verses V. in . Mayakovsky) and others

Participates in theatrical productions. On October 2, 1931, the premiere of the play was held on the Music Hall stage, the main roles in which were performed by K. Shulzhenko and L. Rockov. For the heroine Schulzhenko Masha Funtikova D. D. Shostakovich wrote two songs - "Ah, as nice in the evening" and "Cute, you see there and here ...". Director M. Averbach invites Schulzhenko to the role of Komsomolskaya faith in the movie "Who is your friend?". In Comedy, E. Johanson "On vacation", the singer performs a lyrical song for the heroine of the film Tonya. The record with the record "Song Tony" became the phonographic debut of Shulzhenko. In the same year, in the Studio Zaicina, the songs "straighten, drain, horses", "Goodbye, Quiet Don" were recorded, as well as written by Paul Marseil (P. A. Rusakov) specifically for Schulzhenko "Friendship" (when simple and delicate eyes ...). In 1937, Claudia Ivanovna Shulzhenko becomes a soloist of jazz orchestra under the direction of Ya. B. Skomorovsky. The first song program featured: "From the edge to the edge" of I. Dzerzhinsky, "if the Volga is broken" by I. Dunaevsky, jazzed interpretation of the Tachacani K. Shelova, and others. Much attention was paid to new lyrical works that came to the change "Roma »Romance. In 1938, the songs of "Hands" appeared in the repertoire of the singer, "note" N. Brodsky, "Chelita" Fernandez.

In 1939, Schulzhenko became the winner of the first All-Union Estrada Artist Competition. In January 1940, a jazz orchestra was organized under the control of Schulzhenko and V. Coallie. The performance of the new team was decided to make theatrical. In the first program "Ambulance", episodes were played related to organizations designed to "ambulance" in everyday life. The second is entirely built on the "Radio Conference". There were a lot of comic songs: "Krynoshny", "Don't tell love", "Stubborn Bear", "Nyura". Announcement of the beginning of the war caught the singer on tour in Yerevan. Having voluntarily enhancing the series of the army, Shulzhenko became the soloist of the front-line jazz ensemble. During the first year, the Leningrad blockade gave 500 concerts. At the end of 1941, the song "Blue Wrap" appeared in the repertoire of the singer, which became one of the most popular wartime songs. He participated in the filming of the film "Concert FRONT", in 1943 introduced the program "Heroes City". In 1945, Claudia Shulzhenko was awarded the title of Honored Artist of the Republic. Since the summer of 1945, the singer began to perform solo. Cooperated with famous accompaniators: L. Fishman, B. Mandrus, D. Ashkenazi. In an effort to expand the theme and enrich the shape of the pop song, Schulzhenko in 1947 addresses V. Solovyova-Sedov "Return of the soldier" and "Symphonic Walsa" A. Khachaturian to Drama M. Yu. Lermontov "Masquerade". Since 1950, he collaborates with I. Dunaevsky, who writes for the singer "Warming Word", "Letter of Mother", "School Waltz", as well as songs for the film with the participation of Schulzhenko "Merry Stars". In the 60s, Schulzhenko refused many songs, which, according to the singer, did not correspond to her age, and again turned to the repertoire of the military years. At the concert dedicated to the 25th anniversary of the Battle of Moscow, performed "let's climb", "Blue handkerchiefs", "My shadow". In 1965, he performed at the first festival of the Soviet pop song. In 1971, Claudia Ivanovna Shulzhenko was awarded the honorary title of folk artist of the USSR. Since the end of the 70s, stops performances with solo programs, takes part in national concerts. One of the most popular songs of her repertoire in these years was the song "Waltz about Walla" E. Kolmanovsky to verses E. Evtushenko.

Claudia Ivanovna died in 1984 in Moscow.

Nikolai Cartridge

Claudia Ivanovna Shulzhenko was born in March 1906 in Kharkov. The girl earlyly manifested the talent for singing, and she began to take the lessons of vocals from the professor of the Kharkov Conservatory. At 17, Claudia Ivanovna has already performed on the stage of the local theater. At concerts, she accompanied the musician of the Dunya, who later became the leading Soviet composer Dunaevsky. A year later, a composer from Kiev wrote a song for the girl. This musical work was at one time a classic pop and restaurant music. The plot of this song served as the basis for creating a full-length feature film, which never happened not only in our country, but also on the distant West.

Success spoke the head of the singer of provincial Kharkov, and she decided to try his hand in Leningrad, and then in Moscow. The 1930s can rightly be considered a triumph of the famous singer. She instantly climbed the career staircase and became an all-Union pop star. Claudia fell out proposals to play in the cinema, and her records were dismissed by millions of circulation. She passed by the sad fate of other artists who experienced the horrors of Stalin's terror. In addition, she did not have to participate in rallies, meetings, on which loyal citizens demanded death for the "enemies of the people."

About Claudia Shulzhenko there was an opinion as a singer party-patriotic sense. However, it is not. The singer always chose funny or lyrical songs, devoid of ideological content for his repertoire. In his musical works, she chased love and simple human happiness. In those years, such songs as "friendship" were most popular, "you remember our meetings," Ah, Andryusha! "," Uncle Vanya ". In the repertoire, Schulzhenko also included the Ukrainian song "Straight, Dashton, Horses!", Spanish "Chelit" and "Dove", Tango of the Polish composer Jerzy Petersburg "Tired Sun".

The lyrical waltz "Blue Pockets" became the hallmark of Claudia Shulzhenko for many years. The story of creating this musical number is unusual. Somehow, a young lieutenant came to the singer after another performance and handed it to her a notebook leaf. This was the text of a new song, which easily guessed nostalgia for pre-war times. Schulzhenko managed to pick up and transfer her charm to the soldiers' frightened home. She was very necessary for them, this manner woman in a beautiful concert dress.

