World War II posters. World War II Posters 1941 1945 Patriotic War poster

It is not for nothing that propaganda and agitation was called the third front of the Great Patriotic War. It was here that the battle for the spirit of the people unfolded, which ultimately decided the outcome of the war: Hitler's propaganda also did not sleep, but it turned out to be far from the sacred anger of Soviet artists, poets, writers, journalists, composers ...

The Great Victory gave the country a reason for legitimate pride, which we, the descendants of the heroes who defended their native cities, who liberated Europe from a strong, cruel and insidious enemy, feel too.
The image of this enemy, like the image of the people rallied to defend the Motherland, is most vividly presented on wartime posters, which raised propaganda art to an unprecedented height, which has not been surpassed to this day.

Wartime posters can be called soldiers: they hit right on target, forming public opinion, creating a clear negative image of the enemy, rallying the ranks of Soviet citizens, giving rise to the emotion necessary for war: anger, rage, hatred - and at the same time, love for the family threatened by the enemy, to his home, to the Motherland.

Propaganda materials were an important part of the Great Patriotic War. From the first days of the offensive of the Hitlerite army, propaganda posters appeared on the streets of Soviet cities, designed to raise the morale of the army and labor productivity in the rear, such as the propaganda poster "Everything for the front, everything for victory"!

This slogan was first proclaimed by Stalin during his address to the people in July 1941, when a difficult situation was developing on the entire front, and German troops were rapidly advancing towards Moscow.

At the same time, the famous poster "The Motherland Calls" by Irakli Toidze appeared on the streets of Soviet cities. The collective image of a Russian mother calling her sons to fight the enemy has become one of the most recognizable examples of Soviet propaganda.

Reproduction of the poster "The Motherland Calls!", 1941. Author Irakli Moiseevich Toidze

The posters differed in quality and content. German soldiers were portrayed as caricatured, pitiful and helpless, while Red Army soldiers displayed fighting spirit and unbroken faith in victory.

In the post-war period, propaganda posters were often criticized for excessive cruelty, but according to the recollections of the war veterans, hatred of the enemy was the help without which Soviet soldiers would hardly have been able to withstand the onslaught of the enemy army.

In 1941-1942, when the enemy was avalanche-like from the west, capturing more and more cities, crushing the defenses, destroying millions of Soviet soldiers, it was important for propagandists to instill confidence in victory, that the Nazis were not invincible. The plots of the first posters were full of attacks and martial arts, they emphasized the nationwide struggle, the connection of the people with the party, with the army, they called for the destruction of the enemy.

One of the popular motives is an appeal to the past, an appeal to the glory of past generations, reliance on the authority of the legendary commanders - Alexander Nevsky, Suvorov, Kutuzov, heroes of the civil war.

Artists Viktor Ivanov “Our truth. Fight to the death! ”, 1942.

Artists Dmitry Moor "How did you help the front?", 1941.

"Victory will be ours", 1941

The poster of V.B. Koretsky, 1941.

To support the red army - a mighty people's militia!

Poster by V. Pravdin, 1941.

Poster by artists Bochkov and Laptev, 1941.

In an atmosphere of general retreat and constant defeats, it was necessary not to succumb to decadent moods and panic. There was not a word about losses in the newspapers then, there were reports of individual personal victories of soldiers and crews, and this was justified.

The enemy on the posters of the first stage of the war appeared to be either impersonal, in the form of "black matter" bristling with metal, or a fanatic and marauder, committing inhuman acts that cause horror and disgust. The German, as the embodiment of absolute evil, turned into a creature that the Soviet people had no right to endure on their land.

The thousand-headed fascist hydra must be destroyed and thrown out, the battle is literally between Good and Evil - such is the pathos of those posters. Published in millions of copies, they still radiate strength and confidence in the inevitability of the defeat of the enemy.

Artist Victor Deni (Denisov) "The Face" of Hitlerism ", 1941.

Artists Landres "It was cold for Napoleon in Russia, but Hitler will be hot!", 1941.

Artists Kukryniksy "We beat the enemy with a spear ...", 1941.

Artist Victor Deni (Denisov) "Why does a pig need culture and science?", 1941.

Since 1942, when the enemy approached the Volga, took Leningrad into a blockade, reached the Caucasus, seized vast territories with civilians.

The posters began to reflect the suffering of Soviet people, women, children, old people in the occupied land and the irresistible desire of the Soviet Army to defeat Germany, to help those who are unable to stand up for themselves.

Artist Viktor Ivanov "The hour of reckoning with the Germans for all their atrocities is near!", 1944.

Artist P. Sokolov-Skala "Fighter, revenge!", 1941.

Artist S.M. Mochalov "We Will Revenge", 1944.

The slogan "Kill the German!" spontaneously appeared among the people in 1942, its origins, among others, - in the article by Ilya Erengburg "Kill!" A lot of posters that appeared after her ("Dad, kill a German!", "Baltic man! Save your beloved girl from shame, kill a German!" object of hatred.

“We must tirelessly see before us the appearance of a Hitlerite: this is the target that must be shot without a miss, this is the personification of what we hate. Our duty is to incite hatred for evil and to strengthen the thirst for the beautiful, the good, the just. "

Ilya Ehrenburg, Soviet writer and public figure.

According to him, at the beginning of the war, many Red Army men did not feel hatred for enemies, respected the Germans for their "high culture" of life, expressed confidence that German workers and peasants were sent under arms, who were just waiting for the opportunity to turn their weapons against their commanders.

« It's time to dispel your illusions. We understood: Germans are not people. Henceforth, the word "German" is the most terrible curse for us. ... If you have not killed at least one German in a day, your day is lost. If you think that your neighbor will kill a German for you, you do not understand the threat. If you don't kill the German, the German will kill you. ... Don't count the days. Don't count the miles. Count one: the Germans you killed. Kill the German! The old mother asks. Kill the German! - this is a child praying for you. Kill the German! - this is the native land screaming. Don't miss. Do not miss. Kill! "

Artists Aleksey Kokorekin "Beat the fascist bastard", 1941.

The word "fascist" has become synonymous with inhuman killing machine, soulless monster, rapist, cold-blooded killer, pervert. Sad news from the occupied territories only reinforced this image. Fascists are portrayed as huge, terrible and ugly, towering over the corpses of innocent victims, pointing weapons at mother and child.

It is not surprising that the heroes of military posters do not kill, but destroy such an enemy, sometimes destroy them with their bare hands - to the teeth armed professional killers.

The defeat of the Nazi armies near Moscow marked the beginning of a turn of military fortune in favor of the Soviet Union.

The war turned out to be protracted, not lightning-fast. The grandiose, unparalleled in world history, the Battle of Stalingrad finally secured our strategic superiority, conditions were created for the Red Army to go over to a general offensive. The massive expulsion of the enemy from Soviet territory, about which the posters of the first days of the war were repeating, became a reality.

Artists Nikolai Zhukov and Viktor Klimashin "Defend Moscow", 1941.

