Interior in the style of deconstructivism. Deconstructivism: breaking traditions - creating new forms Decorating rooms in the style of deconstructivism

If there is architectural extremism, then it is deconstructivism - the most aggressive style that leaves no chance for any of the architectural absolutes. It is introduced into any environment with flashy broken shapes and structures that are difficult for visual perception. For deconstructivists, there is no coordinate system, they break the connections of vertical and horizontal planes, warp, distort, bring chaos.
Being the last stage of modernism, this style seems to scream that it is time for people to reconsider patterns, discard pragmatism and rethink the accumulated experience.

The history of the style

Deconstructivism is the only one, the basis of which was not an artistic discipline, but a humanitarian one. The French philosopher Jacques Derrida introduced the concept of "deconstructivism" to refer to an unusual way of reading a work in order to create a conflict of its meaning with an already familiar interpretation and to identify metaphors that capture the traces of subsequent eras.
The architects were inspired and supported the idea of ​​renunciation of the fundamental principles - aesthetics and usefulness. A competition began in the spirit of "who will create the most decentralized structure" or "whose project is the least expedient."
The basics of tectonics, equilibrium and geometry have become for deconstructivists something like old boring toys.
The development of style was influenced by numerous scientific discoveries of the 20th century and the invention of new building materials and technologies for working with them. Plastic concepts were borrowed from Russian constructivism.

Style elements and traits

Deconstructivism is not called the direction of architecture, but its negation, so if there are no walls or windows in the building, this is normal. The more sophisticated the better.
Nevertheless, deconstructivists still have a fulcrum - constructivism and postmodernism. Architects deliberately distort the principles and compositional motifs of these styles and end up with a dynamic and individual building object.

The incredible complexity of designs and the complexity of the implementation of projects are far from always expedient, which is also one of the features of the work done in this style.
Implementing the project, the deconstructivist architect seems to turn into a storyteller who captures his thoughts and ideas in a building structure. That is, architecture becomes the language in which the artist communicates with the world: breaks, distortions, unimaginable geometric shapes - all these are linguistic units that add up to some incredible, hard-to-translate saying.

The main feature of the style is the non-functionality of objects, that is, their uselessness for the life that modern man is used to leading.
The structures are curvilinear, their corners are “cut” or, conversely, their numerous points are knocked out of disproportionate walls. Monotonous planes are often broken up by spans that have a different texture or structure. The scale is knocked down, and volumes of different sizes are mixed into one large "vinaigrette". Such buildings seem to scream: “Hey people, we are not your servants! We have our own life!”
Deconstructivism is a kind of uprising of architectural objects in order to awaken the nearby space and transform the social structure.

When creating a building project, it is possible and necessary to combine various construction technologies. Designing such an object is a very difficult task, since two identical buildings cannot exist. They need to be created from scratch.
As a rule, such structures have a shifted center of gravity, and the supports are bent. Windows of bizarre shapes can be located in the most unexpected places or completely absent.
Consolidation of floors, lack or accumulation of corners, mismatch of proportions - all this will perfectly fit into a building conceived as an object of deconstructivism.

Academic principles are also rejected when working with color: architects and designers combine incompatible shades and resort to sharp contrast of colors with each other or with the landscape.

Construction Materials

Deconstructivist architecture welcomes the use of any building materials.
It can be metal structures, walls made of brick, concrete or glass. Often all materials are combined in the construction of one object.

Decor

Deconstructivism rejects any embellishment or historical quotation techniques.
Both in exterior and interior terms, the style remains practically unrealized. Its features in the design of the interior space of the building are bright and contrasting decor items that make up a kind of color tandem with black.
Interiors decorated in the style of deconstructivism often embody the illusion of breaking walls, ceilings and floors.

Deconstructivism in architecture - photo

Architects working in this unusual direction decided to do without functionality, but also without aesthetics, in its "usual" sense. Although it is already noted today that the path of development of architecture in the future lies in the direction of more positive programs. In the meantime, deconstructivism is still too young and has not had time to pass the test of time. Perhaps it will be replaced by the rapidly gaining momentum plasticism with its streamlined shapes, innovative materials and "space" design.

Rules are there to be broken. Looking at buildings in the style of deconstructivism, it seems that their designers have not heard at all about the rational use of space and the competent integration of projects into the urban environment. Such rebels of architecture. In fact, everything is much deeper. And deconstructivism in architecture originates in the field of ... philosophy!

The French philosopher Jacques Derrida believed that our entire world around us is a text that does not need order, but new interpretations. This text needs to be divided into parts and give each detail a new meaning, denying the usual meanings. Fragmentation, sharp corners, unusual shapes. Doesn't it remind you of anything?