Claudia Ivanovna performed at the field concerts and other songs: "Evening on the raid", "Don't tell love", "Three Waltza", "Let's climb", "you do not disturb yourself." The singer possessed the talent of the dramatic actress and during the performance of the songs sometimes played the scenes. Despite the love of the people, Claudia Shulzhenko did not bypass ideological studies. In the press, they wrote that she sings only "the wretched chancens", and even then manno. Soviet power was clearly not to taste the independence of the artist.

For example, in December 1952, approximate Stalin invited her to take part in the New Year's concert. "I used to call!" - boldly stated Schulzhenko. From the violence, the singer saved only the death of Stalin. Furtsev, Minister of Culture of Soviet Russia, could not tolerate an arrogant singer. Somehow, being in the elderly without an apartment, Shulzhenko had to contact her for help. The actress was not called to the office for a long time. Thus, Furtseva tried to humiliate Shulzhenko. When the singer declared her that she was fiercely raised, Furtseva was angry with a joke. "You were weaver, today you are a minister who you will be unknown tomorrow. And I am a singer who loves the people! " - Proudly said Shulzhenko.

When in 1971, Schulzhenko assigned the title of folk artist, an article appeared in the emigrant newspaper "New Russian Word". Here are some lines from it: "It's no longer necessary for her, but the rank. She honored, not the title - her. Heroic actress: She did not sing a single song "about them", but only about love. "

Personal life of Claudia Shulzhenko was not so successful as her career. The first serious enthusiasm was the Kharkov poet Ivan Grigoriev. They lived in a civil marriage for several years, and Claudia even wore his wedding ring. The poet was jokingly called her junction. Odessa King of the Devic Hearts on the surname Coralock soon turned out to be Schulzhenko. Moreover, it was a stormy novel with a lot of offended rivals and defeated Grigoriev, whom Cerelli threatened the gun.

Claudia Ivanovna recalled later about these years: "His mother was categorically against marriage. I considered me windy, crazy. And yet ... yet in half a year we got married. Lived together a quarter of a century. Of course, there was any. But, the main thing was like-minded. Gave birth to him Gosh. The son grew up in it. " Indeed, their marriage with coralicle lasted 25 years, but, unfortunately, everything ended in divorce. Claudia Ivanovna remained without an apartment, in a small room communal.

The spouses periodically started the novels, nevertheless did not cease to love each other. They were associated spiritual relationship. The people even went epigram: "Schulzhenko gods shook. All husbands, she has corals. " Coralock helped Claudia to organize concerts, they discussed her clock, thanks to which she became a popularly beloved singer.

When the actress broke up with Coralicle, his place was taken by a long-time fan, which was 12 years old, the cameraman of Georgy Epifantsev. He, without thinking, threw his family, but officially they did not make a relationship. It is difficult to say that their marital life has been successful. Claudia Ivanovna is constantly and most often without visible for the reasons for the proevity of Epifantsev. In the end, the quarrels were exhausted both, and after 8 years of living together, they broke up.

Claudia Shulzhenko died in July 1984. They say that on the day her funeral was raining, but when the coffin was lowered in the grave, suddenly the sun looked out. Vladimir Correlli died in 12 years, and he was buried next to his wife.

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Claudia Shulzhenko

Claudia Shulzhenko was born on March 24, 1906 in Kharkov, in a simple family (their house was standing on Vladimir Street, in the area that Moskalevka was worn). In addition to our heroine, in the family Schulzhenko was another babbit - the boy Kolya. About his childhood, Claudia Shulzhenko recalled:

"The first artistic impression was connected with the Father. From him, I first heard Ukrainian folk songs. He joined me to sing. Accountant of the railway department, my father was seriously fond of music: he played the brass instrument, as they said, in the amateur orchestra, and sometimes Solo sang in concerts. His performances, his beautiful breast baritone led me to indescribable delight.

In our house, a student of Kharkiv University Vladimir Mozilevsky lived, it was he who suggested putting a children's performance ... The scene was built in the middle of the yard with the help of the house of the house, which was famous for his carpentry art.

The performances caused the burning interest of residents not only our home, but also neighboring. Spectators came with their chairs, stools, benches. Some managed to bring with them chairs and even common rocking chairs then. With the "entrance" in our theater on a small bedside there was a mug. There, the audience threw "Who can". The plate lying nearby reported that these fees were intended to justify the costs of performing the performance.

We beat a lot of plays, most often stiable fairy tales. In each performance there were songs and dances. I remember, I played a mermaid or Piero (the boys in our troupe lacked), I surely sang - either along the play, or in the divertiment, the concert branch. Accompanied by the children of the demey family: Zina, Klava and Kolya, are my big friends, perfectly playing guitars. Romances sang with them the first in my life: the classic "I dissolved the window" and the "cruel" "beat the chrysanthemums in the garden" ...

Meanwhile, despite their passionateness theater and songs, young Klava Shulzhenko then did not think to tie himself with a song art. When she studied in the gymnasium, her favorite subject was literature. She gladly learned the poems of Russian poets and almost every lesson was perfectly declared them. She knew well and french. But for music classes, our heroine was negligious, and if not for parents who decided to give it to training for the professor of the Kharkiv Conservatory Nikita Leontievich Cheechov, most likely, Shulzhenko would never have gone through the music part. It was Cheaps who revealed her eyes to her talent, saying once: "You're happy, you have a voice from nature, you only need to develop and improve it."

Meanwhile, in the dreams, Schulzhenko Schulzhenko never was going to sing, she dreamed of a dramatic theater. And "to blame" this was not only the first amateur performances in which our heroine participated. "Blame" was the cinema and cumin cumiers - Vera Cold, Ivan Mozhukhukhin, Vladimir Maksimov, who in those years they rule on the screen. Looking at them, Shulzhenko more and more dreamed of a career of a dramatic actress.