After the counter-offensive near Moscow and Stalingrad, the soldiers realized their strength, unity and the sacred nature of their mission. Many posters are dedicated to these great battles, as well as the Battle of the Kursk Bulge, where the enemy is depicted in a caricature, ridiculed of his aggressive pressure, which ended in destruction.

Artist Vladimir Serov, 1941.

Artist Irakli Toidze "Defend the Caucasus", 1942.

Artist Victor Deni (Denisov) "Stalingrad", 1942.

Artist Anatoly Kazantsev "Not to give the enemy a single inch of our land (I. Stalin)", 1943.

Artist Victor Deni (Denisov) "The Red Army's broom, the evil spirits will sweep to the ground!", 1943.

The miracles of heroism shown by citizens in the rear were also reflected in the poster subjects: one of the most frequent heroines is a woman who replaced men at the machine or at the wheel of a tractor. The posters reminded that a common victory is also created by heroic work in the rear.

Artist unknown, 194х year.

In those days, a poster is also needed by those who live in the occupied territories, where the content of the posters is passed on by word of mouth. According to the recollections of veterans, in the occupied regions patriots pasted banners of "TASS Windows" on fences, sheds, houses where the Germans stood. The population, deprived of Soviet radio, newspapers, learned the truth about the war from these sheets of paper that had appeared from nowhere ...

"Windows TASS" are political propaganda posters issued by the Telegraph Agency of the Soviet Union (TASS) during the Great Patriotic War of 1941-1945. This is a distinctive form of mass propaganda art. Sharp, intelligible satirical posters with short, easily remembered poetic texts exposed the enemies of the Fatherland.

"Windows TASS", issued since July 27, 1941, were a formidable ideological weapon, not without reason the Minister of Propaganda Goebbels sentenced to death in absentia everyone who was involved in their release:
"As soon as Moscow is taken, everyone who worked at TASS Windows will hang on lamp posts."

More than 130 artists and 80 poets worked in "Windows TASS". The main artists were Kukryniksy, Mikhail Cheremnykh, Pyotr Shukhmin, Nikolai Radlov, Alexander Daineka and others. Poets: Demyan Bedny, Alexander Zharov, Vasily Lebedev-Kumach, Samuil Marshak, the poems of the late Mayakovsky were used.

In a single patriotic impulse, people of various professions worked in the workshop: sculptors, painters, painters, theater artists, graphic artists, art critics. The team of artists "Windows TASS" worked in three shifts. During the entire war, the lights never go out in the workshop.

The political department of the Red Army produced small-format leaflets of the most popular TASS Windows with texts in German. These leaflets were thrown into the territories occupied by the Nazis and distributed by partisans. In the texts typed in German, it was indicated that the leaflet could serve as a pass for surrender for German soldiers and officers.

The image of the enemy ceases to inspire terror, the posters call to go to his lair and crush there, to liberate not only your home, but also Europe. The heroic popular struggle is the main theme of the military poster of this stage of the war; already in 1942, Soviet artists caught the still distant theme of victory, creating canvases with the slogan “Forward! To the west!".

It becomes obvious that Soviet propaganda is much more effective than fascist, for example, during the Battle of Stalingrad, the Red Army used original methods of psychological pressure on the enemy - a monotonous beat of a metronome transmitted through loudspeakers, which was interrupted every seven beats with a comment in German: “Every seven seconds one German soldier dies at the front.". This had a demoralizing effect on the German soldiers.

The warrior-defender, the warrior-liberator - such is the hero of the poster of 1944-1945.

The enemy appears small and vile, it is such a predatory reptile that can still bite, but is no longer capable of causing serious harm. The main thing is to finally destroy it in order to finally return home, to the family, to a peaceful life, to the restoration of destroyed cities. But before that, it is necessary to liberate Europe and repulse imperialist Japan, which the Soviet Union itself, without waiting for an attack, declared war in 1945.

Artist Pyotr Magnushevsky "Formidable bayonets are getting closer ...", 1944.

Reproduction of the poster "A formidable step for the Red Army! The enemy will be destroyed in the lair!", Artist Victor Nikolaevich Denis, 1945

Reproduction of the poster "Forward! Victory is near!" 1944 year. Artist Nina Vatolina.

"Let's get to Berlin!", "Glory to the Red Army!" - the posters rejoice. The defeat of the enemy is already close, time demands life-affirming works from the artists, bringing closer the meeting of the liberators with the liberated cities and villages, with their families.

The prototype of the hero of the poster "Let's Get to Berlin" is a real soldier - a sniper Vasily Golosov. Golosov himself did not return from the war, but his open, joyful, kind face lives on the poster to this day.

The posters become an expression of people's love, pride for the country, for the people who gave birth to and educated such heroes. The soldiers' faces are beautiful, happy and very tired.

Artist Leonid Golovanov "Motherland, meet the heroes!", 1945.

Artist Leonid Golovanov "Glory to the Red Army!", 1945.

Artist Maria Nesterova-Berzina "Waited", 1945.

Artist Viktor Ivanov “You have returned our life!”, 1943.

Artist Nina Vatolina "With Victory!", 1945.

Artist Viktor Klimashin "Glory to the victorious warrior!", 1945.

The war with Germany did not officially end in 1945. Accepting the surrender of the German command, the Soviet Union did not sign peace with Germany, only on January 25, 1955, the Presidium of the Supreme Soviet of the USSR issued a decree "On ending the state of war between the Soviet Union and Germany", thereby legally formalizing the end of hostilities.

Compiling stuff - Fox

Collection of posters of the Central Museum of the Great Patriotic War of 1941-1945. has hundreds of works. Turned yellow with time, carefully preserved in private collections, restored by the masters of the museum, they bear traces of the passing era, particles of the emotional mood of people, the political and social spirit of the time.

During the war years, the political poster took a leading place among other types of visual arts. State Publishing House "Art" (Moscow and Leningrad), "Windows TASS", "Battle Pencil" (Leningrad), studio named after M. B. Grekov, publishing houses in the republics of Central Asia and Transcaucasia, cities of Siberia and the Far East, in Kuibyshev, Ivanov, Rostov-on-Don, mobile editorial offices of central newspapers and brigades of artists created at creative unions, art institutes - the entire gigantic propaganda industry of socialist realism worked like a well-oiled mechanism.

Perhaps nowhere in the world during the war years in the genre of political posters such a wide circle of the greatest masters of their time did not work: D. Moor, V. Denis, A. Deineka, Kukryniksy, D. Shmarinov, G. Vereisky, S. Gerasimov, B Johanson and others. Summer. 1941 year. June, 22. Sunday. On the radio - a TASS message about Germany's treacherous attack on our country.

And on June 24, a poster "We will mercilessly crush and destroy the enemy!"

Within a few days the whole country recognized him, and a week later - the whole world. This poster was followed by others. Posters, cartoons in newspapers, "TASS Windows", book illustrations, anti-fascist leaflets for German soldiers, even packaging for food concentrates sent to the front - all these diverse forms were used by artists Mikhail Kupriyanov, Porfiry Krylov and Nikolai Sokolov (Kukryniksy), forcing them serve their purpose. Summer. 1941 year. End of June. Military echelons leave for the front from the Belorussky railway station. They are accompanied on their way by the poster "The Motherland Calls!"

