Portrait of Anna Sergeevna Odintsova. Characteristics and image of Anna Odintsova in the novel Fathers and Sons essay. Village life

In the gallery of heroes of the novel “Fathers and Sons” by I. S. Turgenev, female images play an important role. They are catalysts for revealing the characters and feelings of the main characters. One of the central characters of the novel is Anna Sergeevna Odintsova, she was able to breathe love into the soul of Evgeny Bazarov. The image and characteristics of Anna Odintsova with quotes in the novel Fathers and Sons given below will help to understand the characteristics of the character and motives of this woman's actions.

Childhood

Left an orphan with her younger sister, Anna Sergeevna invited her elderly and grouchy aunt to live with her. The joyless existence in the village oppressed her, sometimes it seemed that her whole life would pass in the wilderness. One day, Odintsov, their rich neighbor, accidentally saw her. He became interested in Anna and offered to become his wife. Anna Sergeevna did not feel tender feelings for her husband, there was only gratitude. After the death of her husband, Odintsova inherited a large fortune, freedom and independence.

Odintsova and Bazarov

Anna Sergeevna's appearance was remarkable, she favorably differed from the rest of the women at the governor's ball:

“She impressed him with the dignity of her posture. Her naked hands lay beautifully along a slender figure; light branches of fuchsia fell beautifully from shiny hair onto sloping shoulders; calmly and intelligently, precisely calmly, and not thoughtfully, the bright eyes looked out from under a slightly overhanging white forehead, and the lips smiled with a barely perceptible smile. Some kind of gentle and soft power emanated from her face.

Bazarov, when meeting with her, immediately noted that she was a very interesting "copy". Anna Sergeevna had an undoubted interest in the personality of Yevgeny Bazarov, she was interested in communicating with him, arguing and flirting. The insane pressure of Eugene's passion frightened the woman, she realized that she was in danger of losing the peace and stability she was used to. This became the decisive factor in the angry refusal of the young man. Odintsova could not have serious and deep feelings for anyone or anything. Bazarov characterizes her inability to feel:

“You want to fall in love,” interrupted Bazarov, “but you cannot fall in love: that is your misfortune.”

Learning that Eugene is on the verge of death and wants to see her, Anna came to him with the doctor. But in herself she did not find feelings for Bazarov. Nothing that could bring comfort to the dying

“She was simply frightened by some kind of cold and languid fright; the thought that she would not have felt it if she really loved him - instantly flashed in her head.

Conclusion

At the end of the novel, Odintsova again becomes the wife of an unloved person; she practically approached the choice of her husband. A promising man became the betrothed, who guaranteed the embodiment of her ambitious plans.

The image of Odintsova in the novel "Fathers and Sons" plays an openly auxiliary role. He appears in the plot in order to shade the spiritual qualities of the protagonist. Bazarov, faced with her cold beauty and sharp mind, multiplied by her education, is amazed at this combination. Eugene sees in her an example of impeccable female beauty and falls recklessly in love. However, for Odintsova herself, the protagonist of the novel is just a person who is able to "occupy" her and help her "not be bored."

Generally speaking, secondary characters in classical literature have one generic feature: their personality does not evolve throughout the book. It was this role that Turgenev assigned to this heroine.

Biography

We learn about the rather rich biography of this self-sufficient rich 29-year-old widow, defining her as a static character. The development of her character is similar to how it happened with Mrs. O'Hara from the novel Gone with the Wind by Margaret Mitchell. Fortunately, Anna did not survive the war, but she got enough trials. Perhaps that is why the image of Odintsova in the novel "Fathers and Sons" is different from other ladies presented in the book, it dazzles with female beauty and cold male reason.

When she was a very young girl, she and her sister Katya were orphaned. Anna had to learn early on how to manage the management of her estate. She, an early grown-up daughter, was also able to pay off her father's debts. For her own smaller sister, Katya, Anna replaced her parents. However, she raised her without sentimentality.

Appearance and character of Anna Odintsova

Bright, but inspirited female beauty was absorbed by the image of Odintsova in the novel "Fathers and Sons" (photos of art reproductions confirm this).