In addition, in Kharkov there was a beautiful theater, who led the famous director Nikolai Nikolaevich Sinelnikov. Revising almost the entire repertoire of this theater, our heroine gave itself the Word that he would definitely go there. And in March 1923, her desire was carried out.

That year, together with his close girlfriend, the cute Kaminsky Shulzhenko finally decided to try to enroll in the theater to Sinelnik. When they came to the theater, there was another rehearsal of the performance, but the director decided to give a few minutes to two cute girls. The first test was the song. For the grandfather, a 22-year-old concertmeister Isaac Dunaevsky, the one who will soon become a All-Union celebrity. The first song that our heroine chose for the exam was chosen, was the famous Ukrainian hat "Stretch, Fackers, Horses". Then, when the director asked to sing something in Russian, two others followed - "Silk Lace" and "on the Old Kaluga Road." Sinelnikov I liked the performance. He asked Claudia with her friend to play an etude: a girl who came to the ball, jealous of the young man to his girlfriend. The girls played him in one breath, and the director announced his decision: Schulzhenko was accepted, but her friend with the theater would have to wait.

The first performance in which Schulzhenko took part was the operetta of Jacques Offenbach "Pericola". In him she sang in the choir - then among the street crowd, then among the guests at the governor's ball. In this performance, Isaac Dunaevsky rose for the first time for the conductor console.

But the second performance turned out to be not musical - it was an "idiot" of F. M. Dostoevsky. Our heroine played in it Nastasya Filippovna. True, played - strongly said. She appeared in this role in the fourth act, when Nastasya Filippovna was already killed and she lay on the bed. It is this "lying" and depicted Claudia Shulzhenko. Having visited the father of our heroine on that performance then claimed that she did it very convincing.

Those days for Schulzhenko were saturated with rehearsals, performances. She herself recalled:

"In the morning rehearsal. After rehearsals - the occupation of singing in N. L. Cheizova or the dance lesson in the ballet school of Natalia Talory, Mother of the famous ballerina Natalia Dudinskaya (never dreamed of a professional ballerina's career - classic dance, the so-called "school", which I was needed for Each actor: She gives the ability to own her body, hold on to the stage, produces plastic, not to mention the mastering the foundations of dance movements - without these bases, the actor, which is necessary to dance in the course of the play, have to be tight). And in the evening - a play or concert, and you stand again at the scenes, listen to the hall and, worrying, expect your way out.

And the next morning the rehearsal is again. Nikolai Nikolayevich demanded that all the actors present on it, regardless of whether they were busy in this act or not, they play in the first part or in the second. Sinelnikov called the rehearsal of the acting school. For me, they became my universities. "

At the same time, Shulzhenko began to participate in divertisms, concert branches arranged after the performance. Such diversifies in those years were a mandatory phenomenon in theaters, the actors had the opportunity to show themselves in adjacent areas: a song, a monologue, verses.

Significant turn in the fate of Schulzhenko occurred in 1924, after meeting with the famous opera singer Lydia Lipkovskaya. In that year, she came with touring in Kharkov, and having visited her concert, Schulzhenko was delighted with her talent. The day after the concert of Klava, courage and came to Lipkovskaya to the hotel. After listening to a few songs in the performance of our heroine, the singer said: "You have a real lyrical gift. "Hard" songs, such as "silk lace", you are inappropriate. You need your repertoire that matches your gift ... "

These words were covered with Schulzhenko, and she caught fire for the idea of \u200b\u200bcreating a real song program for himself. But how to do that? And then it was helped by a case.

One day, a young man came to her the theater and introduced himself as a poet Pavel Herman. (It was he who wrote popular in those years "Air Marsh" "We are born to make a fairy tale.") He said that he was written by several new songs, and he suggests them to fulfill Schulzhenko. Among them were: "note", "not regret", "the day will come" and others. Our heroine agreed. In the summer of 1925, when she agreed to play several performances in the Krasnozavodsky Drama Theater, the composer Julius Meytus and a young actor, a part-time poet of Yevgeny Breitigan, tied up with it. So day after day, Schulzhenko recruited his own song repertoire.

The song Glory to our heroine came gradually. However, this success came to her after she performed two songs written by the composer Valentin Kruchinin and the poet Pavel Herman. These were: "The song about the brick factory" (in the people - "bricks") and "Mine number 3". This is what Claudia Schulzhenko itself recalled: "The song about the brick factory", which became odiously odious, did not really differ in neither musical nor poetic advantages. The composer Kruchinin processed the melody for her of the famous Waltz, which was considered almost folk. This waltz could be heard in a circus, in Balagan, his shaman played. I heard this melody in childhood. At home we had a gramophone, and among the numerous plates, the Waltz "Two Dogs", which I immediately remembered, having heard the new song V. Kruchinin.

No need to think that we are talking about unintentional plagiarism. No, Pavel Herman told me later that they were looking for a melody for a long time, which would be easily learned, it would be easily accessible. The text of the song, which was different from those, directly say, primitive songs of urban dies, which were widely extended at the beginning of the century, and some, as, for example, "Marusya poisoned", were singing out in the 20s ...

Pavel Herman, a widely educated person who knew Russian and foreign poetry, who was able to write thin lyrical poems, and Valentin Kruchinin, a talented musician, did not rise here above the taste of their listeners, even, probably, I would say, deliberately plunged his undevelopability. But they, and in this, their merit, first appealed, let them not well, to a modern household theme ...