By the twentieth century, mankind had accumulated such an amount of knowledge in various fields that they wanted to be rethought anew. Take apart and give them a new meaning. Or discover its complete absence.
Deconstructivism in architecture was more or less formed only in the 1980s and has not yet become widespread in the world. And in Russia, in general, timid attempts to “deny rationality” are only now appearing. Mostly experimenting with shopping malls.

TC Elizarovsky, St. Petersburg

Although the second source of inspiration for deconstructivism was Soviet constructivism. As the name implies, constructive is usefulness, functionality. She decided to specifically neglect. Specifically, Peter Eisenman and Daniel Libeskind. They are considered to be the legislators of deconstructivism in architecture. Libeskind actually has a book called Surface Must Die. Proof". And the architect really proves this in each of his projects.
Modern Jewish Museum in San Francisco, architect D. Libeskind.

Distinctive features of deconstructivism.Forms

Vitra Design Museum, Weil am Rhein, Germany. Architect Frank Gehry: "Only a very small part of what is being built can really be called real architecture." The statement is controversial, as is the style of architecture itself. Apparently, therefore, it is mainly built museums of modern art, hotels and art objects. Each building in deconstructivism is an art object in itself - bright, unlike anything else. Doesn’t really want to fit into the urban environment, cuts the space with sharp corners. Requires large areas. You could say it lives its own life.

Pavilion in Jinhua Architecture Park, China. Here, for example, is an object of contemporary art. I just want to ask: “is it hard for you to stand on tiptoe?”. And it's a footbridge! So buildings in deconstructivism still have benefits, but the form is in the first place. Geometry, sharp corners, prominent individual parts of the structure. They hang over the viewer, break stereotypes. They want to defy the laws of physics.
Central Library in Seattle, USA. Architect Rem Koolhaas."Mother-Philosophy" awarded her offspring with a valuable quality - an idea. In deconstructivism, the concept is always there. Even if it is not immediately clear. Consider an easier example - this library does not have right angles and parallel lines. Among the skyscrapers, it looks like some kind of space boulder. Because what matters is what's inside. Knowledge.
And here is the Holon Design Museum in Israel. Architect Ron Arad. This is an unusual example of deconstructivist forms. Although already familiar features are present - the irrational use of space, unusual shapes, a challenge to the laws of physics and tectonics.
New York by Gehry(English) New York by Gehry; formerly Beekman Tower is a 76-story skyscraper in New York City. Built by another prominent deconstructivist, Frank Gary. It seems as if it is a frozen blast wave, and the building is about to collapse down. Either this is not real at all and happens in a dream. Perhaps there is much more of an unconscious beginning in deconstructivism than we think ...

Materials of deconstructivism

Since the direction is very young, it boldly uses everything that modern industry offers. In part, its development contributed to the possibility of deconstructivism being born. We upholster surfaces with metal, we support ledges in the walls with heavy-duty reinforcements. Three whales of deconstructivism - glass, metal and concrete. Sometimes wood or plastic.

Window

Windows and various openings deserve special attention. If you abandon the usual decor, what else to recoup?

Decor recipe from deconstructivists: take windows, scatter them randomly on the wall. Can spice up windows of different shapes and sizes. And somewhere in general to leave monolithic walls ...

…as for example in the House of Arts in Portugal. And what, there is electricity inside!

And here is the cool church of Santa Monica in Spain. Geometry as if someone dissected. Or blew up. No, these are crystals that have grown right on the wall of the building. It is said that it is very beautiful inside because of the play of light formed from these chaotic windows.

Decor

We deny deconstructivism and rethink everything, including decor. Modern materials and technologies allow architects a lot. For example, to be inspired by the shapes of the guitars of the legendary Jimi Hendrix. After all, this is the Frank Gehry Museum of Music in Seattle, everything is logical. The contrast of colors and shapes are the main decorations of the style.

Office building in Pragueconsists of two cylindrical towers: normal and destructive.Building - architectural metaphorand a dancing couple, jokingly called "Ginger and Fred" in honor of the couple Ginger Rogers and Fred Astaire . Architects Vlado Milunich and Frank Gehry.
Hotel Porta Fira in Barcelona. Architect Toyo Ita
Sometimes "handy materials" are used. In this hotel, all the walls on the outside are lined with red aluminum pipes. Sometimes they "break into windows" in a chaotic manner. The contrast of shapes, colors and materials is the main idea of ​​decor in deconstructivism.

Deconstructivism in the interior

Royal Ontario Museum in Toronto, Canada

Gradually, deconstructivism moves inside buildings. All the same museums and hotels. And it brings with it a love for large spaces and a free attitude to the areas involved. Games with light and geometry.