Turgenev in the description of the heroine does not spare colors: the lady is tall, with a wonderful posture and the appearance of a secular lioness, beautiful intelligent bright eyes. She knows her worth. In a conversation, Anna shows insight and a natural mind, being interested in the interlocutor and forming an opinion about him for herself.

The image of Odintsova in the novel "Fathers and Sons", outwardly conspicuous, memorable, is only a beautiful wrapper of her gaping spiritual emptiness. The reader is convinced that she really paid dearly for her current well-being. Her heart will never beat faster from love, she is completely devoid of experiences, her feelings are dulled.

Even such a charismatic personality as Yevgeny Bazarov, with his ardent passion and recognition, according to Turgenev's apt observation, only occupied her a little. To his marriage proposal, the lady only vaguely replied that Eugene misunderstood her. What was her attitude towards him? This is obvious: although it sounds cynical, Eugene for this lady was just another toy. No more.

Reason and economics

The image of Odintsova in the novel "Fathers and Sons" is distinguished by thriftiness and quickness. A brief description of her residence on the estate does not at all remind us of Oblomovka. A smart, educated woman is seriously engaged in both organization and innovation, for which she subscribes to metropolitan scientific journals.

She loves order, she has enough rigidity to firmly keep her yards in check. She is bored with idleness.

The novel mentions an episode when a young Swedish nobleman who fell in love with Odintsova offered her a hand and a heart. The woman hesitated briefly before declaring her refusal. For Anna, a well-established life is of great importance, that is, an estate equipped by herself according to her own needs. This is more expensive for this rich widow than romance and suspense, even with certain prospects. In a word, she prefers "a tit in the hand."

Odintsova and her spiritual vacuum

To some extent, the image of Odintsova in the novel "Fathers and Sons", a self-sufficient lady, is really typical in our time. A woman is beautiful, smart, knows how to present herself with dignity ...

But she lost something internal, inherent in ladies. The idea lies precisely in the instinct of a woman - to lean on a man's shoulder, in turn, helping with warmth. The image of Odintsova in the novel "Fathers and Sons" is completely deprived of that quality. With quotes from this characterizing Anna Odintsova, we will acquaint the readers of the article by first discussing the logic of her actions, based on the psychology of the heroine.

Character Feature

A characteristic feature of the heroine is her preliminary calculation of her upcoming actions and the choice of those that carry a minimum of emotional unrest.

The image of Odintsova in the novel "Fathers and Sons" is characterized by the heroine's stay in her special individual comfort zone, the main component of which is a spiritual vacuum. If we take into account her education, tenacious logical and economic mind, then an analogy with a robot suggests itself. A person who deliberately deprives himself of feelings (kills a person in himself), she deserves, rather, compassion.

Quote characteristic

Ivan Sergeevich Turgenev, with his characteristic talent, presents readers with the image of Odintsova in the novel "Fathers and Sons". The table below will introduce you to the quotation of this heroine.

Irony Turgenev

And yet the author of the novel is true to himself. He gradually demonstrates his attitude towards the heroine, introducing a slight irony into the image of Odintsova in the novel Fathers and Sons. In the reduction in the frequency of paying attention to this heroine, in the author's slipping irony in characterizing Anna, this is manifested in the change in the tone of his comments to frankly mocking.

Let us recall the episode when Odintsova comes to the protagonist, who is ill with typhus. A characteristic detail is how she handed a glass of water to Bazarov, who was saying goodbye to her, without taking off her gloves (although what did she need to just wash her hands afterwards?). Does the image of Odintsova in the novel "Fathers and Sons" become similar to "The Man in the Case"? Chekhov's work is most appropriate here for an analogy.

The last time he mentions the heroine, the author is also mocking. The ironic hope expressed in the epilogue that, perhaps, love will still wake up in her heart (preliminarily he announces her marriage at a settlement), can only cause a smile on the reader.

Conclusion

Turgenev-classic is known in literature for his amazing female images. Even his favorite type of the fair sex, which is called Turgenev's girls, is well known. Among them - Natalia Lasunskaya, Lisa Kalitina. These images are considered among the most elegant in world literature.