"Bricks" picked up immediately. I remember how, after the very first execution of this song in one of the working clubs in the school concert, girls were approached in red shocks - Komsomologians and guys - the workers of this enterprise. They asked "no time to regret and write off the words of the songs like". Such a picture was repeated not once. "

A large song repertoire and the popularity of the singer in his native Kharkov gave the opportunity to think about the tour. In the spring of 1928, she was in Leningrad. That's what Claudia Shulzhenko recalls those days:

"To me, Kharkiv, accustomed to warm, soft climate, the city on the Neva, the cold, the whole permeated moisture, seemed to be strangers and incentive. I admired his beauty, but this admiration was speculative and did not affect the soul. Then, having learned and understood the strict nature of this city, truly attached to him, loved him. Then, in my first arrival, walks on his streets were not very fascinated me ... "

The first speech of Shulzhenko in Leningrad took place on May 5, 1928 on the stage of the Opera House (former Mariinsky). It was a precast concert in which our heroine performed two songs: one on the plot of the ballet "Red Mac", another - "on sleds". After that, she left behind the scenes, counting his program finished. However, she hurried. Nikolai Noodov, who came followed behind her, said that the audiences demand it to "bis". And Shulzhenko again went to the scene. Next - her story:

"Not yet realizing that it was a victory, I sang the lyrical song" Never "on the words of Pavel Herman. And again success, and again nuts a wide gesture invites me to the scene. I sing my "Papinity". Well, I think this is the last. Enough. And what can I sing after it? But the applause does not end. I go out to bows once, the other, the third.

We still have to sing, "Nikolai Sergeevich whispers me.

But what? - I feverishly understand.

We must sing such a song that would not look like the previous ones, and I decide: I will sing a "column of October" ...

That evening I had to sing another song. Total - six instead of two planned. Exam, and what else, I stood ... "

After that, the success of Career Shulzhenko sharply went uphill. At first, she spent some time with concerts in cinemas, but she was invited to Leningrad Music Hall in the same year. His chief conductor was already well familiar Schulzhenko Isaac Dunaevsky. And the lead actor was Leonid Rockov.

The first ideas in which our heroine spoke in the Music Hall troupe was: "100 minutes of reporter" and amusements in action. And in 1931, she finally received her main role - in the play "Conditionally killed", she played a girlfriend of the Kurochkin telegraph (L. Rocks) named Masha Futnikova. Music to this spectrum wrote a young then D. Shostakovich.

In early 1929, Shulzhenko first performed in Moscow. Together with the troupe of the Leningrad Music Hall, she brought the spectacles in action in the capital. Our heroine performed lyrical songs in it. However, she was banned. In those years, the actively criticism of the lyrical direction was active in the Soviet art, and our heroine came under this campaign. A year later, she was already offered to completely change their repertoire, excluding all the lyrics from him. Shulzhenko had to obey. She began to fulfill folk songs: Ukrainian, Russians, Spanish. So it lasted until April 1932, until the light saw the decision of the Central Committee of the CSP (b) "On the restructuring of literary and art organizations", which liquidated RAMP, RAPP and other organizations that dictate laws in the then art and literature.

At the very beginning of the 30s, during a trip with tour to Nizhny Novgorod, on the train she met a young musician, a venue and feuiloneist Vladimir Coralock (real surname Ceper). Young people loved each other, although our heroine was already engaged at the time and wore a wedding ring in his hand, giving them. But it did not stop her. Immediately after those touring the Schulzhenko, the ring shot and returned it to his own way, now formerly, the groom. And soon to her parents in Kharkov arrived V. Coallie. He was in a luxurious fur coat of the Belich Tails, which made it even more attractive and impressive. Young consent was received by the wedding. In 1932, they had a son who was named George.

In 1935, the light saw the first record with a sign of a song in Shulzhenko. As it happened, the singer itself recalls:

"It happened that my very first record appeared without my participation. Friends brought me home to the Kirov Prospect a new black disk, put it on the bag, and I heard my voice. I will not talk about my feelings - the same arise from everyone who for the first time hears themselves from the side - "this is not me"! But my song was mine, and some intonations I also recognized! Surprisingly examined the label. The last name of the artist on it was absent. "Tony's song. Lankino "- was there, and the unusual decryption was then followed:" Reproduced from the film to the method of inventors Abramovich, Zaicina and Tovstoles. "

And then it became clear to me. Shortly before the appearance of an anonymous record, director Lenkino Eduard Yulievich Johanson invited me to take part in the sound film "on vacation". But invited not to remove, but only to sing for the executor of the main female role.

The famous composer Ivan Dzerzhinsky wrote music to the film, which, as far as I know, infrequently appealed to the genre of lyrical song. But his "Tony's song" was amazingly good, and I agreed to sing her. The phonogram with my execution was recorded before the start of the filming, and then on the shooting area, the heroine only remained diligently open her mouth and carefully follow the articulation so that the audience subsequently noticed that she sings literally not his voice. It seems that it was the first case of combining someone else's phonogram with an image, combined, which is so often practiced today. At the same time, about which I tell, this method was held in the secret, and the inventors of the records of the records from the film was not risked, the release of the "Tony's song", to act as exposure! "

It is worth noting that in 1933 Schulzhenko could play in one of the main roles in the film "Who is your friend?". Music wrote I. Dunaevsky, who, in fact, invited her to shoot. However, nothing happened from this venture. On a film studio "Belkino" there was only one set of sound equipment, and this kit got another film crew. It's a pity…

Meanwhile, in 1936-1939, Schulzhenko actively concert in the country along with Jazz-Orchestra J. Skomorovsky. Its popularity grew from the concert to the concert. In December 1939, it was invited to participate in the 1st All-Union Competition of the Astradi Artists (he passed in the column hall of the House of Unions, and many future stars of the Soviet stage took part: A. Rikin, M. Mironova, K. Japaridze, etc.) . In the competition of vocals, together with our heroines, 160 people performed in the first round. Their third round there were already 12. Among these luckyrs was Shulzhenko.