Art Museum in Denver, USA

How many floors, what height - no clarity. Everything is changeable, as in a dream. The unusual organization of space, characteristic of deconstructivism, is also reflected inside the buildings. As for color, it is not necessarily a monochrome range. Sometimes there are bright accents of contrasting colors, chained into a clear geometry.

Deconstructivism in architecture is a controversial phenomenon. The style is still very young and it is not clear whether it will develop in the future or will remain in the underground.

Deconstructivism in the interior is generally not common. But if you design a creative space, you can borrow some chips from this direction. Such an interior will definitely not leave you indifferent.

Peter Eisenman argues that the ideas of objects may have nothing to do with the person. That is, each object has its own life, but the functionality is the tenth thing. We certainly do not agree with this approach. But any opinion has the right to exist. Especially something so interesting and original.

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When you want to radically change the surrounding space, destroy the classical, traditional foundations, lines, colors and create something completely unique, unusual, then the era of deconstructivism has come. It is this style that allows you to create an interior that is completely different from what is familiar to the eye of an ordinary person. Of course, the owner himself thus declares himself as a person who does not want to put up with the vanity of the world, but wants to radically change it.

The history of the emergence of deconstructivism as a style

The ideologist of deconstructivism is the French philosopher Jacques Derrida, who criticizes the principle of "being as presence". His reasoning about the ability of architecture to "come into conflict" formed the basis of the style.

Philosophy Jacques Derrida

Although initially Derrida's philosophy referred only to literary criticism, the term "deconstructivism" was firmly entrenched in architecture (1980s), and a little later in the interior. At the same time, Jacques Derrida considered deconstructivism not a style, but a principle of approach to architecture as an art form. He emphasized that the main idea is not a destructive concept, but the conscious creation of a conflict contradiction between the usual and real vision of surrounding objects and things.

Modern direction, design features

In deconstructivism, first of all, the visual perception of the picture of the interior as a whole is taken as the basis. The emphasis is mostly on design. Each project is a kind of experiment, it is impossible to repeat it again. Each designer's work is always 100% individual. Most often, youth clubs are made out in this style. The design of apartments becomes the lot of only courageous people who are not afraid of absolute changes and innovations.

The main features of modern deconstructivism:

• incompatibility of design elements in one composition;
• asymmetric arrangement of decor objects;
• distorted geometric shapes of structures (for example, an arch littered on one side);
• proportion mismatch;
• highlighting one element against the background of the rest;
• mixing incongruous shades;
• broken and intersecting lines.

It is noteworthy that a single element of the interior may look ridiculous, but in the whole picture it looks quite harmonious, and most importantly, trendy and stylish.

Architecture

Deconstructivism was initially popularized in architecture. The architects of the 80s, influenced by the ideas of Jacques Derrida, wondered if it was possible to build a building, renouncing the traditional foundations of utility and beauty of the building. Is it possible to abandon the generally accepted principles of creating structures: balance, tectonics, verticals and horizontals. They understood that, having destroyed the centuries-old foundations of architecture, modern deconstructivists (P. Eisenman, D. Libeskind, B. Chumi, H. Fujii) must create something new, original, which can replace obsolete principles.

New forms, spaces, types of buildings were eventually built. A good example of a building in the spirit of deconstructivism is the Institute of the Sun, built at the University of Stuttgart by Benisch & Partners. This small building, in which innovative research was to be carried out, looked a little strange for that time. The abundance of sharp corners, displaced horizontals and verticals, skewed windows standing at an angle of support, protruding parts of the structure - all together created a strange feeling of disorder and chaos.

Cabinets and storage systems should be inconspicuous, they are not focused on attention. Built-in storage systems or cabinets of asymmetric, non-standard shape, fixed on the wall, will fit perfectly into the style. Moreover, they should not have handles, such systems are opened by pressing a button. Ergonomics and convenience are the main things in furniture. or kitchen sets are also applicable here.

The main decor in deconstructivism is paintings and figurines, which should be large and unusual.

Designer lamps of strange shapes, extraordinarily decorated sofa backs, the design as a whole is unusual, even outrageous, and the accessories are the same.

Comfort is created due to light refraction on broken surfaces. The lighting in the interior of the decon is spotlight. In the evening, neon lighting will fit perfectly here. You can use spotlights, but not industrial ones, but laconic, plastic ones. Chandeliers are a rarity here. Only copies resembling masterpieces of modern art are possible.

The decor of the room contains fabrics that create an atmosphere of comfort. For example, a window can be decorated with transparent tulle or straight linen curtains to the floor.

In the center of the living room, you can place an unusually shaped fireplace made of tempered glass or artificial stone.

There is no overload in the design, and all attributes and accessories should be different from standard, traditional ones. Unusualness in everything is the main principle of designing any premises created in the spirit of deconstructivism.