The image of Anna Odintsova is not at all like this in the novel "Fathers and Sons". For all its beauty, it is empty from the inside, and therefore does not apply to them. This heroine of Turgenev's novel acts as an illustration of a person losing humanity. However, it is no secret that such ladies do exist. And their nihilism of the soul, unlike Bazarovsky, does not at all carry a creative beginning.

In 1983, another adaptation of Turgenev's novel was released - the four-episode film "Fathers and Sons" with Natalia Danilova in the role of Odintsova. The film was directed by Vyacheslav Nikiforov at the film studio "Belarusfilm".

In 2008, a four-episode film adaptation of "Fathers and Sons" was directed by the director. The actress acted in the image of Anna Odintsova. The rich estate of Odintsova was filmed near Bryansk in Tyutchev's estate, which has now become a museum-reserve. This is a large stone house with a colonnade in the style of Russian classicism.

In Avdotya Smirnova's film, the scene of Bazarov and Anna's explanation takes place in a room filled with Bohemian glass, fragile glasses and jugs. The rattling of thin glass emphasizes the intensity of the scene and the fragile elegance of the noble world, into which Bazarov bursts like an elephant into a china shop.

Quotes

“I think it's all or nothing. Life for life. You took mine, give yours, and then without regret and without return. And it's better not to."

“There are many memories, but there is nothing to remember, and ahead of me is a long, long road, but there is no goal ... I don’t even want to go.”

"You can't live disorderly in the countryside, boredom will overcome."

Childhood

Odintsova and Bazarov

Anna Sergeevna's appearance was remarkable, she favorably differed from the rest of the women at the governor's ball:

“You want to fall in love,” interrupted Bazarov, “but you cannot fall in love: that is your misfortune.”

“She was simply frightened by some kind of cold and languid fright; the thought that she would not have felt it if she really loved him - instantly flashed in her head.

Conclusion

Anna Odintsova is one of Turgenev's favorite female images. She is one of the main characters in the novel Fathers and Sons.

Her story is heartbreaking. She married a young girl so as not to live in misery. She did not love her husband, because he was old, but rich. Odintsov died, leaving his wife all his fortune.

It so happened that Anna did not love anyone in her entire life. The main thing in life for her is independence and, most importantly, not to depend on anyone. To her misfortune, two young people fall in love with her at once: Evgeny Bazarov and Arkady Kirsanov. Two friends. Her feelings are far from sympathy for both Eugene and Arkady.

At the time of the beginning of the story, Anna Sergeevna is twenty-eight years old. She was pretty, slender and calm. Both comrades saw how graceful she was and, more importantly, smart and educated. With ease, she supported almost any topic of conversation, which attracted her. But regardless of beauty and charm, she was cold and unapproachable. She never let anyone close to her soul.

It was repeatedly noted in the novel that she loves comfortable, even luxurious conditions, but does not tolerate secular society.

Unexpectedly for herself, she shows interest in the personality of Eugene. But then she realizes that if she gives vent to her feelings, she will lose her calmness. That is why, whether she wanted it or not, she refuses the young man. Bazarov himself realized that Anna wants to love, but she is afraid and this is her problem. Unfortunately, the soul of Anna Sergeevna remains cold and indifferent. When she found out that Yevgeny Bazarov was dying, she went to say goodbye. But, even watching the almost lifeless body of Eugene, she could not feel either love, or awe, or sorrow. She never let Eugene feel what he wanted in the last minutes of his life. She destroyed the very connection, which, perhaps, did not exist at all.

At the end of the novel, the reader learns that Anna has remarried. Her marriage is as unhappy as the first. It is based only on the benefit for herself and for her own comfort, to which the young princess is so accustomed.

To sympathize with Anna or not, each reader decides for himself, but you can understand - you can’t live locked up from your heart and your feelings.

Option 2

Anna Sergeevna Odintsova, wife of the wealthy elderly landowner Odintsov. She married quite early in order to rid herself of the snares of poverty. Soon Anna became a widow and took possession of the wealth of her deceased husband.

At 29 years old, Anna never knew the meaning of love. She married out of selfish motives, her husband's feelings were indifferent to her. She was also indifferent to the feelings that other men had for her: Evgeny Bazarov and Arkady Kirsanov.