Decisive for her performance at the competition took place on December 16th. She performed three mandatory songs and was going to leave the scene when the hall suddenly exploded with applause. The listeners began to ask the singer to fulfill another song on the "bis" (and this is designed to "bisa" on the competition). Our heroine was initially confused, but then, seeing a happy face I. Dunaevsky, who headed the jury of the competition, decided and again went on stage. She performed the "note", and after her the hall again exploded with applause. It was the triumph of Claudia Shulzhenko.

Immediately after a brilliant speech at this contest Schulzhenko and her husband, coralicles were asked to organize a jazz ensemble. The debut of this ensemble took place in January 1940, when our heroine was invited to a state house of recording to record its first real record. For six o'clock, the three of her Hisheman were recorded: "Note", Andryusha and Tango "Meetings".

The beginning of the war Schulzhenko met in Yerevan, where she was on tour. After them, she intended with her husband and eight-year-old son (he then lived at her grandparents in Kharkov) go to the rest to the sea. But these plans were not destined to come true. The tour was interrupted, and the artists urgently went to Leningrad. Next - the word of Claudia Shulzhenko:

"In Kharkov, the train stopped far from the station - an air alarm was announced in the city. And here quite unexpectedly in standing near us the train we met our son. This train in Leningrad returned to Arkady Rykin with the miniature theater, who interrupted his Kharkov tour, and my relatives were handed to Artists Gosh to bring him home. I immediately became easier to breathe - the mother will understand me.

The train arrived further, towards the war. We have already come across refugees from the western regions of Ukraine, Belarus, from the Baltic States, where fierce battles went. And here is Leningrad. How quickly everything has changed - and the city itself, and people living in it. Sand bags, abrupt showcases of the former Eliseevsky grocery grocelonoma and cafe "Nord" on Nevsky, stuck with white paper crosses of the houses of residential buildings, large ticks, water barrels and sandboxes in each entrance - to extinguish incendiary air bombs (lighters, as they were called) , duty with gas masks on the side, air alarms and concentrated, fourtial persons on which there were no shadows of panic. It was felt that the city was preparing to battle.

In the house of the Red Army, we were certified as voluntarily entered into the ranks of the Armed Forces and issued a military uniform. So I became an ordinary red army, and our team received the title of Leningrad Front Jazz Ensemble. The command allocated us a small, who saw the bus, which turned into our house on wheels. But and the permanent our dwelling was not reminded by the pre-war - we were located in the basement of the ancient building on the foundry - the house of the Red Army named after Kirov, who became our base. "

Schulzhenko's business card during the war, of course, became the song "Blue Platle", which was written by the Polish composer Jiri Petersburg (before that, he composed the famous tango "tired sun"). How did this song hit the USSR?

After the Nazis moved to Poland, Petersburg moved to our country. He spoke with his jazz-orchestra and in the spring of 1940 fell to Moscow. Here, in the hotel room, he wrote a song-waltz "Blue Pockets". Her first performer became the singer Stanislav Lyandau. Schulzhenko heard her in his performance. She liked her so much that she immediately included her in her repertoire.

In April 1942, our heroine with his jazz ensemble came from Blocade Leningrad to Volkhov as the lands of life. There, after the concert, she met an employee of the newspaper of the 54th Army of the Volkhov Front "To the decisive fight" by Lieutenant Mikhail Maximov. Having learned that he was fond of poetic creativity, Shulzhenko asked him to write new words for the "Blue Handle". He agreed. On the night of April 8-29, the famous now the lines were born, which on April 12, the singer first performed at a concert at the railway station of the Volkhov station. The success of the song was huge! And on January 13, 1943, this song was recorded in the House of Recording in Moscow. Thousands of instances of this record were sent to the front.

In 1943, triumphal tours Shulzhenko in the Caucasus and Central Asia took place. Together with the jazz ensemble, she visited Tbilisi, Yerevan, Grozny, Baku, Krasnovodsk, Tashkent and other cities. By the end of the year, it was estimated that the ensemble established a kind of record - gave 253 and a half concert. For these tours, the singer was soon awarded a combat order - a red star.

On May 9, 1945, Schulzhenko met in Leningrad, where he had just returned after the tour. That day she performed in the Vyborg Palace of Culture: the first, morning, - in the hall, the second, daytime, on his steps at the entrance and the third, evening, - again in the hall.

How was the life of Schulzhenko immediately after the war? Differently. For example, one day there was such a case that barely broke her career. On December 31, 1945, together with his girlfriend, Shulzhenko was going to meet New Year to the acquaintance. Suddenly, a phone call rang in the house. When our heroine took off the phone, at the other end of the wire she heard a male voice: "He says Vasily Stalin. We want to invite you to our party to celebrate the New Year. " - "But until the new year, just a few hours left! - answered Shulzhenko. "I already gave the floor to my friends that I would have today." It was necessary to warn in advance. " - "So you will not come?" - In Vasily Stalin's voice, she heard sinister notes. For a second she fell down, and then said firmly: "I will not come." And hanged the phone. When she told his friend who had just called her, she splashed his hands in horror: "What will happen now?!" However, nothing terrible happened. This time the son of the leader was not malicious.

In the 50s, Schulzhenko continued to tour a lot in the country, recorded new songs. She was a recognized idol of the then Soviet pop, performed as older songs ("Blue Watching", "Let's Look!", Odopolchan) and new: "Student Tagged", "Student farewell" (1959), "To a friend "," Urgent Kiss "," My Old Park "(1954). In 1952, her dove plate was separated by a record circulation: 2 million copies. In 1953, she starred in the music film-revuv "Merry Stars", in which he performed one of the most beloved songs - "Silence" of I. Dunaevsky and M. Matusovsky.