The gray-haired woman looks you in the eyes sternly and demandingly. One hand is thrown up, the other holds a sheet with the text of the oath ... This is how Muscovites saw the poster of Irakli Toidze, the artist who wrote the propaganda posters "I swear to defeat the enemy!", "We will make German criminals answer for all their atrocities!" Fireworks Motherland! "," Stalin leads us to victory! " The experience of each new year of war was worth the experience of a lifetime. 1942 year. "Let noble rage boil like a wave ..." The theme of revenge against the invaders becomes the leading one in the work of poster artists. Perhaps many people remember the famous works from this cycle by Dementy Shmarinov and Viktor Koretsky.

At the same time, posters dedicated to the army and the rear, the ideological and practical role of the country's leadership in organizing the resistance to the enemy were published in large numbers. "Posters are very often pressed close to events," wrote the famous artist Viktor Ivanov. With each new year of the war, the tonality of artistic canvases also changed. In 1943, the topic suggested itself. ... A soldier knocks down the "Drang nach osten" sign board installed by the Nazis with the butt of a machine gun. From now on, the wave of the campaign rushes to the west, and it seems that no force can stop this impulse. "To the west!" - the theme and title of the most popular posters of this period. 1944, 1945. The war entered a new phase. The roads of war, slow, keeping traces of retreat, where death lurked at every step, were left behind.

The swift roads of the offensive, the joyful roads of return and meetings become the theme of the posters: "Let's get to Berlin!", "Motherland, meet the heroes!" (Leonid Golovanov), "Free Europe from the chains of fascist slavery!" (I. Toidze), "Hello, Motherland!" (Nina Vatolina), "Glory to the Winner!" (Valentin Litvinenko), "May Day greetings to the heroes of the front and rear!" (Alexey Kokorekin). The collection of memory, like the collection of the museum, firmly preserves what no longer exists, what has been and has passed. Time ... He has something to be silent about, and something to remember. And all this remained in the posters: "Stalin is the greatness of our era" (A. Zhitomirsky), "For the Motherland! For Stalin!" (A. Efimov), “Stalin’s order - Motherland’s order” (A. Serov), “Chatterbox is a godsend for a spy” (L. Yelkovich), “Comrade! M. Nesterov 1945 The main monuments of the Stalin era were blown up and destroyed. The once famous works are kept in inaccessible museum storage facilities.

And only recently, this cultural layer begins to gradually emerge from oblivion, revealing its unchanging face to the world. And maybe the only thing in our power is to try not to distort the truth behind the discord of memories. This selection presents both the famous works of the masters of the political poster of the Soviet era, and those that are not so well-known today, for various reasons, were not included in albums and catalogs published in recent decades. Without them, the poster chronicle of the Great Patriotic War would not be accurate.

During the war, the poster was the most accessible type of fine art. Capacious and clear, it reflected the whole point at once.

The posters strengthened the fighting spirit of the soldiers. They appealed to conscience and honor, courage and bravery. And after many years, people far from war, when looking at an image, do not have to ponder for a long time about the meaning of what is drawn.

The so-called TASS Windows were especially popular. These are posters, which were replicated by hand by transferring images using stencils, and were aimed at raising the morale of the soldiers, performing labor feats of the population. This type of campaigning made it possible to instantly react to the events taking place. Images were more colorful than printed posters. When working with Windows, we used contrasting colors, short sharp phrases that “hit like shells”.

Several popular motives were traced in the poster art of the Great Patriotic War.

The first motive is Until the last bullet! They urge you to stand to your death, take care of the ammunition, and shoot right on target. Since it is known for certain that the metal for weapons was obtained by very hard work of the workers of the rear. Most often, the central figure on such posters was the personality of the fighter, whose facial features were etched into the memory for a long time.

Another popular call was “ Attack!". The posters with this motif depicted military equipment - a T-35 tank, airplanes, Pe-2. Sometimes legendary heroes, military leaders of past years or heroes were depicted.

Also common was the motive about fighter, victorydyingenemy in hand-to-hand combat. These posters depicted a Red Army soldier in red, and a fascist in gray or black.

It is widely known to use cartoons in posters. Sometimes not only the enemy himself was ridiculed, but also the destructiveness and inhumanity of his actions. It is noteworthy that the artists who worked on the image always very accurately noticed the character, habits, gestures, and distinctive features of the characters depicted. For such a subtle influence on the souls of people through a poster, it was required not only long painstaking work on the study of German newsreels, photographs of Hitler, Goebbels, Goering, Himmler and others, but also the skill of a psychologist.

No less popular was the motive Death to infanticides. Such posters usually depicted suffering or the death of children, appeals for help and protection sounded.

Motive Do not talk! called on the local population to be vigilant.

There was an appeal to the population to collect scrap metal, to work without absenteeism, to harvest to the last grain, to bring victory closer with every blow of the hammer.

With regard to posters, paintings and images, it is better to see once than read their description a hundred times. We bring to your attention the most famous posters of the Great Patriotic War of 1941-1945.

Posters of the Great Patriotic War 1941-1945

Text on the poster: Conquering the world! Cabal to the peoples! - Fascist rate. Red Army amendment!

Artist, year: Victor Denis (Denisov), 1943

Main motive: caricature

Brief explanation: ridiculed Hitler's overconfidence. The soldiers of the Red Army tried to remove fear of the enemy, portraying Hitler as funny and ridiculous.

Text on the poster: Take revenge!

Artist, year: Shmarinov D., 1942

Main motive:Death to infanticides

Brief explanation:The poster raises the theme of the suffering of Soviet citizens in the occupied territories. The full-length poster depicts a woman holding her murdered daughter in her arms. The suffering and grief of this woman is silent, but so touching. In the background of the poster there is a glow from the conflagration. One word "Avenge" raises a storm of indignation and anger towards the fascist barbarians.

Text on the poster:Dad, kill the German!

Artist, year: Nesterova N., 1942

Main motive:Death to infanticides

Brief explanation:The poster depicted the suffering of the people in the occupied territories.He caused fierce hatred for the enemy, who encroached on the most sacred - women and children.The slogan on the poster was based on the phrase from the poem by Konstantin Simonov "Kill him!"

Text on the poster:Hit like this: every shell, then a tank!

Artist, year: V.B. Koretsky, 1943

Main motive:Until the last bullet!

Brief explanation:The poster encourages the soldiers to improve their combat skills.

Text on the poster:A soldier who is surrounded, fight to the last drop of blood!

Artist, year: HELL. Kokosh, 1941

Main motive:A fighter who defeats an enemy in hand-to-hand combat

Brief explanation:They called to stand to death, to fight with the last bit of strength.

Text on the poster:Death to the German fascist invaders!

Artist, year:N.M. Avvakumov, 1944

Main motive: Attack!

Brief explanation:The poster called on the soldiers to selflessly go into battle, attack ... In the background, tanks and planes are depicted, which are rapidly rushing into battle against enemies. This is a kind of symbol of the fact that all forces are concentrated in the fight against the Germans, that all military equipment follows the Soviet soldier into battle, instilling fear in the fascists and confidence in Soviet soldiers.