Philosophy reflected in architecture: video

conclusions

Deconstructivism in architecture, interior and clothing is the privilege of free, courageous people who are ready to throw off the burden of stereotypes and prejudices that modern people often live with. Such people think, create in a special way. They are not afraid to destroy the traditions and foundations that have developed over the centuries. This is a modern, innovative style. Perhaps he is the future.

Deconstructivism in its appearance is similar to the one that once appeared, which also caused criticism, but at the same time admiration from the public. Another good example is style, style, and other areas of home improvement.

In 1981, Yohji Yamamoto and Rei Kawakubo took part in Paris ready-to-wear week for the first time. Their collections caused a shock in the fashion world. Some perceived the models of the Japanese as a caricature of European clothes, others became their ardent admirers, perceiving these clothes not as an attribute of fashion, but as a work of art that expresses a new philosophy of clothing. Then the style of the Japanese collections was called "destructuree look". Later, this direction in clothing design was called "deconstructivism". The term itself, which became widespread in the fashion world in the early 1990s, was borrowed from the philosophy of postmodernism. M. Heidegger believed that deconstruction is a way of a new perception of life and a way of thinking of a new era, which is characterized by free associativity and rejection of rationalism. In the era of postmodernism, self-expression is possible only through the appropriation of tradition, a new combination of the already known, the destruction of the other. Decentration means the disappearance in postmodernity of the concepts of "center", dominant, "high" culture. Decanonization is the fight against traditional value centers. The main method of this struggle is the deconstruction (destruction) of centered structures, models of consciousness and self-consciousness of a person, society, culture. Accordingly, in the field of design, deconstruction means a critical and ironic attitude towards rules and authorities, a new interpretation of traditions, the destruction of canons. The method of deconstruction in design can also be perceived as the destruction of familiar connections, leading to the creation of a new image. The decomposition of a holistic source into elements, the operation of a fragment taken out of context, has become a characteristic feature of the "quotes" method - one of the most common methods of creating a new one in the postmodern era. Design turns into a kind of game with fragments, when the unconnected connects, paradoxes and new images are born. In fashion design, this is manifested in the rejection of traditions: the replacement of the ensemble with a set (i.e., there is a transition from a closed system to an open one capable of transformation), the erasure of oppositions between different assortment groups, in the functional transformation of a thing, in the rejection of the canons of "good taste ". In modern fashion, there are almost no previously strict distinctions between clothes for the day and for the evening, for leisure and for work; elements of a professional suit penetrated into everyday clothes. Traditional evening fabrics (velvet, satin, brocade) are actively used in everyday clothes, while tweed, flannel, leather and knitwear have penetrated smart clothes.

When you want to create something truly unusual, and sometimes frightening, in the interior, only one style can be the best choice for solving this issue. This is, of course, deconstructivism. There is nothing more unusual than this design style. It appeared not so long ago, in the late 80s, based on the design style called constructivism. As you might have guessed, deconstructivism in the interior is the opposite of constructivism. If in constructivism the basis is always the convenience and maximum functionality of the room, using geometric shapes. Then, in deconstructivism, first of all, visual perception is taken as the basis, that is, a kind of beauty and integrity of the interior. However, it also cannot be said that convenience does not play a role in deconstructivism. No, it's just here, in this style of design, the emphasis is more on decoration.

Deconstructivism in interior design, in itself, is probably the most unusual style. It is used most often for the design of public institutions, youth clubs. But if you are not afraid to experiment, this style will transform your apartment beyond recognition.

Here there is a combination of geometric shapes and materials in unusual combinations. The materials used in interior design in this style are predominantly metal and glass. The forms in the interior are quite sharp and unpredictable. Colors may vary. Based on the basic neutral color, you can create a contrast to emphasize the character of the style decision. As additional colors, I can use bright ones, such as red, green. So calm, but gloomy, such as black, gray. It all depends on the idea of ​​the designer and the requirements of the customer. And of course, the purpose of the room.

The main features of deconstructivism or decor, as a style in interior design, are, first of all, a complete mismatch of proportions in the interior. The second is the characteristic use of geometric shapes and sharp corners. Third, the discrepancy in the combination of colors and interior items.

When decorating the interior in the style of deconstructivism, the unusualness of the room can be given already starting with the design of the floor or walls with some unevenness, undulation. The color of the walls is better to arrange in a basic, calm color. Metal and mirrors are also widely used to give an unusual atmosphere. As for the furniture, it plays a key role here, since it is the furniture that is the center of the room and attracts the most attention. Furniture can be sharp shapes and unimaginable colors. However, even under these conditions, it must be remembered that the furniture must be functional above all. Even despite some peculiarity of its form. After all, interior design in the style of deconstructivism, in fact, like any other style of design, is designed to make our life a little better. Therefore, even this style should transform the room for the better, without affecting its convenience.