In 1955, the marriage of Claudia Shulzhenko with V. Coalloye broke up. They exchanged their living space. Coralock moved to the next house, and the apartment of the singer became communal, and in it our heroine was no longer possible to rehearse. But alone Schulzhenko stayed for a long time - in 1957 she met her new love. Her 39-year-old chosen was the name of Georgy Epifanov, at one time he graduated from the Faculty of Vgika. In Claudia Ivanovna, he in absentia fell in love before the war, when in 1940 she accidentally bought her first record. A few months later he got to her concert in Leningrad, saw and realized that she fell in love with her finally. He wanted to get acquainted with her closer, but this plans prevented the war. Epifanov went to the front, taking with him all the records of his idol (he packed them into a tin box from under the film). After the war, he began to regularly send Shulzhenko postcards for the holidays, signing their initials " E. ". He sent such postcards several hundred. And here is an unexpected meeting.

G. Epifanov says: "My permanent passion for this woman did not have a secret for anyone. Somehow the director, with whom we worked, Marianna Semenov is in the studio: "Georges, your claw rest in one sanatorium with my earring (husband)." - "Your claw!" - "So what?" - "Do you have a car in order?" - "In order". "I need to take a professor to Sergeuzh (my husband was sick)." "Of course, we will go." And we went. We enter the territory of the Sanatorium named after Artem on the Leningrad Highway. Marianna was familiar with Claudia, because as the director mounted the film "Concert Front". And here it runs to her in the room and exclaims: "Claudo, guess who I brought?" - "Professor?" - "No, a man who loves you insanely!" Claudia for this time has been divorced with her husband, Vladimir Coralock. They went to the balcony. "Won, at the bottom of the two men, guess who". - "Who is younger?" - "Guess". - "And what is his name?" - "Georges." - "And the surname?" - "Epifanov". Schulzhenko thought and splashed his hands: "Lord, so this is G. E.!"

Then Marianna shoved me in her room. I said in a trembling voice: "Hello". Claudia Ivanovna asks: "Are you back to Moscow now? Can I go with you? " Still would! Does I not against my dream to my car?!

Then the travelers told me that I never lived in my life so reverently did the car. I approach without asking the road, because I knew the address - a house opposite the Ministry of Foreign Affairs. Only the entrance she did not call me. And invited the next day for tea! I come, I sit, I drink exceptionally tea. We drink tea at nine hours, ten, at eleven hours. She looks at me and says: "Listen, you or leaving, or stay." Such an alternative pleased me as an unusual way. But at the same time I became scary: did I handle with that emergency mission that I have to? Everything happens in our men's business, isn't it? Scared, but desperately said: "I stay!"

It was a wedding night, which lasted a total of eight years. I believe that I was the only beloved man. We lived each in themselves, but I disappeared with her without end. Mother my deceased was outraged by this circumstance, because he believed that her son had her son for himself. And not for some though Shulzhenko, at least a furser ... Claudia was soft, responsive, leaving. But when it is necessary, I knew how to be tough. I remember at the concert in the CDS - whether the curtain was not hung up, or something else - he gave out such text from the stage!

She had a housekeeper (she is the costumes Shurochka Suslin. - F. R.), they went together with Claudia everywhere. Or with me. She did not transfer loneliness ...

Why did we part? Once in 1964, we were at the bottom of the birth of one lady-composer. When they returned home, I wrote something, helping Claudia to remove the coat. She suddenly said to me that such a rude and offensive thing that it ... she doesn't say goodbye ... "

But however, it recalls her friend T. Kravtsova:

"Loved Schulzhenko pink color, in the pink bedroom, even the chair was pink!

Until recent days, he spent a lot of money for French perfume. And - pathological cleanliness. Despite the fact that Shurochka Suslin helped to her house, Claudia Ivanovna constantly walked around the apartment with a beautiful cloth and no, no, yes wiped the invisible dust ...

There was no dubious loop behind it, despite the fact that very serious fans threw it with letters and tormented phone calls ...

In the morning I used to go to her suite in the morning, I saw how she did a cruel gymnastics (remember her bows). I tried to repeat - nothing worked ... And how she worked on the text of the songs - each phrase, not a single thoughtless word was worked out! For example, the poetess Margarita Agashina was: "And where can I take such a song." Claudia Ivanovna says: "Who starts the phrase so much - with the letters" A "?!" And she is the only sang so: "Where should I find such a song ..."

I witnessed her huge popularity and folk love. Often it came to the hotel with gifts. One day, a beautiful, statical Russian woman and a bow strained to take a completely warm cake wrapped in a starch white tablecloth.

In some city we went to the department store. What happened here! First, the tail of the fans. Secondly, we were offered to buy beautiful white clock with cuckoo (we were exported) - a terrible deficit. I bought, and Claudia Ivanovna was not allowed to pay: "This is a gift for your talent" ... "

Shulzhenko respected not only ordinary people, but also high-ranking people. Some, knowing the character of this woman, frankly was afraid of her.

One day, Schulzhenko was needed to meet with the USSR Cature Minister Catherine Furtseva. Meeting this time for some time could not take place, because the minister has one thing was an important thing, then another. Finally, she carved her free time and appointed the famous singer time to meet. On the appointed day, Shulzhenko appeared in the adoptive minister, not late for a second. However, the minister was not in place. "Catherine Alekseevna will be from minute to minute," the singer told the Milovoid Secretary. I had to wait. But now passed an hour, then the other, and the Furtsey was not all. Other visitors in such cases were accurately kept for several hours of fruitless expectations, after which, apologizing, went. Our heroine acted otherwise. She rose from the sofa and, referring to the secretary, said: "Please pass the minister that it is fiercely raised ..." and proudly retired from the reception.