Text on the poster:This is what the German beast looks like now! So that we breathe and live - finish off the beast! (on the drum - lightning war, behind the belt - the extermination of the Slavs, on the flag - total mobilization)

Artist, year: Victor Denis (Denisov), 1943

Main motive: Caricature

Brief explanation:The artist depicts a ragged, tortured German beast in a caricatured form. The beaten German can see all his slogans, with which he so arrogantly attacked Russia. The author, portraying the German as funny and pathetic, tried to add courage and remove fear from the soldiers.

Text on the poster:To Moscow! Hoh! From Moscow: oh!

Artist, year: Victor Denis (Denisov), 194 2

Main motive: Caricature

Brief explanation:The poster is dedicated to the Great Battle of Moscow and the failure of the Blitzkrieg plan.

Text on the poster:Motherland calls! (Military Oath Text)

Artist, year: I. Toidze, 1941

Main motive: Attack!

Brief explanation: Artist p It possesses an integral monolithic silhouette on the plane of the sheet, uses a combination of only two colors - red and black. Thanks to the low horizon, the poster is given a monumentality. But the main force of the influence of this poster lies in the psychological content of the image itself - in the expression of the agitated face of a simple woman, in her inviting gesture.

Text on the poster:Do not talk! Be on the alert, on days like these, the walls are eavesdropping. Not far from chatter and gossip to treason.

Artist, year: Vatolina N., Denisov N., 1941

Main motive: Do not talk!

Brief explanation:Before the start of the Great Patriotic War and during its years on the territory of the Soviet Union, especially in the border regions, there were many sabotage groups and spies of Germany. These groups carried out various acts of sabotage - violations and breaks of power lines and communications, destruction of important military and civilian objects, disruption of water supply in cities and destruction of wooden bridges, as well as the murder of military and party workers and technical specialists. These days, the task arose to bring to the attention of the population the need to be careful and vigilant in conversations and communication, especially with strangers.

Text on the poster:Comrade! Remember that a well and warmly dressed fighter will strike the enemy even harder.

Artist, year:A. and V. Kokorekin, 1942

Main motive:Everything for the front, everything for the victory

Brief explanation:The poster calls for mobilizing all funds of the population and giving all the essentials to the soldiers who are fighting for their homeland.

Text on the poster:The Red Army's step is formidable! The enemy will be destroyed in the lair! Conquest of the world. Slavery to the nations. Fascism. Hitler, Goering, Goebbels, Himmler.

Artist, year: Victor Denis (Denisov), 1945

Main motive:Attack! Caricature.

Brief explanation:The poster makes one think about the atrocities of German fascism against humanity.

Text on the poster:Victory will be in a country where a woman and a man are on an equal footing. Comrade woman! Your son fights like a hero at the front. And the daughter goes to the RoKK squad. And you support our rear: the swarm is deeper than the trench, go to the machine. And drive your tractor instead of the drivers who are now driving the tanks. You women sisters! You mothers citizens! Take a crowbar, a shovel, a steering wheel, a cutter! For realUnderstand, finally, the stronger the rear, the harder the step of the armies, and the sooner the enemy will perish!

Artist, year: I. Astapov, I. Kholodov, 1941

Main motive:Everything for the front, everything for the victory!

Brief explanation:The poster carries a political connotation of the superiority of a society where men and women are equal, especially in times of war, when men fight at the front, women ensure the reliability of the rear.

Text on the poster:Blood for blood, death for death!

Artist, year: Alexei Sittaro, 1942

Main motive:Death to infanticides; Attack!

Brief explanation:The poster is aimed at instilling the inevitability of victory over the enemy and his complete expulsion from the Soviet land.

Text on the poster: Kill to death!

Artist, year:Nikolay Zhukov, 1942

Main motive:Until the last bullet!

Brief explanation: Appeal to the soldiers of the Red Army to beat the enemy harder for the sake of saving mothers, children and the Motherland.The poster is intended to raise the morale of the soldiers.

Text on the poster:Warrior of the Red Army, save me!

Artist, year:Victor Koretsky, 1942 year

Main motive:Death to infanticides

Brief explanation:The poster aroused hatred of the enemy among the soldiers.The dramatic power of this poster is striking to this day. The most difficult stage of the war for the Russian people was reflected in the work of Koretsky. The ancient motif - a mother with a child in her arms - gets a completely different interpretation in the poster than we are used to seeing in the paintings of the masters of the past. In this work, there are no idyllic features, warmth and warmth, which are usually present in scenes with mother and child, here the mother is depicted protecting her child from danger. On the one hand, in the poster, we see an unequal clash of two forces: cold, bloody weapons on the one hand, and two defenseless human figures on the other. But at the same time, the poster does not make a depressing impression, thanks to the fact that Koretsky was able to show the strength and deep righteousness of a Soviet woman, despite the fact that she has no weapons in her hands, she symbolizes the strength and spirit of the Russian people, which will not bow to the aggressor ... With its protest against violence and death, the poster heralds the coming victory. With the help of simple means, Koretsky's work inspires strength and confidence, becomes both a call, and a request, and an order; this is how the danger hanging over people and the hope that never leaves them is expressed in it.

Text on the poster:There is no such force that would enslave us. Kuzma Minin. May the courageous image of our great ancestors inspire you in this war! I. Stalin.

Artist, year:V. Ivanov, O. Burova, 1942

Main motive: Attack!

Brief explanation:The poster contains a second symbolic plan depicting Kuzma Minin's liberation of the Motherland from the invaders. Thus, even the great heroes of the past call the soldiers to fight and fight for their homeland.

Text on the poster:Battle menu to the enemy for every day.Russian-style treats begin with a snack. The pies are excellent with various fillings ...Then - a little soups navy borsch and okroshka. For the second, Cossack-style cue ball and Caucasian-style barbecue and sweet jelly.

Artist, year: N. Muratov, 1941

Main motive: Caricature

Brief explanation:The poster is made in a satirical style and reinforces confidence in the victory of the Soviet people over the enemy.

Text on the poster:The enemy is insidious - be on the alert!

Artist, year:V. Ivanov, O. Burova, 194 5 year

Main motive: Do not talk

Brief explanation:The poster calls on the population and soldiers to be vigilant.The plot of the poster reminds that a fascist criminal may be hiding under virtue.

Text on the poster:TASS window No. 613 A German was going to the Volga to get drunk - a Fritz was hit in the teeth,

I had to run away - my side aches, my back hurts. Apparently, the Volga water is not good for a fascist, it is cold for a Fritz, a salt!

Artist, year: P. Sargsyan

Main motive: Caricature

Brief explanation: The poster emphasizes the idea that the Russian people are invincible and the enemy will still be defeated.

The poster of the Great Patriotic War is one of the most memorable and striking artistic events of the 20th century culture. His persuasiveness and high patriotic pathos are largely explained by the professionalism of Soviet poster artists, their great life experience and the ability to speak clearly by means of poster graphics. Today, decades after its creation, the 1941-1945 poster has remained an ageless, sharp, combat and inviting art.