All her external inaccessibility and self-esteem were expressed literally in everything: in a straight posture, high growth, exquisite clothes on her beautiful, healthy body, neatly styled hairstyle, beauty of her face. She understood that she was quite a beautiful and attractive girl. With people, especially with men, she was sweet, friendly, her slight smile made everyone fall in love with her. She listened attentively to her interlocutor, which is why everyone admired her "beautiful eyes", which "shone with attention."

But her only desire and purpose in life was to get out of the state of poverty, into which her father, a gambler, who spent the last money on the game, plunged the family. Anna did not want to continue such a miserable existence, forever looking for where to eat, thinking that "tomorrow" might not come. She needed the assurance that she would always have money. But, having achieved her goal, she did not even think about what to do next, how to enjoy the obtained happiness.

Being an aristocrat, she could enjoy all the benefits of an aristocratic life, but this did not please her. In a conversation with Bazarov, Anna mentioned: “I am very tired, I am old, it seems to me that I have been living for a very long time ... There are many memories, but there is nothing to remember, and ahead, in front of me is a long, long road, but there is no goal ... I don't want to go."

Anna Odintsova is a rather prudent person. Human emotions are alien to her, she does not know how to enjoy the little things in life. She sets herself a big goal and achieves it. Then a crisis ensues in the girl's soul. She chose this path for herself. Perhaps this is her understanding of life: calmness and the absence of unnecessary emotional upheavals. In this inability to know the feeling of love, to reveal herself emotionally, lies her "misfortune". Unfortunately, she will remain so until the end, having remarried an unloved person, guided by purely practical goals, namely, to secure a comfortable life in her old age.

Composition Description of Anna Odintsova

Anna comes from a noble family, but her father gambled away his entire fortune. Therefore, Anna spent most of her life in the countryside, her father lost, and the whole family was forced to live in a small house in the village.

Anna's mother is from a family of impoverished princes. After the death of her parents, Anna ran the household herself. She was lucky, the local rich man Odintsov offered her a hand and heart, thanks to this successful party she became a rich and independent woman.

After the death of her husband, the entire inheritance passed to Anna. She lived a calm, prosperous life and did not strive for anything and did not want anything, since she had everything necessary for life.

Outwardly, the heroine of the work, Anna Odintsova, is a very attractive and beautiful woman with a graceful gait, correct posture and excellent manners. She is very calm, even completely indifferent to everything that happens around her.

But this does not prevent Bazarov from falling crazy in love with her, but no matter how hard he tried to light the fire of love in Anna with his signs of attention and courtship, nothing came of it. Only once Anna showed feelings for her lover, but after a while she again became cold and calm.

Odintsova has a very strong character and the freedom that her wealth provides her. Therefore, having fallen in love with Bazarov, she did not admit this to him, so as not to disturb her measured and calm life.

Her character is freedom-loving, she is proud, and at the same time completely devoid of arrogance. She is completely a new wave noblewoman who fully supports freedom of thought and speech, frank in her judgments and statements.

Anna is very smart, and easily fits into any social circle. In the highest class circle of nobles. She feels just as free and confident in the village among the villagers.

She is very smart, reasonable, decisive, but completely calm and indifferent, she does not care about anything that is happening around. All events in her cause only short glimpses of curiosity.

Meeting with Bazarov, Anna does not have strong feelings for him, he simply entertains her with his conversations, invitations to walks, balls and other events. Anna communicates with him, walks, but does not let him in her heart, but just has a good and fun time for herself.

In order not to fall in love, Anna Bazarova takes refuge in a special cocoon, which helps her to remain the same independent and living a familiar lady. As a result, we can conclude that she is not able to love or sympathize with other people.

She is just an insensitive and cold person, beautiful and cruel in her indifference at the same time. All her life she does not live, but drags out a miserable existence. Bazarov, on the other hand, wanted to awaken in her a love of life, but he did not succeed.

Using Odintsova, the author more clearly and frankly shows the character and soul of Bazarov, who eventually abandoned his nihilistic ideas. And Anna remained the same as she was, a lonely and incapable of loving and sympathizing with other people, a cold-blooded woman.

The main goal in life for Anna is to lead a calm and financially prosperous, measured life. Therefore, having rejected Bazarov, she marries a more noble and wealthy person.

Based on Turgenev's novel Fathers and Sons

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