The second case occurred a few years after that. At that time, the story was twisted around the Order of Lenin, whom the Soviet government decided to reward the singer for her many years of work on the stage. However, remembering the bold actions of Schulzhenko, committed in the past, it was decided to arrange the awards ceremony on the second category - not in the Kremlin, but in the building of the Moscow Council. About this she told on the phone. But our heroine was a woman proud and bolder, so the answer was appropriate: "I just sewed a new beautiful dress. And if I deserve a high award, then this reward should be decently presented to me! Otherwise, I do not need your piece of iron. " And she hung up.

The keenness of the singer outwritten Soviet leaders. Knowing this, from our heroine, then many of her friends turned away. But she also suffered this opal. And soon, fate turned to her with his best party.

In May 1971, she finally appropriated the title of People's Artist of the USSR. And three years later she was invited to a small land, where the participants of the legendary battle under Novorossiysk gathered. Among these participants was the Secretary General of the Central Committee of the CPSU Leonid Brezhnev. During the friendly conversation, an improvised concert was argued, and Brezhnev suddenly asked: "Claudia Ivanovna, spoil our favorite military songs." And the singer agreed. As soon as she sang one song, as Brezhnev immediately asked the second - "note", which was one of his beloved. As newspapers wrote at that time, "the meeting was held in a warm, friendly atmosphere."

In February 1976, at the very top, it was decided to arrange the Jubilee Concert Schulzhenko in the column of the House of Unions in April. For two months, together with the estate-symphonic orchestra under the control of Yu. Silantyev and the instrumental ensemble "Rhapsodia" (the head of Parasol), the singer has learned its program. Finally, on April 10, with a huge crossing of the public, the concert took place. As eyewitnesses noted, despite the age, Schulzhenko was on it in all its brilliance and splendor.

By the way, she invited their long-standing love for this concert - Georgy Epifanova. That's what he talks about this: "She called and said:" I have an anniversary evening. Last. Come? " What could I answer a woman who adored all his life? After the concert, we went home to her and sitting on the couch, said until the morning. She said: "You are my only and eternal love ..."

After that concert Shulzhenko worked for a few years. In 1980, after a five-year break, she recorded a new long-playing record - 23rd in the account since 1954. It was simply called - "Portrait". In the same year, another her record was published - Cantata "Son and Mother" of the French composer Darius Miyo.

By the mid-1980s, the health of Schulzhenko began to deteriorate. She often complained about malaise because of her bronchitis and heart disease, but now she became more worse. She began to bring together memory. A. Pugacheva, who was at the beginning of the 80s in her apartment in the house on Leningradsky Avenue, remembers that Schulzhenko often forgot, where what lies in her house. Knowing that Schulzhenko has a little pension, Pugacheva often left money in her house, hiding them for different items (it was impossible to offer them in an open, as Schulzhenko was a woman proud). And so all the decenings were observed: the money hostess house found and, believing their own (she had sclerosis), left him.

Schulzhenko died in 1984. Buried her at the Novodevichy Cemetery.

R. S. Vladimir Coallie survived his former spouse for 11 years and died at the age of 90 in April 1995. Their son is Igor (Georgy), Celebrate works by the leading specialist of the "Mosgaz" and lives in the apartment left by his mother. Claudia Shulzhenko has three granddaughters, lug, and none of them has become a singer.

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Claudia Ivanovna Shulzhenko is an outstanding Soviet singer and actress, laureate of many awards, People's Artist of the USSR, RSFSR. In 1971, Schulzhenko received the title of People's Artist of the USSR, in 1976 - was awarded the Order.

Childhood and youth

Claudia Shulzhenko was born on March 24, 1906, in the city of Kharkov. In the family of Ivan Ivanovich Shulzhenko, who served as an accountant in the management of the railway, and his spouse had two children. Klava and her brother Kolya lived together with her parents in a small house at the street on Vladimir Street.

One Motherland

The father of the girl in his spare time played on wind instruments, sang solo. Then amateur concerts were popular, performances. Ivan Ivanovich spoke with an ensemble of art amateur, and for the neighbors the family arranged in the courtyard theatrical ideas in which children participated, sang and played a little keyboard.

One Motherland

The girl studied in the gymnasium, but music and singing did not cause her delight. Claudia preferred the literature, read out by verses of Russian poets, taught them by heart and recited familiar.

Parents gave the daughter of a dreaming about the theater stage, to study music in the Kharkiv Conservatory, to Professor N.L. Cheides. Nikita Leontievich instilled faith in her singer's debutant to her singing talent, having told her that her voice was given by nature.

Dreams of the theater

The girl came delighted from the beautiful fatherly bariton, but from the youngsters dreamed of the theater scene. An indelible impression on Claudia made a silent movie star, but she loved theater even more. Father often took her with himself on the performances of the local Dramaater, where then served as director Nikolai Sinelnikov. At the age of 15, Young Claudia, together with the girlfriend, came to Sinelnikov "enter the actresses".

Ruspekh.

On the samples of the girl sang a few songs and played a small etude. By the way, accompanied the girlfriends of the young Isaac Dunaevsky. Schulzhenko accounted for the director, and he enrolled it in the troupe. The roles of the young actress were delivered episodic. So, Claudia Ivanovna sang in the choir in Operette and portrayed the dead Nastasya Filippovna in the 4th Ankt "Idiot". According to the father of the actress who visited this performance, it came out at her pretty convincing.

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Then there were other roles that are often associated with songs, Schulzhenko sang in clubs, in other theaters after the end of the performances. Claudia Ivanovna firmly decided to associate his life and biography with the theater. Her life at the time was painted in minutes. In the morning, she went to the rehearsal to Sinelnik, then she was singing and music in the conservatory, took the lessons of ballet choreography and the foundations of the dance, and in the evening he played in performances.