V. Koretsky (1909-1998). Our strengths are incalculable. M., L., 1941.
V. Koretskii (1909-1998). Our forces are numberless. Moscow, Leningrad 1941.

2.I. Toidze (1902-1985). Motherland is here! M., L., 1941.

Toidze (1902-1985). Your Motherland needs you! Moscow, Leningrad 1941.

3.V. Koretsky (1909-1998). Be a hero! M., L., 1941.

V. Koretskii (1909-1998). Be a Hero! Moscow / Leningrad 1941.

4. V. Pravdin (1911-1979), Z. Pravdina (1911- # 980). Youth, to the battle for the Motherland! M., L., 1941.

V. Pravdin (1911-1979), Z. Pravdina (1911-1980s). Young people, to the battle for the Motherland! Moscow, Leningrad 1941.

5.V. Serov (1910-1968). Our cause is just — victory will be ours. L., M., 1941.

V. Serov (1910-1968). Our cause is just. We’ll win the victory. Leningrad, Moscow 1941.

6. H. Zhukov (1908-1973), V. Klimashin (1912-1960). Defend Moscow! M., L., 1941.

N. Zhukov (1908-1973), V. Klimashin (1912-1960). We’ll defend Moscow! Moscow, Leningrad 1941.

7.V. Koretsky (1909-1998). Warrior of the Red Army, save me! M., L., 1942.

V. Koretskii (1909-1998). Red Army warrior, help! Moscow, Leningrad 1942.

8. H. Zhukov (1908-1973). There is something to drink for! M., L., 1942.

N. Zhukov (1908-1973). There is something to toast to! Moscow, Leningrad 1942.

9.V. Koretsky (1909-1998). Samed goes to his death so that Semyon does not die ... M., L., 1943.

V. Koretskii (1909-1998). Sahmed would sacrifice his life to save Semyon / As Sahmed's life is what Semyon had fought for. / Their password’s "Motherland" and "Victory" ’s their motto! Moscow, Leningrad 1943.

10.V. Ivanov (1909-1968). We drink the water of our native Dnieper ... M., L., 1943.

V. Ivanov (1909-1968). We drink the water of Old Father Dnieper. We’ll drink from the Prut, the Neman and the Bug! Let’s wash the fascist filth off the Soviet land! Moscow, Leningrad 1943.

11.V. Ivanov (1909-1968). To the west! M., L., 1943.

V. Ivanov (1909-1968). Go West! Moscow, Leningrad 1943.

12.V. Koretsky (1909-1998). Hit it like this: every cartridge is an enemy! M., 1943.

V. Koretskii (1909-1998). Shoot like that! Every bullet means the murdered enemy! Moscow 1943.

13.N. Zhukov (1908-1973). Kill to death! M., L., 1942.

N. Zhukov (1908-1973). Shoot to kill! Moscow, Leningrad 1942.

14. H. Zhukov (1908-1973). A German tank won't get through here!

M., L., 1943. N. Zhukov (1908-1973). No way for German tanks! Moscow, Leningrad 1943.

15.A. Kokorekin (1906-1959). When an armor-piercer stands in the way ... M., L., 1943.

A. Kokorekin (1906-1959). When our armor-piercing trooper is on the way / The fascist tanks will never pass! Moscow, Leningrad 1943.

16.V. Denis (1893-1946), N. Dolgorukov (1902-1980). Stalingrad. M., L., 1942.

V. Deni (1893-1946), N. Dolgorukov (1902-1980). Stalingrad. Moscow, Leningrad 1942.

17.V. Ivanov (1909-1968). You brought us back to life! M., L., 1943.

V. Ivanov (1909-1968). You saved our lives! Moscow, Leningrad 1943.

18.L. Golovanov (1904-1980). Let's get to Berlin! M., L., 1944.

L. Golovanov (1904-1980). Well reach Berlin! Moscow, Leningrad 1944.

19.V. Ivanov (1909-1968). You will live happily! M., L., 1944.

V. Ivanov (1909-1968). You will live a happy life! Moscow, Leningrad 1944.

20. A. Kokorekin (1906-1959). National love for the victorious warrior! M., L., 1944.

A. Kokorekin (1906-1959). Nation-wide love to Warrior the Winner! Moscow, Leningrad 1944.

21. N. Kochergin (1897-1974). Soviet land has been completely cleared of the German fascist invaders! L., 1944.

N. Kochergin (1897-1974). The Soviet land is completely clear of the german fascist invaders! Leningrad 1944.

V. Klimashin (1912-1960). Long live the warrior who won victory! Moscow, Leningrad 1945.

24.L. Golovanov (1904-1980). Glory to the Red Army! M., L., 1946.

L. Golovanov (1904-1980). Long live the Red Army! Moscow, Leningrad 1946. (FROM THE INTERNET)

The poster is a universal genre. But the posters of the Great Patriotic War are more than a genre, they are a chronicle that predetermined the Great Victory of the great nation over fascism.

Toidze I. The Motherland Calls! 1941

Soldier, free your Belarus!
Poster. Hood. V. Koretsky, 1943

01/27/43: Hitler's geek wanted a war like in France, but not like in Russia. Like pimps, he wanted to live at someone else's expense, drink someone else's champagne and eat someone else’s chocolate, send the stolen cloth, silk and stockings to the greedy, like a wolf, his wife, who invariably repeated in her “touching” letters two words “go and come on” ... Fascist German males rush with frenzied gaze at women of a foreign nationality, breathing in their faces the stench of rotten teeth, staining them with drops of their poisoned saliva. ("Red Star", USSR)
Kill the fascist fanatic!
Poster. Hood. V. Denis. 1942 year

Sailor! Deliver your own girl from the vile reptiles! Be merciless with the executioners, kill the rapists in battle! (1941 year)

Warrior of the Red Army, save me!
Poster. Hood. V.A. Serov, 1942.

Fascist captivity is atrocities, torment and torture.
Poster. Hood. V.A. Kobelev, 1941.

06/29/41: The main idea of the Nazis is the superiority of the Germanic race over other races. They compiled a description of the exemplary representative of the Germanic race. This is how a thoroughbred bull or a purebred dog is described. According to the "scientists" of fascism, a pure German is distinguished by slenderness, tall stature, light color of skin and hair, and an elongated head shape. It must be said that the three leaders of the fascists are not very suitable for the listed signs. Hitler is a brunette of average height, Goering is an extremely obese creature. And Goebbels generally has little resemblance to a person - German or not German - this is a tiny monkey, ugly and fidgety. The appearance of the leaders does not prevent the fascists from persisting in the exaltation of the Germanic race ...