By the way, it is Sinelnikov that the fans of Claudia Creativity Ivanovna must be grateful for her bright, spiritual and penetrated singing. "You have to play a song and at the same time perform all the roles in it," the director instructed the young actress.

First successes

Everything has changed in 1924, when the famous singer Lydia Lipkovskaya arrived in Kharkov with tours. The girl gained courage and came to the opera diva to the hotel. She listened a few songs and came to delight. Lipkovskaya advised the singer to change the repertoire on lyrical, because her talent will manifest much brighter.

The case was then the case of Claudia Ivanovna with a young composer Pavel Herman. He himself came up to her after the speech and suggested singing the songs composed of them. So in her repertoire entered the "note", "Mine number 3", "not regret", "bricks". Poems for songs "Papinity and Mailor", "Red Mac", "On Sanka" wrote for Claudia Artist of the Krasnozavodsky Dramaater Breaking, and I was composed by the music of Yuri Meytus.

Career svitsy

In 1928, a debut took place in the Mariinsky Theater, and in 1929 - in the Moscow Music Hall. Her songs of the Metropolitan audience listened to the sinking of the heart, and long did not have a flurry of the applause.

Schulzhenko worked in the Leningrad Music Hall, sang two songs in the play "Conditionally killed" to the music of Shostakovich. As of the 30s, the singer's cooperation with Jazz Orchestra Scromorovsky. In her repertoire, the songs "Andryusha", "Hands", "Mom" and others entered. Claudia Schulzhenko's songs of that period were frankly lyrical and at one time they were even forbidden to execute political considerations.

Claudia Ivanovna began to speak with folk Ukrainian, Russians, Spanish, Latin American songs. "Chelit" and "Simple Girl" on the wave of propaganda of the friendship of peoples quite satisfied the government on political aspects, the public perceived them as songs about peers, love, friendship and youth. Critics scolded her for melodraumaticity, and the people loved unconditionally, the queues were built in the first gramophone plates.

In 1939, the singer became the laureate of the grade of pop artists, her records are produced by large circulations, and the photo is put in the journal "Soviet art", a jazz orchestra is organized specifically for Claudia Ivanovna.

When the war began, Schulzhenko was on tour in Yerevan. Claudia Ivanovna, together with her husband, joined the army ranks, and their jazz orchestra received the status of the front. More than 500 concerts gave artists during the war years, performed in a deposited Leningrad, on the road of life, on the front line, under the shelling. Two musicians from Troupe Schulzhenko died in Leningrad from exhaustion.

In 1942, Mikhail Maximov, Mikhail Maximov approached Ivanovna, and offered to fulfill the song of his own essay. It was the legendary "blue handkerchief." The heartfelt performance of Schulzhenko, a popular motive and spiritual text made this song by the famous and truly folk.

One Motherland

In 1943, Jazz-Orchestra Claudia Shulzhenko toured in the Caucasus and Central Asia, starting from the summer of 1945, the singer began to perform solo. The discography of Claudia Ivanovna Shulzhenko (including records that came out during the singer's lifetime) includes about two dozen plates. In its repertoire - hundreds of songs, cooperation with famous composers and musicians, singers and performers. The most favorite songs of the very performer were "Waltz about Walla", "Silence", "Mother Friends", "Letter of Mother", "School Waltz" and others.

Personal life

The first and only official husband of Claudia Ivanovna Shulzhenko was an artist from Odessa, an entertainer, musician Vladimir Coallie. Their marriage has been launched from 1930 to 1955, in 1932 the Son Igor was born in a couple. The reason for the rupture of spouses was jealousy.

Claudia Shulzhenko with husband and son | Fmdon.

In 1957, Schulzhenko met with George Epifanov, a film operator, who was in love with the legendary singer for many years. He wrote her letters, signing the initials. At the time of the meeting of Claudia Ivanovna was 50 years old, Georges was younger for 12 years.

Death

In recent years, the actress lived in Moscow, at the end of his life with a separate apartment. Being retired, she remained faithful to her habits, as in his youth, preferred French perfumes, did not know how to save, did not want to part with the last antique things, although most of the long ago it was long ago.

Claudia Shulzhenko in recent years | Pesnyafet.

Claudia Shulzhenko dreamed of visiting France, the grave of the legendary, with which it was compared on the strength and depth of talent. However, she was not released, and the singer visited the tour only in Germany, Poland and Hungary.

Claudia Shulzhenko was filmed in the cinema in episodic roles, performed songs for the filmcoming "on vacation". In 1981 they saw the light of her memoirs "When you ask me ...".

| One Motherland

The elderly star of Soviet pop often visited young musicians, singers, artists, but the money from them, Claudia Ivanovna did not take, took only the hotels. Surprisingly, but only managed to deceive the vigilance of proud and talented woman. Leaving, she slowly hid for a napkin bill, and Claudia Ivanovna was even surprised, thinking that she had forgotten her.

Claudia Shulzhenko Memorial Plank | One Motherland

A brilliant performer died on June 17, 1984. Claudia Shulzhenko was buried in Moscow, at the Novodevichy Cemetery.

• Claudia Ivanovna refused to come to the New Year's party to the son of Stalin, saying that it was late to change plans a few hours before the new year and friends are waiting for her.
• Shulzhenko was the first Soviet actress, published on the stage in a trouser costume, she adored outfits, sophisticated spirits. French Nessenger with Parfumery of Claudia Ivanovna managed to save even during bombing in Leningrad.
• The singer knew the price and was not afraid of the authorities. When she was invited to rewarding the Order not to the Kremlin, but in the other hall, she refused the award. Once Fisterz forced her to wait for her audience, and Claudia Ivanovna, angry, gone, asking to convey that the "Minister was poorly brought up."