The fascists turned people into animals, and replaced the complex world of human feelings with a textbook of pedigree cattle breeding ... The ancestors of the present German fascists declared: "The Slavs are only fertilizer for the German race." The Nazis picked up such a "smart" idea. They consider the Slavs "a minor race, created for agriculture, for dancing or choral songs, but absolutely unsuitable for urban culture and for an independent state existence." Russians, in the words of fascist "scientists": "a cross between Mongols and Slavs, created for life under someone else's leadership." ("Red Star", USSR)

Fascism is hunger, fascism is terror, fascism is war! 1941 year. Karachentsev Petr Yakovlevich

Fascist captivity is torture and death.
Poster. Hood. Yu.N. Petrov, 1941

08.24.41: In one of the hotels in the city of Smolensk, the German command opened a brothel for officers for 260 people. Hundreds of girls and women were forced into this terrible nativity scene; they were dragged by the hands, by the scythes, dragged mercilessly along the pavement. A brothel was also opened by the Germans in the village of Levikino, Glinkovsky District, Smolensk Region. Fascist barbarians drove there by force 50 female collective farmers, including schoolgirls. This is what the bearers of the "new order" do in many other villages and towns. ("Pravda", USSR)

The Russians give a total response to total war: even women and children are fighting the enemy. One German correspondent reported that he saw in a wrecked truck the body of a beautiful girl of about seventeen with a lieutenant's collar tabs - she never let go of a self-loading rifle. Other ‘Amazons’, sometimes poorly equipped but always well armed, continue to cause a lot of trouble for the Germans. Girls and boys, ages 8-16, who are members of the ‘Young Pioneers’ organization - the Russian equivalent of the Boy Scouts - form groups to detect paratroopers. Even Russian mosquitoes in the endless Pripyat bogs are waging their own ‘partisan war’ against the Germans. (“Time”, USA)

Take revenge! Poster. Hood. D. Shmarinov, 1942

05/27/42: Now the war interests us: we want to liberate the regions and cities occupied by the Germans. We cannot breathe while German soldiers are rampaging in Smolensk and Novgorod. We will not sleep while German corporals are raping Ukrainian girls. We will not rest until we exterminate the fascists. Our strength is in our minds: there is no Red Army soldier who would not understand what we are fighting for. ("Red Star", USSR)

01/14/42: These were not buried. They are lying near the road. From under the snow, one hand sticks out, then a head. The frozen German stands by the birch, his hand is raised - it seems that he is dead, he still wants to kill someone. And next to him lies another, covering his face with his hand. Do not count ... On a birch cross the hand of a Russian wrote: "We went to Moscow, fell into the grave" ...

Here are their bodies. And next to it are bottles of French champagne, Norwegian canned food, Bulgarian cigarettes. It is scary to think that these wretched people are the masters of today's Europe ... Some of the “gentlemen”, however, will no longer drink champagne: they lie in the frozen ground.

It's good when they are caught off guard. In the village of Belousovo, dinner remained untouched. They uncorked the bottles, but did not have time to sip. In the village of Balabanovo, the staff officers were sleeping. They ran out in underpants - and solemnly in silk French underpants were killed by a Russian bayonet. ("Red Star", USSR)

09/13/41: A drunken fascist bastard shoots, hangs, stabs with bayonets, tears to pieces, burns old men, women and children at the stake. Fascist two-legged cattle rape girls and women, and then kill them ... The German fascist trash does its atrocities with the cold calculation of professional murderers and executioners. Intoxicated with blood, sadists carry out the program proclaimed by the cannibal Hitler who sent them. ("Pravda", USSR)

09/10/41: The beasts in the uniforms of Hitler's officers and soldiers show what they are capable of. They gouge out the eyes of the wounded, cut out the breasts of women, they shoot old men and children with machine guns, burn collective farmers in their huts, rape girls, drive them to brothels. Cowardly fascist dogs, under threat of execution, drive Soviet women and old people in front of them, covering their skins with their bodies. ("Pravda", USSR)

I am waiting for you, warrior-liberator! Poster. Hood. D. Shmarinov, 1942

12/27/41: A brothel instead of a family - such is the bestial morality of the Nazis! ... This morally and physically corrupted, dirty, lousy, sick with syphilis and gonorrhea fascist soldiers rape Soviet women in the captured cities and villages. Scoundrels mock their victims doubly - they trample their honor and deprive them of health. It becomes scary when you think how many unfortunate victims of fascist rapists are infected with serious venereal diseases! ... (Krasnaya Zvezda, USSR)

Poster. Hood. YES. Shmarinov, 1942

01/14/42: Women, when they see ours, cry. These are tears of joy, a thaw after a terrible winter. They were silent for two or three months. With dry, hard eyes they looked at the German executioners. They were afraid to exchange a short word, a complaint, a sigh. And then it moved away, broke through. And it seems, on this icy day, that there is indeed spring in the yard, the spring of the Russian people in the middle of the Russian winter.

The stories of the peasants about the black weeks of the German yoke are terrible. Not only atrocities are terrible - the appearance of the German is terrible. “He shows me that he is throwing a cigarette butt into the stove and asks:“ Kultur. Cultures ". And he, forgive me, was recovering in the presence of a woman in the hut. It’s cold, and it’s not coming out. ”“ They are dirty. He washed his feet, wiped his face, and then wiped his face with the same towel "..." One eats, and the other sits at the table and beats lice. It is disgusting to look "..." He will put his dirty laundry in a bucket. I tell him - the bucket is clean, and he laughs. They defiled us "...

"They defiled us" are good words. They contain all the indignation of our people before the filth not only of the body, but also of the soul of these Hans and Fritzes. They were reputed to be cultured. Now everyone has seen what their "culture" is - obscene postcards and booze. They were reputed to be clean - now everyone saw the lousy brat, with scabies, who arranged a toilet in a clean hut. ("Red Star", USSR)

My son! You see my share ... Defeat the fascists in a holy battle!
Poster. Hood. F. Antonov, 1942

18.10.41: They commit atrocities in the captured villages and villages. Robbers with a swastika, they revel in the blood of the Soviet people. They are drunk with blood and schnapps. They drink vodka and do their bloody deeds. Then they drink again and commit atrocities with a vengeance ... The Germans began to beat the prisoners, spit in their faces. Several people who resisted were immediately shot. Then the robbers with a swastika staged a ride on captured Red Army soldiers. They found a pig somewhere. One of the soldiers sat on the shoulders of a captured Red Army soldier, the other on a pig, both were urged on to make it look like a race. Drunken Germans giggled, gloated, mocked.

The fascist beast cannot escape retribution!
Poster. Hood. V. Koretsky, 1942

01/30/43: Ten years ago you chose Hitler. You went after the cannibal. You went to France. You went to us. Now you have one thing left: to die. You thought on January 30, having received a double portion of schnapps, to hang the Russians. You will meet this day in the grave. ("Red Star", USSR)

01/28/42: Comrades fighters, look again if hand grenades have an effect on the "insensible" nemchuru. Check again to see if the bayonet hits them. See if they die well from our mines and shells ... They demand: "be cruel", they torture, rape, burn. We say: you woke up, a new day is in front of you, - in the name of humanity, kill a couple more Fritzes - your children and grandchildren will remember your name. ("Red Star", USSR)

01/25/42: Be quiet, Fritzes, so that we don't know how scared you are. Be silent, Gretchen, so that we don't know how hard it is for you ... Perhaps you think that we are eager to study your animal psychology? No. We want one thing - to destroy your Hitler tribe. ("Red Star", USSR)

01/28/42: Anticipating his death, Nemchura prepares new tortures. Pupils of the knuckle-footed one, all these "Herr-doctors" are sitting and trying to figure out how else to torture to betray our wives and our children. They were not particularly "sensitive" to us. They ripped open the stomachs of pregnant women. They watered the dying wounded with horse urine. They raped the girls, and then took them to the ice and raped them again ...

10/30/41: In Hitler's army, the mass rape of women is a common legalized phenomenon. It is encouraged by the entire policy of fascism in the army. Abuse of the population, savage torture and mass rape of women, which were widely practiced by fascist gangs before that, intensified many times in the war against the USSR. Cruelty serves as a cover for the cowardice of the fascists, who did not expect such resistance from the Soviet people. ("Red Star", USSR)

Hood. Kukryniksy (M. Kupriyanov, P. Krylov, N. Sokolov), 1942

03/25/42: The Germans announced with special posters: Staraya Russa is an original German city. Apparently wanting to give the city a "German" look, the Nazis drove cattle into the ancient beautiful old Russian cathedral, hung the corpses of the people tortured by them at the crossroads of the main streets, opened brothel houses where women and teenage girls were dragged by force. Yes, after all this, the view of the city became really German!

However, even Hitler’s bigwigs became, apparently, somewhat at the end of this Germanization. It turned out that during the German occupation, 20 percent of all women driven by the Germans under the threat of being shot in brothel houses fell ill with venereal diseases in the city. The order that announced this does not deny that the disease was brought in by German officers and soldiers. The order appeals to patients with an urgent advice not to rape women. Caring for the population? No. "One sick soldier can make dozens of others sick" ... And the unfortunate women? Don't give a damn, here's more tenderness!

A notice hangs: "At the birth of the ninth living child or the seventh son, parents have the right to choose Adolf Hitler or Imperial Marshal Hermann Goering as godparents." And two pregnant women, Nilova and Boytsova, were hanged on the street nearby. There is also a third woman hanging there - Prokofiev, after whom there are four little guys. Why are these women hanged? So, for the sharpest. ("Red Star", USSR)

Poster. Hood. Antonov Fedor Vasilievich, 1942

12/30/41: The German command ordered us to be placed in a completely cold building. For several days they starved us, they did not even give us water. All were terribly tormented, some were on the verge of madness. Finally ... the Germans threw us a dead horse. The hungry people began to tear pieces of the falling. It was a terrible sight. Some comrades, outraged by such mockery, raised a shout. Then one officer ordered to put a machine gun at the door and ordered to shoot at us. The German machine gunner opened fire point-blank. We began to hide behind the ledges of the walls, but not everyone could do that. 25 people were killed and injured. The corpses of the dead remained lying, they were not allowed to take them out. ("Red Star", USSR)

Poster. Hood. B.V. Johanson, 1943.

The beast is wounded! Let's finish off the fascist beast!
Poster. Hood. D.S. Moore, 1943

04/12/45: You will surely see a solid volume in many Soviet libraries and clubs. There is a single word imprinted on the cover: "They." They are Germans. The book contains many illustrations - terrible illustrations, because we are talking about the torture and torment that the Germans subjected Soviet citizens: men, women, children. We read equally terrible facts in press reports about German death camps on the territory of the USSR and Poland: what happened there cannot be described in words, these are manifestations of absolute evil. Add to this the completely destroyed and devastated western regions of Russia and gigantic losses at the front. Every Russian understands that the disaster that befell Europe is not just a war, but something more. Who is to blame for this? (“The Times”, UK).

I was waiting for you - warrior liberator! 1945

01/10/43: Every Soviet soldier knows what he is fighting for. To kill a German became our air, our bread. Without this there is no life for us. ("Red Star", USSR)

01/01/43: We sipped the icy water of hatred from a soldier's flask. It burns your mouth harder than alcohol. Damned Germany has intervened in our day. Europe dreamed of flying into the stratosphere, now it must live like a mole in bomb shelters, in dugouts. By the will of the demoniac and his associates, the darkening of the century has come. We hate the Germans not only because they murder our children basely and basely. We hate them also because we have to kill them, because of all the words that a person is rich in, we now have only one thing left: “kill”. We hate the Germans not only because they murder our children basely and basely. We hate them also because we have to kill them, because of all the words that a person is rich in, we now have only one thing left: kill. ("Red Star", USSR)

Warrior of the Red Army, save me! Hood. Koretsky Victor Borisovich, 1942
"Pravda" dated August 5, 1942.

Glory to the liberators of Ukraine! Death to the German invaders!
Poster. Hood. D. Shmarinov, 1943

01/30/43: Fritz yelled: "What did he do wrong?" He had not said this before ... For nineteen months he calmly killed, robbed and hung. Now he howled: "For what?" ... For the fact that in Kislovodsk we found a five-year-old girl with a ripped belly. Because in Kalach we found a three-year-old boy with his ears cut off. For the fact that in every city the Germans kill innocents. For all executions. For all the gallows. Fritz howls: "If only one could live peacefully!" I remembered too late, damned one. Who called you to our land? ("Red Star", USSR)

Let's save the Soviet guys from the Germans!
Poster. Hood. L.F. Golovanov, 1943

10/30/41: The German fascist command proceeds from the basic Hitlerite position that terror and fear are the most powerful means of influencing people, and therefore the German must frighten the population everywhere. Therefore, the most brutal methods of reprisal are encouraged in the fascist army: executions take place in public and, moreover, in a deliberately frightening atmosphere. But this does not help the executioners; the Soviet people are responding to the fierce terror of the fascists with the development of the partisan movement. ("Red Star", USSR)

Guards ground attack pilot, Senior Lieutenant Andrei Filippovich Kolomeets, told how the Germans blinded his father:
One morning I opened a newspaper and read in the report of the Soviet Information Bureau the name of my native village, liberated by the Red Army.

I wrote a letter and received the long-awaited answer: everyone is alive and well - my sister, mother, and father. They ask me to tell about myself, how I fight, how I live.

Only one thing surprised me: why the letter was written by my sister's hand, why does my dad not write - he’s a literate, talkative person with me. I began to repeat in my letters: I want, dad, to receive news written in your hand. And my sister still writes letters from home. Then I got angry: my father would not answer - I would stop writing. And here comes the answer to my letter: “Do not be angry, Andryusha, at daddy - he cannot write to you with his own hand, because he is blind: the Germans burned out his eyes. He did not want to work for them at the iron foundry. They took him to the Gestapo, held him for two days, then released him. Instead of eyes - two wounds ... "

Since then I have been twice as vigilant in flight. No matter how the German disguises himself, I find and beat him. Nothing can hide a bandit from my fire. I mercilessly take revenge on the accursed wickedness for the mutilation of my own father.

Sonny, take revenge!
Poster. Hood. N. Zhukov, 1944

07/27/42: It was to the peasant soul of Timoshenko and all of Russia that Stalin, a man whose face symbolizes the whole country, turned in his last May Day order: “They [the soldiers of the Red Army] learned to truly hate the German fascist invaders. They understood that it is impossible to defeat the enemy without learning to hate him with all the strength of the soul. "

It was these forces of the soul - the soul of a soldier and a worker - that the secretary of the Moscow trade union organization Nikolayev had in mind when speaking to the weavers: "All work in the rear is under the banner of hatred."

This is the hatred of the defenders, and the Red Army is still defending itself: it has not yet managed to achieve great success in offensive operations, and now it is looking through its own experience for an answer to the question of whether defense alone will be able to give the desired result. It is to this hatred that Moscow's communiqués are appealing, emphasizing the need to exterminate German soldiers, to destroy German tanks, cannons, and planes. " (“Time”, USA)

I will take revenge on the fascists for your torment!
Poster. Hood. B. Dekhterev, 1943.

And the more hopeless the position of the Nazis becomes, the more they rage in their atrocities and plunder. Our people will not forgive the German monsters for these crimes. Joseph Stalin, 1943

10/30/41: These scoundrels with a swastika, going into attacks, drive civilians ahead of themselves. In recent days, only in one sector of the front - on the outskirts of the Crimea - the Germans several times tried to hide, like armor, with the bodies of old men, women and children. These scoundrels-Germans, trampling on all the laws of warfare, recognized by them in words, villainously deal with the wounded and prisoners of the Red Army, and the survivors are turned into their slaves. Our soldiers know hundreds of facts when the Nazis burned the wounded alive, gouged out their eyes, tore them apart with tanks. And how many such crimes remained unknown! ... (“Krasnaya Zvezda”, USSR)

No army has dishonored itself with such vile and dishonorable tricks as the German fascist army.
Poster. Hood. N. Bylev, 1943

Daddy, save me!
Poster. Hood. I. Kruzhkov, 1943

11.11.41: A letter from his father was found in the pocket of a German soldier. He wrote: “I don’t understand you, Hans. You write that in Ukraine they hate you, they shoot from behind every bush. It is necessary to explain well to these cattle, because you are freeing them from the Bolsheviks, maybe they did not understand you. " ("Pravda", USSR)
Fighter, Ukraine is waiting for you!

Poster. Hood. N. Zhukov, B. Klimashin, 1943

And already on June 24, a poster “We will mercilessly crush and destroy the enemy!” Appeared on the streets of Moscow and became an integral part of the strict appearance of the capital!

Within a few days the whole country recognized him, and a week later - the whole world. This poster was followed by others. Posters, cartoons in newspapers, TASS Windows, book illustrations, anti-fascist leaflets for German soldiers, even packaging for food concentrates sent to the front - all these diverse forms were used by the artists Mikhail Kupriyanov, Porfiry Krylov and Nikolai Sokolov (Kukryniksy), forcing them serve their purpose.

In 1943, the topic suggested itself. ... A soldier knocks down a signboard “Drang nach osten” installed by the Nazis with the butt of a machine gun. From now on, the wave of the campaign rushes to the west, and it seems that no force can stop this impulse. "To the west!" - the theme and title of the most popular posters of this period. 1944, 1945. The war entered a new phase. The roads of war, slow, keeping traces of retreat, where death lurked at every step, were left behind.

The swift roads of the offensive, the joyful roads of return and meetings become the theme of the posters: “Let's get to Berlin!”, “Motherland, meet the heroes!” (Leonid Golovanov), "Free Europe from the chains of fascist slavery!" (I. Toidze), “Hello, Motherland!” (Nina Vatolina), "Glory to the Winner!" (Valentin Litvinenko), "May Day greetings to the heroes of the front and rear!" (Alexey Kokorekin). The collection of memory, like the collection of the museum, firmly preserves what no longer exists, what has been and has passed. Time ... He has something to keep silent about, and something to remember. And all this remained in the posters: “Stalin is the greatness of our era” (A. Zhitomirsky), “For the Motherland! For Stalin!" (A. Efimov), “Stalin’s order is the Motherland’s order” (A. Serov), “Chatterbox is a godsend for a spy” (L. Yelkovich), “Comrade! Be on the lookout, do not blurt out secrets to the enemy ”(B. Zhukov). M. Nesterova 1945 The main monuments of the Stalinist era were blown up and destroyed. The once famous works are kept in inaccessible museum storage facilities.

Koretsky V. Be a Hero! 1941

Koretsky V. Partisans, beat the enemy without mercy! 1941

Moore D. All on “G”. 1941

Dolgorukov N. So it was ... So it will be! 1941

Kukryniksy. We are fighting great ... 1941

Avvakumov N., Shcheglov V. We will not surrender the October conquests! 1941

Zhukov N., Klimashin V. Let's Defend Moscow! 1941

Ivanov V. Let him inspire you in this war ... 1941

Kokorenkin A. In this front-line report there is also my military work! 1943

Ivanov V. We drink the water of our native Dnieper ... 1943

Sachkov V. The Liberator Warrior - Glory

This poster of 1946 is interesting because it contains the inscription “Glory to the Russian people” as a quote from the wall of the Reichstag. In the future, Soviet propaganda did not allow itself this, and instead of the “Russian people”, the “Soviet people” were present on the posters.

Here's another poster from 1946. As you can see, the Russian people are already featured in the main slogan on the poster:

It is obvious that the use of the term "Russian people" instead of the one that was constantly used before by the official propaganda of the "Soviet people" became possible after Stalin's famous toast to the Russian people at a Kremlin reception on May 24, 1945 in honor of the commanders of the Red Army. Here is the transcript of that toast:

- Comrades, allow me to raise one more, final toast.

I, as a representative of our Soviet government, would like to raise a toast to the health of our Soviet people and, above all, the Russian people. (Loud, prolonged applause, shouts of "hurray")

First of all, I drink to the health of the Russian people because they are the most outstanding nation of all the nations that make up the Soviet Union.

I raise a toast to the health of the Russian people because they deserved in this war and earlier earned the title, if you will, of the leading force of our Soviet Union among all the peoples of our country.

I raise a toast to the health of the Russian people, not only because they are the leading people, but also because they have common sense, general political common sense and patience.

Our government made many mistakes, we had moments of desperate situation in 1941-42, when our army retreated, left our native villages and cities of Ukraine, Belarus, Moldova, the Leningrad region, the Karelo-Finnish Republic, left, because it did not there was another way out. Some other people could say: you did not live up to our hopes, we will install another government that will make peace with Germany and provide us with peace. This could have happened, be aware.

But the Russian people did not agree to this, the Russian people did not compromise, they placed boundless confidence in our government. I repeat, we made mistakes, for the first two years our army was forced to retreat, it turned out that they did not master the events, did not cope with the situation that had arisen. However, the Russian people believed, endured, waited and hoped that we would still cope with the events.

For this trust in our government, which the Russian people have shown us, we are very grateful to him!

To the health of the Russian people!

1945 Kokorekin A. Glory to the Victorious Motherland!

HAPPY VICTORY DAY !!!

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